Hollywood Party (1937)

People are voting emotionally.

This movie was so-so. It had it's moments, but wasn't the greatest.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Blistering performances.

Hollywood Party (1937) * (out of 4) One hopes a real Hollywood party wasn't as boring as this mess of a short from MGM. The main reason to tune in is the three-strip Technicolor, which was just starting out. In the film Charley Chase and Elissa Landi are introducing various music acts and a few Hollywood A-listers with it all set to a Chinese theme. The Chinese theme also means Chase slanting his eyes, wearing some funny facial hair and throwing around rather stereotypical slang. The movie, no matter how you look at it, is a real embarrassment and one can't help but feel bad for Chase, a veteran of over 250 films, for having to appear in it as MGM certainly didn't do him any favors. The biggest problem is that the film never knows what it wants to be. It starts off appearing to just want to make fun of Chinese customs. It then turns into a music and features some very bad songs. It then tries to be a fashion show, which is fails at miserably even though we see some nearly naked women, which makes one wonder how this got passed by the Hayes Office. Everything this film tries it fails at and the cameos by Joe E. Brown, Anna May Wong, Freddie Bartholomew, Joan Bennett and Clark Gable can't help.

The producers of THE GOOD EARTH d.v.d. apparently figured they needed something ELSE from 1937 to lighten the mood after the tear-jerking ending of the movie version of Pearl Buck's Pulitzer Prize-winning novel. While the color of this short contrasts nicely with the feature's black & white mode, the content is even more grating than the similar, albeit non-color, short from the MGM of 1937, SUN.DAY NIGHT AT THE TROCADERO. Where HO11YWOOD PARTY lacks major cast members of THE WIZARD OF OZ (TROCADERO had the Wiz himself, Frank Morgan), THE GOOD EARTH patriarch is played by Charley Grapewin, who'd become Dorothy Gale's "Uncle Henry" two years later. Furthermore, several snippets of incidental music from EARTH's score would be recycled into the OZ soundtrack. The other extra on the EARTH d.v.d., "Supreme Court of Films Picks the Champions Newsreel," is a poorly-edited mess (with NO title card help) from the Oscar Awards the year EARTH was eligible (a clip of Luise Rainer's brief acceptance speech for her award-winning portrayal of "O-Lan" is included).

Apart from its historic value as an early example of Technicolor, this is a truly dreadful film. In fact, even the Technicolor itself was just awful--with way over-saturated colors that were very, very hard on the eyes--particularly the greens and pinks.As for the plot, there isn't much of one. Charley Chase and some lady are the emcees at some bizarre beach party where they and some not especially talented performers act Chinese--or at least act like a dreadful stereotype of Chinese circa 1937. Chase, who could be a funny man, was given absolutely NOTHING to do but make slant-eyed faces at the camera and speak in an awful Chinese-like accent.In addition to the dreadful acts and narration, there are some very pointless cameos by Clark Gable, Joe E. Brown and others. All the appearances really amount to are exceptionally short clips of only a couple seconds that have no relationship to the rest of the film.Dumb, pointless and wretched--this is a terrible short that only has some tiny historical value and is as entertaining as watching paint dry. Sadly, while this sappy Hollywoodized version of China was presented, the real plight of the Chinese (who had been invaded and decimated by the Japanese during the 1930s) was never mentioned--they all were portrayed more like "happy children".

The 3-strip technicolor is the real star of this musical/comedy hodgepodge. The hosts are Elissa Landi and Charlie Chase in an oriental-themed program. We see glimpses of Joan Bennett, Clark Gable, Joe E. Brown and a nice fashion display with Anna May Wong. The real talent is in a quartet of black singers doing a rendition of "Chinatown, My Chinatown". There is a nice scene with a hula-motiff and the song "South Sea Island Magic". Some rather routine dance numbers and so-so Leon Carroll sketch to fill it all out. Watch for it on TCM.