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Nightmare

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Nightmare (2005)

January. 01,2005
|
5.1
|
R
| Horror Thriller
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On the brink of madness, a director's only recourse is to make a movie of the savage murders he believes he committed. The morning after a wild party, a young film student awakens in the arms of a mysterious actress. Unsure where they are, the two find a video camera at the foot of the bed aimed at them. Suspicious of one another, the lovers decide to watch the tape. Their apprehension turns to terror as they see themselves on screen gleefully committing brutal murder in the room they've just slept in.

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Reviews

LouHomey
2005/01/01

From my favorite movies..

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Glimmerubro
2005/01/02

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

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AutCuddly
2005/01/03

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

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Invaderbank
2005/01/04

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

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krepsilent
2005/01/05

I didn't see anyone comment on the ending, other than to say it goes nowhere, and I don't really agree with that, so here's my thoughts: the protagonist (Jason Scott Campbell) gets his first clue on how to "end the movie" / "catch the killer" / "end the murders", when his teacher tells him "it's time for the protagonist to take control - everyone's been a victim so far, it's time for him to take control - and time for you to finish the movie." A further clue comes from his classmate, the guy making the other movie: "... there's no villain.. it's almost as if, the director, he's the villain, he's the one putting us through all this." That's when he gets the idea - to end it, he must take control, so he invites Natalia over, grabs a knife, sets up the camera, starts it recording and he and Natalia lay on the bed, the knife hidden beside him. Increasingly certain he's the killer and/or crazy, Natalia starts fighting him, afraid he's going to kill her (or perhaps playing along, understanding his intent).Then the "movie with a movie" starts happening, and quite simply the protagonist kills the director, or the person filming. Next the scene cuts to the class film set, and the ending of the movie and movie within movie is shown - and then Natalia and protagonist huddle while he says "it's over, it's over".Who was the director? I think that is left up to the viewer. The literal interpretation could be the person who set everything up entered the room - maybe the janitor, maybe someone else, and the protagonist killed him. Another interpretation, more magical but still inside the movie, is the camera was some kind of window to another dimension, or the mind/dreams of the director, and somehow a magical second reality was interfering, and the act of killing the "director" was a way to pick an ending and stop it. Yet another interpretation is, the whole work is not actually a horror movie but an inside comment on film making of horror movies, and the comment is, in movies such as this, or Blair-witch, etc, the villain is simply the director.Personally, I think in some cases this type of ending can be brilliant, but in this case we weren't quite there (thus a 6). The viewer wonders, was this an intentional plan of a writer with a message? Or is this just a cowardly way to end a movie from a writer who was unwilling to write an actual ending, or couldn't make up his mind, or ran out of money? And I think that is what bothers so many viewers about endings like this.

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MrCarey
2005/01/06

An impressive first feature with solid acting, lots of nudity, blood and gore and a plot that tumbles under and eats itself in concentric circles. (Whatever that means…). I must admit, I walked in 32 minutes late at the Boston Underground Film Festival screening and but was immediately stuck by the images and action and remained riveted right up until the ending that was handled with the right mix of ambiguity and clarity of 'clues'—to lead you to believe you understood what happened, but was not quite sure. I think that's a good quality to leave an audience with for this kind of picture. I mean, what would life be without mystery?I particularly liked the bald creepy crew member who, in one shot, looks exactly like Robert Blake in Lost Highway—a film that was definitely an inspiration for this one. The high def video looks great—just like film--and it's quite a professional piece of work. Plus, this film had the most gorgeous shot of all the films I saw at this years BUFF, but I'm not going to tell you which one.

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Unlikelyplace-1
2005/01/07

It has taken me a little while to write about this film after I saw what I believe was it's East Coast Premier in Oct. at the Eerie Horror Fest (a new and remarkably well run film fest.) This is the first comment I've made on IMDb and feel this film is important for those who love surreal art, horror films, or the process of creating art -which leads right back into the surreal (secret deep, dark thoughts) anyways and now you're trapped in twisted, fun part of your imagination which is a neat place to be! The film is hard to describe because it deals with human impulses of sex, and drive for success, and violence and all sorts of dormant notions in the quiet places inside all of us - by taking us into an actual nightmare (how can you really describe a nightmare and get all the chilling feelings on IMDb?). It is a film that needs to be experienced.The acting is great - also it is a film about actors so again the nightmare cycle is already in full swing. Its a story of actualizing your dreams and creating expression - you see the tight interplay of ideas already? Smart, smart pop-psychological masterpiece. The horror aspects are brutal and disturbing (several times during the film I thought 'I'm imagining this whole thing...right?) A certain giddy sense of absurdity and feverish mania is also a strong part of what makes this movie (or film...or movie...or film) so great.Easily the best part about this film is that it feels like a dream...the sort of dream only hinted at by the title. It is strange, well crafted work that made me quite, quite satisfied.

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tdlssc
2005/01/08

Twists you will never imagine make every minute of this movie intriguing and fascinating to to watch. The acting is amazing and the director has creating a thrilling masterpiece. As you learn more about the characters in this film, things change, making you wonder if you were paying enough attention. Jason Scott Campbell is an amazing actor who keeps the level of intensity high as he winds his way through the maze of events in this film. You will be going between thinking he is the only sane one in the film to wondering how people could not know he is totally nuts. Or is it him? Or another director? Or the college professor? The cinematographer? Everyone is suspect at some time during the movie. This is one nightmare I would be screaming to wake up from.

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