A Reflection of Fear (1973)

Terrible acting, screenplay and direction.

This story has more twists and turns than a second-rate soap opera.

One of the most extraordinary films you will see this year. Take that as you want.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

I was never a Sondra Locke fan. In fact, like many others, she will always be remembered as Clint Eastwood's long time fling. From what I gathered from a few movies I have seen her in (mainly Malpaso Productions) is that she was always this strange and odd actress that had a very off-putting demeanor and attitude. Pale, fragile and appearing like a waif in almost everything, in this mystery thriller, she is given the role she was born to play. She's a schizophrenic teenager who has been sheltered by her mother all her life. She hears voices and is always frantic about her imaginary relationships with her stuffed animals and dolls. We understand early on that this is an extremely disturbed individual. Her mother keeps a tight lid on her whereabouts, actions and her whole life which pretty much takes place on the household estate.In comes her estranged father and fiancée played by Robert Shaw and Sally Kellerman. He tries to mend a relationship he never had while asking the mother for a divorce in the most frank, blunt and unemotional way I have ever seen in a movie. I will not give away the climax for it's quite predictable, but in this case we want to see how it gets there. Save your time, because this is a slow paced mystery with lethargic acting, elliptic dialogue and a lead character who never seems to break out of that zombie like gaze while uttering poetic lines with that lilting voice. Sondra Locke is definitely unique, She can look beautiful, putrid, sickly, freakish and sometimes too nubile to be taken seriously. Robert Shaw gets caught between the jealousy of his fiancée and his daughter which limits his already stiff and anal performance.Reflections of Fear takes too long to tell us what happens what we already knew all along.

Sondra Locke stars in this obscure gem as Marguerite, an odd, but very intellectual teenage girl who is kept isolated by her vindictive mother and grandmother. When her father comes to visit with his new fiancée, a perverted love triangle develops with Marguerite as the other woman.Directed by famed cinematographer William A. Fraker, this is a solid psychological horror film with an ending that took me by surprise and adds a whole new layer to everything seen prior. The relationship between Marguerite and her dad, played by Robert Shaw, is quite uncomfortable, especially when he does nothing to discourage her attempts to court him right in front of his fiancée. Marguerite, clearly unhinged from being raised by her man-hating mother, also has hateful conversations with one of her dolls, believing it to be a real person. This, along with Marguerite's fears of being left in her hell, of her father abandoning her again, eventually leads to a murder mystery.There's strong acting across the board, especially from Locke, who I just saw recently in a similarly off-kilter role in "The Shadow of Chikara". She definitely had a knack for playing creepy. As for the aforementioned ending, it's definitely a stunner. I can think of at least two later slashers that may have been inspired by it.The film was apparently edited by the studio for no apparent reason, and this shows in the latter half, as scenes seem to end before they've really even begun. It can be a little confusing, and one hopes that the cut bits will be restored some day.

"A Reflection of Fear" is a moody and stylish murder mystery about a strange and disturbed teenage girl named Marguerite(Sondra Locke)whose father Michael suddenly arrives.Michael wants to divorce her mother so he can marry his mistress.Locke has a special kind of friend,a creepy doll named Aaron.A series of brutal murders is set in motion.The first victims of a mysterious hooded stranger are Marguerite 's mother and grandma...Dreamy and bizarre horror movie with sluggish pace and solid acting.The performance of Sondra Locke is brilliant;she plays a haunted,beautiful,a ravishing 'innocent.'If you liked "Psycho","La Residencia","Sleepaway Camp" or "Repulsion" give this one a look.8 out of 10.

Fraker is a cinematographer, and not just your plain vanilla camera cranker, either. He's been responsible for the look of many of Steven Spielberg's early films, including "Close Encounters Of The Third Kind". He was also instrumental in seeing that some of our most beloved and distinctive TV series made it to the screen, notably the original "Outer Limits". This was his first outing as a director (he's only done a couple more before returning to the job he's known best for). It has a weird, psychotic look. When you enter this world, it's a strange one, where the surreal becomes reality. You watch this and, first of all, you'll think you've got it figured out right from the beginning. You won't. This is also Sondra Locke's first film, and she is frenetic, creepy, spooky. Fraker has created one of those classic 'old dark house' movies, but it's about way more than that. This is about power and manipulation and taking it to extremes; about the ultimate control freaks. It's very dreamlike throughout, and it builds to a feverish climax. You probably won't like the characters, but then, you're not supposed to. Sally Kellerman is very good in this. She had previously worked with Fraker in an amazing black and white episode of "The Outer Limits" called, I believe, "The Bellero Shield", opposite Martin Landau. Robert Shaw is elegant and clueless as the husband, and the wonderful Mary Ure is perfection as his melting, bizarre ex-wife. I saw this when it came out, in an empty theater, on a Saturday afternoon during the summer's heat. It's stuck with me a long time, because I dig unique thrillers. I had never seen anything like this before or since. It's in the same league as that old classic "Hush, Hush Sweet Charlotte", but it's edgier. Watch this as though you've never been to a movie in your life. Forget where you think it's taking you and let it lead you to the peculiar place it's really going. Seek this one out.