The Ghost Goes Wild (1947)
Young artist Monte Crandell is being sued for an unauthorized caricature. To escape arrest, he disguises himself as a mystic, only to conjure up a genuine ghost during a seance. Things come to a head during his trial, where the invisible ghost takes the witness stand on Our Hero's behalf.
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Why so much hype?
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
This film is so real. It treats its characters with so much care and sensitivity.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
I always hate seeing an IMDb page for a film without a review. Every films deserves some comments to show how it played, so readers can figure out if it may be worthwhile if available.That being said, THE GHOST GOES WILD is a mild, standard old-fashioned comedy. It offends no one and goes down as easy as applesauce. For the same reasons, it is a rather bland film despite some excellent talents involved. Edward Everett Horton is always worth watching and the photography by John Alton is solid. James Ellison is pretty good in the lead and Anne Gwynne is good, but somewhat wasted. Ellison tries very hard, but he never had the personality like a Cary Grant, who would have added great flavor to this. Lloyd Corrigan adds some nice support as the only legitimate ghost in the film.I got this to see the ghost angle and it was pleasantly done, if not inspired. The jokes are a bit repetitive, but the plot stays predictably amusing as Ellison pretends to be a ghost to avoid being sued by a wealthy dowager, who mistakenly believes he is dead. If you like these old-fashioned screwball-styled comedies then it should be enjoyable.