Nights of Farewell (1965)
Paris, the middle of the XIX century. Young Marius Petipa is going on a long journey to St. Petersburg, where he is invited to become the first dancer. He doesn't know that his life will develop both happily and dramatically, and his work will be the glory and pride of Russian ballet.
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It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.