Vanaja (2006)

Sorry, this movie sucks

Great Film overall

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

"Vanaja" is well done and the first-time director (Rajnesh Domalpalli) apparently made the film for his masters degree! This is very impressive and he showed an amazing deftness for such an inexperienced director! However, while I did appreciate the great work done to make this film, I must warn you that this is an incredibly depressing film--mostly because the value of woman in many places in the world still is minimal. In this story, a young girl, Vanaja, is horribly mistreated and while you know such things happen, it sure is sad to watch.The film begins with Vanaja about 15 years-old. However, to me she only appeared about 11 or perhaps 12--and this made the story a bit more disturbing because she looked so much like a child. But long before this, we see the girl go to work for a local rich landlady. Vanaja has spirit--she's spunky but likable and soon the rich lady takes her under her wing and teaches Vanaja to dance. Vanaja has a real passion and talent for dancing and you assume through the course of the film she'll rise to greatness. However, while this could happen, the film instead centers on he immediate life--and it sure gets pretty bad. But, as I don't want to ruin the film for you, I'll say no more and just encourage you to see it.I think this is an important film in the way it documents the devaluation of women as well as the evils of classism. So, from an academic sense, it's well worth seeing. However, it's anything but a feel-good picture--and will most likely depress you--especially because it doesn't end on a particularly satisfying note. But, of course, in real life this IS often the case.

This does contain many spoilers.VANAJA starts our with interesting promise, but it soon turns muddy and ends without telling a believable story.At first, VANAJA appears to be a nice coming-of-age story similar to SCENT OF GREEN PAPAYA but with a more zippy pace mixed into an Indian classical dance movie. However, it turns away from the higher arts, and seems to want to be a matter-of-fact sex movie, then it twice tries to be a revenge movie, then it wants to be a family bonding drama, then it tries to be a movie of personal self-redemption, and then it ends as a friendship movie ignoring all of the many, many swings and motivations we have all just witnessed!There is too much unbelievable weirdness. Anyone spending years in a northern US college is not going to come home from the airport not wearing shoes. A fully mature red-blooded guy living among our many fully developed curvy and fun point-seven hip ratio college girls is simply not going to notice a 12-year-old unattractive stick figure with a face for radio. India is famous for parents actively pushing potential mates upon their children, so where in the movie are any attractive fully developed young females? There are none.And about the mailman who also very much wants this 12-year-old looking girl, why would he want her so much after she had a baby? After having someone else's baby? Are there not high school girls to chase or something? What kind of village is this?Another problem is no none in the movie displays a kind heart except for Lacchi -- whose story is never followed. She is the only attractive personality we ever meet, but this is not her story.Everyone else in this movie is dark and unattractive and lacks charm. OK, you may say, so this is a gritty dark movie. Well no, because none of the worst players are consistently bad. They do hurtful things with no realistic motivation. They do not even pretend to be kind for an evil purpose. They act randomly as if suffering with split personalities. Also, there is talk of 600,000 Indian dollars going to the poor father. This plan appears to be a done deal, but we never see any hint of how this 600,000 might have changed his life. We never see the money at all, but we do see the other side of the plan in full detail. The 600,000 just disappears forever with no explanation.Last, Vanaja does not hold and treat her baby with motherly closeness. Her neck does not grow thick as happens with pregnancy. She is such a stick figure, and the father of her baby is such a strapping male in his prime, the story makes no sense.

This is not your typical Indian film. There is some great sense of humanity, and the characters are pretty realistic. There is great dynamism in the interpersonal relationships, and there is a sense of guilt, grief, passion, passivity among the many characters. While seeing this, one gets a feel for the heavy burden of the 5000 years of layers and layers of history of social existence of one of the oldest civilizations. The final scene of an elephant walking away in the rural area was a great footnote to such a ancient civilization, and yet, human relations are still preserved and nurtured. Saw it on DVD, the two interviews with the director and the main actress are very interesting. Was surprised to learn that the movie has not done well (or not being shown) in India (... but maybe not too surprised). The artistic patrimony of rural societies is being slowly lost and its inheritance not picked up by younger generations, as some of the older musicians in the movie are no longer living today. Great film.

Vanaja (2006), written and directed by Rajnesh Domalpalli, is an extraordinary film from South India. Mamatha Bhukya plays 15-year-old Vanaja, who lives in a rural area with her loving but alcoholic father. If she is going to succeed in life, she will have to overcome the liabilities of low caste and poverty. I went to the film expecting the depiction of a wretched girl who is crushed by society. This isn't what "Vanaja" shows us. The young woman is attractive, intelligent, and ambitious. She won't accept her fate with tears or simple resignation. She wants to succeed, and it's never clear that she won't succeed, despite the odds. The acting that Mr. Domalpalli draws forth from his cast of amateurs is miraculous. Mamatha Bhukya is outstanding in the title role, and Urmila Dammannagari does an exceptional job as Mrs. Rama Devi, the wealthy landowner who is a formerly famous classical dancer.In the film Vanaja learns South Indian classical dance, as she did in real life. I couldn't tell how good Vanaja's dancing was by Indian standards, but the many dance scenes were spellbinding. (Don't think Bollywood--this is classical dance. It's also very different from ballet, because in ballet the dancer lifts her heels away from the floor. In South Indian dance, the heel is the primary contact point.)This is a movie that is not to be missed. It will work on DVD, but will be better on a theater screen because the dancing will be shown to better advantage. However, if DVD is your only option, then see it that way. Just be sure to see it.