The Carriers Are Waiting (1999)
Roger Closset is a man who obviously loves his family, though that doesn't always make them feel better. Dad is an obsessive type with a short fuse and a long list of curious ideas, and his wife and children must often bear the brunt of his eccentricities. Roger works as a reporter, a job he doesn't like which doesn't pay especially well, either. One day, Roger learns an area business association is sponsoring a contest for a family that can break a world record, with the grand prize being a new car. Suddenly, Roger gets a brainstorm -- if his son can open and shut a door 40,000 times in 24 hours, the car will be theirs. 15-year-old Michel, however, is not at all happy to have been drafted into this new responsibility, especially when dad builds a practice door in the backyard and finds a trainer to teach Michel how to open and close it with greatest efficiency.
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Simply Perfect
Pretty Good
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
This is an absurdist dark comedy from Belgium. Shot perfectly in crisp black and white, Benoît Poelvoorde (Man Bites Dog) is on fine form as Roger, the angry, obsessive father of a family in a small, sullen Belgian mining town. Roger is a photographer who, along with his young daughter Luise, visits road accidents to take photos. He is also obsessed with winning a car by entering a competition where the contestant has to break a record - and he decides that his son, Michel, must attempt to break the record of perpetually walking through a door - he even hires an overweight coach to train him. Michel dresses as Elvis and has a spot on a radio show called 'Cinema Lies', where he describes mistakes in films. Luise is friendly with near neighbour Felix, a pigeon fancier. Roger is a callous figure as he pushes Michel right over the limit during the record attempt, which almost results in his death. Interspersed throughout the film are Magritte-like surreal images. It's undeniably charming and well worth your time.
Some critics found this film bleak, but for me there was enough good humour and optimism to overcome this impression. For example, the quietly positive and stoic character of the daughter is the still centre of the film, often counterbalancing the unhappy aspects of the setting and plotline. The film is full of original ideas and characters, and the final outcome is not predictable: I felt it could've gone either way.By the way, many reviews I've read mention the effective use of black and white, but the print I saw, shown on the SBS TV network here in Australia, was in full colour.
It's wonderful to see that Shane Meadows is already exerting international influence - LES CONVOYEURS ATTENDANT shares many themes with A ROOM FOR ROMEO BRASS: the vague class identity above working but well below middle, the unhinged father, the abandoned urban milieu, the sense of adult failure, the barely concealed fascism underpinning modern urban life. But if Meadows is an expert formalist, Mariage trades in images, and his coolly composed, exquisitely Surreal, monochrome frames, serve to distance the grimy and rather bleak subject matter, which, Meadows-like, veers from high farce to tragedy within seconds. There are longueurs and cliches, but Poelvoorde is compellingly mad, an ordinary man with ordinary ambitions, whose attempts to realise them are hatstand dangerous; while individual set-pieces - the popcorn/pidgeon explosions; the best marriage sequence since THE DEAD AND THE DEADLY - manage to snatch epiphany from despair.
The movie is set in rural Belgium, in a place inhabited by poor, gloomy people who do not look like Julia Roberts or Hugh Grant. The "hero", a clueless photographer for a local newspaper, is a father who decides that his family deserves better : the only way out appears to be in the Guinness Books of Records. After a failed attempt at spitting olive stones as far as he can, he forces his son to be the next world champion of door openings so that the family can get a new car... This movie is a unique mix of gritty social comment (though not heavy-handed) and dark humour, something often to be found in recent movies from Belgium, the Netherlands and North of France (Benoit Poelvoorde was also the hero of "Man Bites Dog"). Some of the strangest people we meet (a Belgian Elvis, a school teacher right out of the 50's) are in fact playing themselves, and the scenario itself is based on the true story of a father who trained his 3-year old son to be a professional biker. Certainly not for all tastes, and with its share of very dark humour and a little brush of tragedy, and with a fantastic Poelvoorde, "Les convoyeurs" will please the viewers who enjoy "different" movies.