Symptoms (1974)

The Age of Commercialism

hyped garbage

The film may be flawed, but its message is not.

Worth seeing just to witness how winsome it is.

I must be honest straight away and start my user-comment by admitting that I expected a whole lot more of "Symptoms"… I've always been a great admirer of the Spanish director José Ramon Larraz and pretty much loved all movies of his that I have seen, varying from the publicly acclaimed 70s exploitation highlight "Vampyres" to the widely disdained 80s slasher "Edge of the Axe", as well as everything in between. I had particularly high expectations for "Symptoms" and all the signs were positive. The film got released in 1974, which was the peak year of Larraz' career but also the golden era of the typical "British countryside horror", it stars Donald Pleasance's curiously enchanting daughter Angela in a rare lead role and the two-line plot synopsis promises a dark tale full of mystery and eerie atmosphere. Nearly all reviews that I encountered were very praising, whether from trustful IMDb users (whose peculiar taste in movies I usually always share) or from prominent movie critics (who unhesitatingly compare this flick to Roman Polanski's "Repulsion" and label it as one of the best British horror movies not directed by a Brit). So here I was preparing myself to add another title to my list of all-time favorite horror movies, but I rather quickly got confronted with the realization that "Symptoms" is a superficially attractive but substantially void horror package! Yes, Larraz' talent for gradually building up tension and slowly generating an atmosphere of eerie mystery is unmistakable, but it also rapidly becomes abundantly clear that this is another one of those frustrating movies in which the climax can't possibly meet the expectations of everything that gets builds up towards to… In case you occasionally watch thrillers and/or suspense movies, you must know what I mean. The vague mystery elements keep on piling up and up, the main characters never reveal the slightest detail about their intentions (apart that they are raving mad) and every type of horror or perversion is suggestive but fundamentally nothing happens at all. The climax in "Symptoms" is arguably even worse than disappointing, as it literally just takes less than a minute and the whole "twist" is quite evident from the beginning anyways. But, it has to be said, Larraz' craftsmanship is vastly impressive and he manages to make the thin plot somewhat absorbing. Pleasance stars as an introvert and inconspicuous woman, Helen, who invites her friend Anne (who's more the social and extrovert type) to come stay with her at the secluded family estate. Anne notices that her friend keeps a bunch of secrets, like who's the attractive women in those living room pictures and why isn't she allowed to talk to the odd gardener who lives in the tool shed? That's all there is to share, but again, the depiction of Pleasance's mental dissolution is masterful and the film contains a gazillion of visually mesmerizing shots.

"Symptoms" follows a paper-thin plot line that details a woman who invites a girlfriend to her remote mansion for the weekend, but her true motives come into focus as something far more sinister than imagined. Originally screened at the Cannes Film Festival, "Symptoms" inexplicably became a lost a film in the ensuing years, until being unearthed and re-released on Blu-ray for the twenty-first century.To put it plainly, if you're looking for a film where things "happen," then look elsewhere. This is a film that never quite entirely gets onto its feet, and instead wallows in its own mysteriousness and atmosphere—and the atmosphere is laid on thick. The camera meditates on the foggy England backwoods, the swampy lake that holds dark secrets, and the dilapidated mansion that is quite literally engulfed in trees and foliage. If nothing else, "Symptoms" is a mood piece, and a fantastic one at that.Given its sparse scripting, the film demands top-notch acting from its performers, and the audience gets as much with Angela Pleasence in the lead role of the mysterious, violent hostess. She is vulnerable and simultaneously terrifying, and has a compelling screen presence. Lorna Heilbron matches Pleasence as the seductive and insouciant house guest. Writer-director José Ramón Larraz, who is perhaps best known for his over-the-top lesbian vampire flick "Vampyres," has a consistent style established with this film, and his vision comes across on screen very strongly. Given his notoriety for the aforementioned film, the natural expectation I had for this was along the lines of an exploitation film, but it is far, far from it—it's actually a classy, quiet, and ominous meditation on broken femininity, at times evoking Robert Altman's "Images" or 1971's "Let's Scare Jessica to Death." It is part horror film and part psychological character study, moving along in that order; after the first dramatic scene of violence, the film and its heroine unravel before the audience, and the result is nothing short of compelling.Overall, "Symptoms" is a phenomenal and under-appreciated horror film. Its status as a lost film has no doubt robbed it of the wider contemporary audience it deserves, but hopefully the re-release of it will attract modern genre fans. I was blown away by the nuance and all-around skillfulness of it. It's a quietly spooky and wildly atmospheric film that is well-acted and well-shot. Truly something to behold for fans of understated cinema. 9/10.

First of all I love pretty explicit and audacious lesbian vampire flick "Vampyres"(1974),but more rare and obscure "Symptoms" is even better and certainly different in tone.It's a very subtle,calm and restrained horror film with plenty of mysterious atmosphere.Helen Ramsey arrives back from Switzerland to her old-fashioned family home,accompanied by a friend Ann West.It quickly becomes clear that Helen suffers from a nervous disposition.At night both Helen and Ann hear voices in the house and Helen seems convinced that there is something in the attic,a trap door to which is in the ceiling in a corner of her room."Symptoms" is a genuinely frightening horror film about a woman slowly slipping completely into madness.The cinematography is striking,the interior sets are terrifyingly dark and the acting by Angela Pleasence is fantastic.I fell in love with this film and can't praise it enough.

Being a devoted horror buff, I've seen a great many strange and wonderful horror movies in my time, but I tell you none of them even begins to compare to SYMPTOMS! This rarely seen gem centers on Helen(Angela Pleasance), a rather odd young woman who invites her friend, Ann(Lorna Heilbron) to come stay with her at her decaying old house in the English countryside. Terror unfolds as Helen's sinister handyman(Peter Vaughan) discovers the corpse of her previous house guest, sending the disturbed woman into a violent and uncontrollable rage that culminates in the deaths of several innocent people. Though the plot is relatively simple, Spanish horror director Jose Larraz handles the material in a complex manner and like his British counterpart, Alfred Hitchcock, is able to find terror and menace in the most simple and mundane activity. Larraz also milks the strikingly eerie English landscape for all it is worth. The strongest aspect of SYMPTOMS however is the marvellous performaces by Angela Pleasance and Lorna Heilbron. Pleasance, the daughter of famed British character actor Donald Pleasance, is a supremely gifted actress who seldom ever got a role as good or as intriguing as this. Heilbron, a striking British beauty with genuine talent to match her sultry good looks, is a sadly underused actress who is intense and believable every moment as Pleasance's unsuspecting friend. Unfortunately, this is a frustratingly difficult film to find. It's never been released to video in the US, and the only reason I have seen it is because I had the good fortune of catching it on late night television some years back. They really need to release this one to video and DVD. I'm sure it will get the wide audience it deserves if it is given a reasonable amount of build-up and exposure!