Everything or Nothing (2012)

Just perfect...

A lot of fun.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

"Everything or Nothing: The Untold Story of 007" (2012 release; 98 min.) is a documentary about the James Bond movie franchise (which celebrated its 50th anniversary in 2012). After a 'classic' Bond opening, we quickly delve into Ian Fleming's background, and in particular how deeply affected he was by WWII (in which he served) and later the Cold War. It eventually leads him to create the James Bond character, and the first Bond novel "Casino Royal", which some refers to as Fleming's "autobiography of a dream", ha! After this promising start to the documentary, we quickly evolve into the complicated relationship between Albert "Cubby" Broccoli and Harry Saltzman.Couple of comments: this documentary is directed by British film maker Steven Riley. Riley tries to walk a fine line between on the one hand all of the legal issues that have confronted the James Bond franchise over the years (and believe me, there are PLENTY), and giving an overview of how the Bond movies have evolved over the years. There are some tidbits here and there that I found interesting (such as: the budget for the first Bond Movie "Mr. NO" being $1 million--or about $8 million in today's dollars, can you imagine making a Bond movie for just $8 million?; and the interview with one-time Bond actor George Lazenby, on how he talked Broccoli and Saltzman into becoming the new Bond, only then to be kicked out of the Bond franchise after just one movie).I recently stumbled on this while browsing the EPIX on Demand documentary section. When a 50th anniversary celebration movie like this one is put together, you can be assured that it stays on the lighter side when all is said and done, and that's fine. I'm sure one day someone (independent from the Bond film makers) will produce the definitive James Bond documentary.

As a documentary, EVERYTHING OR NOTHING: THE UNTOLD STORY OF 007 attempts to shed new light on the much-loved film and book franchise as well as being a celebration of the topic. It succeeds in the latter part but is noticeably light in offering up anything new in way of material; Bond fans will find this all very familiar stuff indeed.Still, I enjoyed this as a straightforward retrospective, exploring Ian Fleming's life and his original stories before working its way chronologically through the Bond films and their actors. This was made to tie in with SKYFALL and the 50th anniversary of Bond, so it's pretty comprehensive, with lots of clips and interesting reveals about the behind-the-scenes production wrangling with rights issues and the like.The most fun part of all this is the talking head footage of pretty much every important Bond participant, including Barbara Broccoli. The only one missing is the ever-grumpy Sean Connery, but he isn't missed too much. Roger Moore is a delight as ever, and it's nice to see Christopher Lee in what would be one of his last screen appearances. I'm not sure what Bill Clinton is doing here, but he's here nonetheless. EVERYTHING OR NOTHING will do nothing to change your opinion or outlook about the Bond franchise but it whiles away the time readily enough and certainly puts you in the mood for a Bond film or two.

