Interrupted Melody (1955)

I love this movie so much

A movie that not only functions as a solid scarefest but a razor-sharp satire.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Eleanor Parker, a much underrated actress of the 1950s, probably hit the high point of her career when she essayed the role of Marjorie Lawrence in this biographical portrait.Marjorie Lawrence was an Australian opera star whose career was cruelly interrupted by polio in the 1930s. The film follows Lawrence from her winning a singing contest in her native Winchelsea, Australia through her career with the Metropolitan Opera and her struggle with regaining her health. Lawrence is supported every step of the way by husband Dr. Thomas King,ably played by Glenn Ford. But it's Eleanor Parker's movie all the way.Funny for a movie about an Australian, Parker doesn't even attempt an Australian accent. This is in the MGM tradition of Clark Gable who did not attempt any British accent in Mutiny on the Bounty. It worked just as well for Parker, though I'd be curious what a native Australian might think. Lawrence was the second female opera star who became a national treasure for Australia, the first being Nellie Melba. Parker shouldered a lot of tradition in this film and did it well.The voice used by Parker for the operatic sequences is that of Eileen Farrell of the Metropolitan Opera. The sequences are well done, but the real drama in the scenes of Lawrence battling polio.This film coincidentally enough came out at the same time that Dr. Jonas Salk discovered his vaccine preventive for polio. I still remember as a lad getting those polio shots at my public school. No movie studio could have planned that coincidence, but MGM reaped enormous profit because of it. As for Jonas Salk, no man of medicine has ever been admired in the same way in my lifetime.Eleanor Parker was nominated for best actress, but lost that year to Anna Magnani in The Rose Tattoo. Look for a young Roger Moore in the role of Parker's brother and business manager.My favorite scene in the whole film is Parker as Lawrence entertaining the troops overseas in World War II. Especially when she sings Waltzing Matilda to her native Australian diggers. It was like the whole beating heart of the Australian continent coming alive for an instant. Absolutely inspired.This film gets the highest possible recommendation from me.

Eleanor Parker is one of my favorite actresses from the '40s and '50s and does a marvelous job here, lip-synching to perfection various Wagnerian opera arias (as well as Puccini and Verdi). The storyline is somewhat similar to that of Jane Froman's career in that both were singers who, although paralyzed, continued with their singing careers and entertained servicemen as well. Glenn Ford lends solid support as the understanding, long-suffering husband who is always there when she needs his moral support. Roger Moore has a small role as her brother.Everything moves smoothly under Curtis Bernhardt's direction. The opera segments are beautifully staged and filmed (in gorgeous technicolor, of course). Parker demonstrates her acting skills to the fullest and Eileen Farrell does a superb job on the vocal dubbing.Well worth your time--inspirational and enjoyable even if you're not an opera lover. Filmed in wide screen technique, it loses something on video showings.

I was lucky enough to be channel surfing about 15 years ago when I saw a beautifully staged aria from Madama Butterfly on TV. Being an opera lover I stayed tuned to see what it was. It was the amazing story of Marjorie Lawerence- an opera singer who's career was "interrupted" by polio. The movie does follow her book very closely and the opera arias are just beautifully staged! They don't make movies like this anymore. Eleanor Parker does a masterful job on lipsynching to Eileen Farrell's tremendous singing! Parker does weird histronics occasionally like leaning backward on a high note, but it is still a remarkable job of lipsynching in 3 different languages. Eileen Farrell who plays a voice student in the beginning of the film actually does all the singing for the movie, uncredited as usual during that time. She does soprano roles, mezzo and sings in French, German and Italian and every aria is superb! Glenn Ford lends nice support as the husband who believes in his wife despite his idea of having her at home with children as opposed to a life of touring and singing in the kind of international career she has dreamed of and accomplished. Look for a very early appearance by Roger Moore as Marjorie's brother. This is a movie that can be enjoyed by anyone- the opera scenes are never too long and the major theme of the movie is the triumph of the human spirit.

The film does a fine job with the crippling illness of Lawrence and her comeback onstage, but most notable are the performances by the stars. Glenn Ford and Eleanor Parker were never better. Just superb. The scene where she tried to commit suicide and Ford stopped her, broke down, and asked God for help is magnificent and a must-see. Ford and Parker should be well-remembered as excellent actors.