Monday Morning (2012)

Very best movie i ever watch

Let's be realistic.

Don't Believe the Hype

Bad Acting and worse Bad Screenplay

What can I say? Starts out a bit like a soap opera depicting a view of reality one might associate with the lifestyle of powerful upper class and upper middle class people, but leaves the viewer feeling like they just got to watch a true story that happened in a universe remarkably like our own... or maybe even identical. Anyway, you're going to want to see the sequel. That's what I felt at the end of it, as did the other people I spoke with who saw the screening. So when you get to see this movie, remember this simple chant for when the credits start... SEQEUL! SEQUEL! SEQUEL! SEQUEL! SEQEUL! SEQUEL! SEQEUL! SEQUEL!... Got it? Good!!!

Monday Morning definitely puts itself there to be loved or to be shot at. We loved it. I think about movies that I love. With most, whether they are comedies or dramas, thrillers or action movies, I usually walk away feeling that I saw something original or enlightened. Either in a very real way or superficially, whether or not the story has been told before. From Casablanca to Terminator 2. The Best Years Of Our Lives to Thor. There is always something there.Monday Morning pushes the envelope and forces us to either look or look away. I suspect that most look, and maybe more so with younger people. The movie shows the homeless situation like I've never seen before. And the scenes that would make those look away and maybe not give the movie a chance are the same reasons many of us look away when a homeless person approaches us (I'm guilty too). We just don't want to deal with the real reality of it all. So when a woman defecates on a sidewalk or a homeless woman gets raped or a man is set on fire, we don't really want to know that that is what is happening on our streets. It's easier to feel that they are down and out and we are kind enough to give them some money now and then. We probably also don't want to hear again that power is what counts in our free society, or to get rid of those that hate us and want to do us harm we should stop doing things that make people hate us (homeless people talking around a campfire). This threatens our stability. Not really, but it might seem to. And it's hard to take and some will probably take it out on the movie. And some will love the movie.Monday Morning is an important film. It illuminates. Entertaining yes in the sense that we follow a conservative player from MN to L.A. and walk through the streets with him when he loses his memory. Victor Browne gives us a wonderful characterization of the lead character, Thomas Bach. His romantic interest, is played honestly by Molly Kiddder. Jessica Spotts gives us a sincere and heart wrenching performance as a homeless woman. Beth. And Nat Christian brings some laughter along with empathy as a homeless man, Damn. Christian is also the writer-director and he is obviously taking a stand with this and putting up the mirror. He beautifully weaves in many of the horrific situations (that our homeless population encounters daily) with the story line. His actors deliver very real and organic performances. Notably (along with those already mentioned), Robert Axelrod, Cliff Sprung and Robert Pike Daniel. The editing (Peter Srinivasan, Jonathan Fung and Christian) mixed many different elements with the right doses.Christian also went for something here - a sort of "real" surrealism, making something very unusual fit within the very real world of the homeless in Los Angeles (for that matter the world).

I heard that passages in Monday Morning turned off some viewers. That some passages were seemingly were off-putting. By themselves, they may be.When I watched the movie, those same passages came and went, but I was so absorbed in the film that they seemed natural. Monday Morning has the hutzpah to portray the worst part of the homeless situation as it is. Writer-director-producer, Nat Christian, with obvious passion and heart, lays this scenario down right in front of us very effectively.The story revolves around Thomas Bach, played with intelligence and deliberate restraint by Victor Browne, who is a radio personality in Minneapolis, Minnesota. Bach is summoned to run for the U.S. senate. However, while he visits Los Angeles, CA, his world is rocked and he loses his memory, causing him to wander around the city. He meets up with several characters who will ultimately change how he used to view people on the streets.Christian serves up a plate of great dialogue, relationships and some humor. Browne leads a cast of excellent and seasoned actors. I definitely recommend!

I should first warn all viewers that, in regard to explicit images, there are no punches pulled with some of the scenes in Monday Morning. However given the powerful story, direction and acting, I think that people will either love this movie or be very turned off by it, because of the imaging.I should also mention that what made me see this movie is that I am a fan of a Nat Christian movie. Simply put, he walks to the beat of a different drummer (when he wants to), and when he takes chances, I like to see what he does.I saw a showing at a small theater in Beverly Hills. Not too many in the audience, but those that were there seemed to be as affected as I was.Writer, director Nat Christian takes us. from what up front starts out like a quick- cutting romantic comedy with hints of some underlying political themes, and throws us into the most realistic scenarios of the incurable homeless population in Los Angeles. Through our shock and awe, we are also touched and moved by the story and images in this movie. Also playing the role of a homeless vet Christian explodes with the kind of rhetoric that we see from these characters on the street and touches us deeply in a very sensitive scene with the lead character of Thomas Bach, played beautifully by Victor Browne.As the lead actor, Browne convincingly journeys through a myriad of emotions covering romance, comedy, tragedy and deep conflict as only a wonderful actor can.He is supported by an excellent cast including Molly Kidder in the lead role of Bach's romantic interest, Jessica Spotts, Ken Melchior, Robert Pike Daniel and Cevin Middleton.I can't give out a spoiler, so I can only say that there is an intriguing situation with a Bag Lady, who Bach encounters. Something there, and I will have to see it again to figure it out.