The Jungle Captive (1945)

Great Film overall

Fresh and Exciting

A Disappointing Continuation

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

The Jungle Captive is the third (and thankfully final) installment in Universal's Ape Woman trilogy. In most trilogies, the third movie is usually the worst. I actually found The Jungle Captive to be the most entertaining of the bunch (although that's not saying much). In this one, a scientist named Stendahl (Otto Kruger) uses his hired muscle, Moloch (Rondo Hatton), to steal the Ape Woman's body from the morgue (she was killed at the end of part 2). He has been working with reanimating the dead bodies of small animals and wants to take his experiments to the next level with a larger subject. Unfortunately, during the heist of the body, Moloch killed a morgue worker – meaning the police are investigating. The police seem to suspect Stendahl's lab assistants, but they're completely innocent and unaware of Stendahl's new experiments. That all changes, though, once Stendahl kidnaps his female assistant, Ann. He needs her blood to help resurrect the Ape Woman. If you've seen the other two films in the series, you won't be surprised by much of what happens in The Jungle Captive. But there is more action in this one and the flow (for lack of a better word) of the movie is better. Kruger makes a great mad scientist – the best in series. The look on his face when he reveals his plan is fantastic. It's also nice to see Rondo Hatton in a speaking role. In the end, Rondo gets to play the hero. Finally, the movie focuses less on Paula the Ape Woman which turns out to be a positive. In the previous movies, she too often just stood and stared at nothing. Here, she's almost an afterthought to Stendahl and his crazy plans for Ann.Those are the positives. How about the negatives? Well, it's easy to see that Universal slashed the budget big time on The Jungle Captive. This one barely looks better than a Poverty Row programmer. In fact, most of the cast seems straight off the PRC lot – not the usual standard for Universal. Also, as I indicated, it's all horribly predictable. You know what's going to happen to the Ape Woman and that somehow Ann will be saved. In the end, I sort of felt sorry for Paula. As with the other two movies, this one ends with her being killed.

For fans of Rondo Hatton, this's the one. He has more lines in THE JUNGLE CAPTIVE than in all the other films I've seen him in, combined. He handles what dialogue he's given well enough, and the fact that he falls for the heroine and eventually sacrifices himself to save her makes for an overall very satisfying performance. The writer(s?), however, could've done a bit better by Hatton by leaving out the put-downs leveled at him by his boss: "No offense, but, with a face like that..." or "You're better suited to be the suitor of the Ape Woman than the heroine..."- that kind of s---. Hatton would've made an interesting Hero, if you ask me. (The makeup for the title Captive is outstanding, by the way.)

Third and last entry in the series, deemed the worst (rated BOMB in the "Leonard Maltin Film Guide") but actually slightly superior to its predecessor due, for one thing, to its having a proper plot line (rather than a rehashed one) and the fact that the mad scientist (even if he is stubbornly referred to as "Mr." Stendhal throughout!) this time around is just that. Indeed, here too, the mainstay (apart, that is, from the standard 'house style' for this type of fare) is Otto Kruger's central performance (the Ape Woman herself, now played by Vicki Lane instead of Acquanetta and reverting once more to being a mute, is certainly not the protagonist in this case!).Kruger is involved in the revivification of small animals but is keen to progress on to larger ones – with his ultimate goal, of course, being Man himself; since the title creature (a convenient and somewhat lazy amalgam of the earlier 'episodes' in the franchise) is a hybrid, he knows he will be almost there if he manages to resuscitate her. The problem is that, once she has assumed human form yet again (having made imposing henchman Rondo Hatton steal the necessary files from the home of the doctor played by J. Carroll Naish in JUNGLE WOMAN {1944}, the process having actually been laid down by John Carradine in CAPTIVE WILD WOMAN {1943} – neither of these actors, however, put in 'unofficial' appearance and, thankfully, we are also spared the circus stock footage that made-up a sizable amount of the earlier films' running-time), it is discovered that she has suffered brain damage and he plans to replace it with that of his own female aide. Why the doctor, certainly among the coldest of his ilk, does not simply abduct another girl, when he would invariably have benefited from the heroine's presence by his side rather than as a laboratory subject, is anybody's guess…but, then, the latter is vehemently against her superior's intention to play God so, in this way, he would be removing the threat to his Great Experiment, were it not for the fact that, through Hatton's sloppiness, the Police – in the guise of a bemused Jerome Cowan – are already on his trail, and so is the girl's fiancé, yet another assistant! The busy finale has hero and heroine taking advantage of the Ape Woman's disappearance to escape Kruger and Hatton's clutches, only for the three to be recaptured after a short while in one fell swoop. Needless to say, however, the villain is not allowed to go through with the operation as Hatton, enamored of the leading lady (which Kruger puts down by referring to his "hardly Casanova" looks, the actor having been stricken with the deforming affliction acromegaly, and to add salt to the wound suggests that the Jungle Captive is "more in your line"!), turns on Stendhal at the instigation of the girl's boyfriend. The doctor shoots his thug dead, Lane metamorphoses into monster and cuts free of her straps and, just as she is about to incongruously attack her 'donor', Cowan appears on the premises to intervene. For the record, director Young, who had the classic swashbuckler THE SCARLET PIMPERNEL (1934), an Alexander Korda production, on his resume' was now reduced, for whatever reason, to helming the lowliest of Universal Horrors – though, to be fair, he sure made an entertaining job of it!

Pretty good and under-appreciated finale to Universal's "Ape Woman Trilogy". Otto Kruger plays an older and grandfatherly doctor who appears kind and respectable but has sinister plans up his sleeve to revive Paula the Ape Woman and transform her into Vicky Lane (since Acquanetta left the series). His perfect assistant is none other than Rondo Hatton, the actor who in real life suffered from the disease Acromegaly, which enlarged his face and hands. Rondo was never an actor, but he's better here than in any of his other films, with a generous helping of dialogue and emotions on display. We also get a little more time with the actual Ape Woman than usual and this is a short 60 minutes of typical mad doctor/assistant/monster nonsense that's fun, if not anything exceptional. A favorite line is when the doc looks at the deformed Rondo Hatton who's admiring the human female patient on the table and says to him: "No offense, but with that face you're not exactly a Casanova, you know". And then, pointing at the beastly Ape Woman on the next table: "This is more in your line". I wonder how Otto Kruger felt delivering an insult like that to the unfortunate Rondo? **1/2 out of ****