Produced as part of the celebrations of the James Bond film series reaching its fiftieth anniversary and sanctioned by those behind them, the documentary Everything Or Nothing: The Untold Story Of 007 might appear on the surface to be just another piece of celebratory fluff. After all, there have been countless documentaries produced on the series both for television and, more recently, on the various DVD releases of the films. So what could possibly be left to say about the history of the franchise? The answer, as revealed over a bit more than ninety minutes, is quite a bit.What perhaps makes the documentary most notable are those being interviewed. Five of the six actors who've played the part are featured (the sole exception being Sean Connery whose love/hate relationship with 007 is illustrated throughout). Each of them is nothing short of interesting ranging from George Lazenby's candidness about letting the part go to his head to Timothy Dalton reflecting on how his take on Bond was received to Pierce Brosnan on the pain of losing out the chance to play Bond in 1986 and how he handled the phone call telling him he wasn't getting to do another film after Die Another Day. Representing those either unwilling to be interviewed (such as Connery) to those no longer with us (such as Bond creator Ian Fleming, producer Cubby Broccoli, producer Harry Saltzman and surprisingly even Kevin McClory) is a wealth of mainly audio archival clips. Last but not least are a wealth of others interviewed such as the usual suspects including various Bond girls to current producers Barbara Broccoli and Michael G. Wilson. Somewhat more intriguing are the less usual suspects including Fleming's friend/biographer John Pearson to McClory's friend Judy Geeson and former United Artists executive David Picker. The results help to make this far more than your usual making of documentary.Everything Or Nothing is also well produced and stylishly done. Yes, there are the expected clips from all of the films, but they are put to surprisingly effective use not just as samples from the respective films but also to illustrate, often metaphorically, events taking place behind the scenes. There's also a wealth of archival material as well that give it a larger scope than many of its predecessors as well. There's also a stylishly done opening black and white teaser sequence that sets the stage for it is to follow that is excellently done. If I would fault the documentary, it would be that it perhaps paced too rapidly and jumps around quite a bit, rarely stopping long enough to focus on any one film in particular.The result of all of these materials being brought together is that this is less a making of documentary and more of a look at the history of the series overall and how it has survived across five decades. It charts the course through the series by telling a story about strong individuals, egos, money and perseverance as much as anything else. Despite being officially sanctioned, the documentary does point out the flaws of various films and when the series went astray. Perhaps most surprisingly, it even goes into some depth about the controversy surrounding McClory, Thunderball and Never Say Never Again in a manner that is as even handedly as one can expect in light of what is still a controversial subject in Bond circles.From its interviews and archival materials to a stylish production, Everything Or Nothing: The Untold Story Of 007 is far more than just another documentary on the history of a long running franchise. It is a journey through its history, its ups and downs and even some of its points of contention. It is the story behind the spy (and the films) that have, and will hopefully, continue tom thrill us.

Fantastic documentary and very pacily directed. Actually more involving and entertaining than many recent Bond films for this fan, a real narrative arc to it all, and emotional involvement. Superb use of Barry music throughout to accompany the narrative, and clips from the films to illustrate events.Bond creator Ian Fleming gets his deserved share of acclaim in it. Connery's non-involvement lends him a posthumous air, but it allows him to be cast as the villain of the piece, an attitude which seems more justified in retrospect as the series has gone from strength to strength without him. They linger on shots of Connery looking quite obese in the Diamonds are Forever era, as if to make a point, and the clips from his rogue Bond film Never Say Never Again mainly show him at his worst. They don't mention, however, that EON actively worked to mess up Never Say Never Again by hauling them to the courts on a weekly basis to throw up roadblocks over their intended storyline.Alternative Bond producer and huckster Kevin McClory is the other villain of the piece, though no one would realistically stick up for him. That said, I'm not sure that the whole Spectre thing wasn't his idea and lord knows EON milked that in the 60s, using them for films where they hadn't even featured in the books.A shock to see Roger Moore look so overweight, he's turning into Cubby now, while I thought Dalton looked better than he's been in decades, quite rugged and windswept. But his interpretation of Bond is wholly damned here, with no one speaking up in support of it, and he even seems to damn it in his own words: 'I worried that half the people would love Connery and the other half love Moore and they'd gang up to hate me...' implying that's what happened, though in the interview from which that quote was taken, a few years after LTK, he swiftly added 'Which didn't happen I'm glad to say', now edited out. Brosnan is in good form, but still surprisingly cut up about getting the push, surprisingly because, let's face it, his films were mostly below par through no fault of his own. I think his response was the grief or regret that comes from knowing he'd never get a chance to get it right, and now time had moved on.One-time Bond George Lazenby is perhaps the best entertainment value for anecdotes, he's in good form and amusingly self-deprecating. Oh, there's a moving scene regarding a phone call from Connery to Cubby, related by Barbara Broccoli. Connery's comments are occasionally heard, but they're from past interviews and used very fleetingly, over other clips.What I found surprising was that I found the clips of Casino Royale with Daniel Craig at the end far more moving than in the actual film, because the music played over it - not David Arnold, it seems - was more affecting. Craig's performance looked shockingly impressive this time round simply because of this.Some clips from Skyfall at the end, though not too many if you haven't seen it yet. The trailer is almost directly before the film, so arrive at the last minute if you want to miss that. Catch this in cinemas if you can, as you get to see some clips of the films on the big screen for once, even if some of the hi-def remasters seem to have just something very slightly wrong about them sometimes.