American Guinea Pig: Bloodshock (2015)

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Directed by The Guru Of Gore, Marcus Koch, and written by The President Of Unearthed FIlms, Stephen Biro, The Man who revived the series in the US with the first chapter, called "Bouquets of Guts and Gore." Starring Dan Ellis, Lillian McKinney, Andy Winton, Gene Palubicki and Alberto Giovannelli, this is the most intense, unimaginable, raw, twisted, mind-blowing torture porn film I have ever seen in my life. I'm not saying this one's better than the rest of the guinea pig films, including the first Americanized version, but it's very different from all of them. It's more than just a torture flick - this film has that beautiful atmosphere, the vibe, the psychology, the feeling. It gets disturbing and more disturbing every minute till the end. The best beautiful, sick, unforgettable ending ever, which will hit you right in your head, BAM!!! This is my first Dan Ellis film, and it's just incredible the way he acted, going through all of the pain with the emotions he showed, incredible. I knew he was in Ryan Nicholson's films, which I will surely check out. Lillian McKinney gave an awesome performance as well, and I would love to see her act more. The rest of the cast all did well too. Movies like this are worth it in my opinion. I find disturbing films interesting. The sicker it gets, the more interesting it gets. This is one movie to see before you die if you're a pure extreme horror fan, and this is definitely not for the squeamish.

A man and a woman are put under extreme experiments so that natural morphine and adrenaline are created in their blood. The doctor draws out the blood at the right time. He then injects that blood into his own blood stream for some sort of wicked high. Weird.This wasn't like a Guinea Pig movie at all. It's supposed to be the sequel to American Guinea Pig: Bouquet of Guts And Gore (2014) which was a nasty slice of film. This was the one where they used bolt cutters to get through the rib cage. Bloodshock however doesn't even compare. There is a couple of cringing moments but mostly boring believe it or not. This is shot in black and white which doesn't help the cause for this film. It does work for the director who wanted the end to be in colour showing the two patients ripping out each others stitches and playing in each others wounds. For an ultra violent black and white done right watch Infidus (2015).This one just seemed too tame and puts you to sleep. Hopefully their next outing will be better.In one scene the woman's chest cavity is opened a good ten inches exposing everything and you see the heart beating. I wondered what he was going to do to keep things from getting infected and suddenly the doctor bends over and licks all inside of the chest cavity. Problem solved.

Two extremely resilient prisoners, a man (Dan Ellis) and a woman (Lillian McKinney), are subjected to a series of brutal medical procedures by a sadistic doctor.I've always considered films like this to be challenge—to see if I can stomach the extreme violence being depicted. American Guinea Pig: Bloodshock is a challenge all right—to see if I can watch the whole thing without losing interest.Bloodshock proves to be an apt title, since I was shocked to see that nearly all of the blood in the film has been captured in glorious black and white! While the gore is graphic (yet nowhere near as relentlessly nasty as its predecessor, Bouquet of Guts and Gore), its effect on the viewer is seriously diminished thanks to a misguided attempt at an art-house style that simply doesn't suit the material. It seems like such a waste of effort.Director Marcus Koch's art-house approach also leads to interminable scenes that focus on the victims while they are locked in a padded cell, sharing poignant notes with each other through a hole in the wall, all of which serve to make the film a real chore at times. The pretentiousness is ramped up to 11 for the final act in which the two victims, free at last, decide not to escape but to get it on, reopening their wounds whilst having sex. At least that part pulls fewer punches, with the messiness now in full colour.A final twist—revealed during the end credits—tries to make some sense of what we have seen, but does little to improve matters.

'Bloodshock' is nightmarish, tender, perfectly paced and very intense. It's not derivative at all but it did, in some ways, remind me of 'Eraserhead' and 'Le Chien Andalou'. Having seen both AGP films in a row I've noticed that they absolutely excel at sound mixing ('Bloodshock' even uses some delicate piano notes to chilling effect) and the use of textured film-stock. I was utterly gripped for the entire 90 minutes and the tension (and weirdness) built up beautifully. 'Bloodshock' is a film that I expect to be recommending to people for a long time to come - it's definitely my favourite horror film on 2016, so far. Marcus Koch (the special effects guru behind 'Bouquet of Guts and Gore') proves that he is a brilliant and visionary director. I don't want to give anything away, so I won't say anything about what actually happens in the film...but you need to see it!