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The I Don't Care Girl

The I Don't Care Girl (1953)

January. 14,1953
|
6.1
|
NR
| Music

This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen treatment for the life of Eva Tanguay, and Jessel is unhappy with what the writers present him.He tells them to look up Eddie McCoy, Eva's one-time partner, for the real inside story on the lusty and vital Eva. Eddie's version is that he discovered her working as a waitress in an Indianapolis restaurant in 1912, wherein singer Larry Woods and his partner Charles Bennett get into a fight over her and both land in the hospital, and McCoy convinces the manager to put Eva on as a single to fill their spot. She flopped, but McCoy arranges for Bennett to be her accompanist, and she went out of his life. The writers look up Bennett, now head of a music publishing company, who says McCoy's story is phony, and it was Flo Zigfeld who discovered Eva for his Follies.

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Artivels
1953/01/14

Undescribable Perfection

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Noutions
1953/01/15

Good movie, but best of all time? Hardly . . .

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Verity Robins
1953/01/16

Great movie. Not sure what people expected but I found it highly entertaining.

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Jonah Abbott
1953/01/17

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

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vincentlynch-moonoi
1953/01/18

It doesn't appear that this film is anymore a true biopic of performer Eva Tanguay than most biopics from the 1930s through 1950s were. But, despite having only a smattering of accuracy in it, some of Mitzi Gaynor's dance routines are fantastic.I had never even heard of Eva Tanguay, although I was vaguely familiar with the old song "I Don't Care". It's interesting to read her bio on Wikipedia...preferably before you watch the film; in fact, the bio may be more entertaining than the film.While far from her best film, Mitzi Gaynor shines here, although I doubt production numbers at the turn of the century were this lavish.Oscar Levant is here as a fellow performer. He seems more ill-at-ease here than usually; this just wasn't the right kind of part for him.David Wayne is surprisingly good as a song and dance man who, at one time, teamed with Tanguay. Bob Graham is a singer with his eye on Tanguay...but my reaction was Bob who? It's interesting to see George Jessel, as Himself, as the producer of the very film you're watching.A rather disappointing outing.

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rowan1925
1953/01/19

In spite of its imperfections, the film contains one of the most inspiring performances of any song in any film. Mitzi Gaynor becomes Eva Tanguay, insists on coming out into the audience, hits a star quality personality in the song "I don't care" when she sings - "Let down the gangway, for I'm Eva Tanguay, and I - DON'T - CARE!!!" I have tried to find this on DVD, but it does not exist. CAn someone get this changed??? Does it exist on CD or MP3 anywhere? I believe that Judy Garland sang the song in the film "Good Old Summertime" but I can't find that either. I have been remembering this song for over fifty years now, which shows how memorable it is. Not many songs have this power to impress itself on the memory, and it is only because of the great performance of Mitzi Gaynor, who is apparently still going today with live performances!

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boblipton
1953/01/20

The musical comedy biopic gets the Rashomon treatment in this faked-up biopic of Eva Tanguay, one of the great stars of turn-of-the-century vaudeville. Mitzi Gaynor, as always, gives a great performance and it's a pity that, with the exception of the movie version of SOUTH PACIFIC, she was always Fox's B musical star, doing whatever they gave her. The musical numbers are all overdone, as if choreographer Jack Cole is mocking the form; the semi-strip-tease to jazzed up Mozart (I'm not making this up! It's the most out-of-place dance number outside of Sally Forrest's weird one in EXCUSE MY DUST) and other numbers that recall LADY IN THE DARK -- all very modern for the era and absolutely bizarre in context.Oscar Levant plays the piano magnificently a few times and David Wayne gives a typically graceful performance in support.

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mauricelowe86
1953/01/21

I understand that The I Don't Care Girl was severely cut by Daryl F Zannuck which was his usual practice, despite this Mitzi showed what a Great talent she was, unlike other great female dancers of the time Mitzi was set apart because she had personality, I also think Mitzi was at the wrong studio and totally wasted in Hollywood, although she was'nt wasted in Las Vegas where she was the top box office star for years, and later her great tv shows.

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