Cinderella 2000 (1977)

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Blistering performances.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Cinderella 2000 (1977) 1/2 (out of 4)Al Adamson's tale takes place in 2047 (why is the title 2000?) where all sexual activities are banned. One young couple feels this isn't right and that love should be free so they set out to do their own thing.Look, I love Al Adamson as a filmmaker but at the same time there's no question that the majority of his movies are really awful and that's certainly true with CINDERELLA 2000. THis movie tries to be a comedy as well as a musical but it fails on both levels. It also tries to be a sexploitation film and fails at that too.Adamson and producer Sam Sherman were always willing to copy whatever was popular at the time in order to try and earn money. ALICE IN WONDERLAND had just been a hit and then you had the Cheryl Smith version that was also released in 1977. That film there is the perfect way to do an adult version of this story but this Adamson film is about as awful as you can get.As you'd expect, the performances are quite bad and even worse are the musical numbers, which are just rather embarrassing. The dialogue is extremely poor and there's just nothing fun about anything in this picture. Even worse is that it drags very poorly making it really difficult to get through.CINDERELLA 2000 at least offers up a few cute naked ladies and that's about the only good thing here.

eegads. this was all really strange and dirty minded. but i had a "ball" (baw haw haw) anyway. i think that erotica and sexually explicit material is a fact of life and probably a necessity. what is it they say? if there wasn't porno most guys would end up raping everyone. knowing the testosteroned, out of control libido of most of the 21 yr. old males in this country, that's probably true. as for the rest of us who keep it in check because we are Christian, or modest or civic minded and concerned with reputation, porno is somewhat of an embarrassment and a tiresome pester. i don't think sex is evil, i just get tired of everyone putting so much damn emphasis on it. according to some (probably most) people, sex is the meaning of life. ZZZZZZZZ. so boring, and sooooo typical of everyone.hence, i try to stay away from pornography. i've watched it, but it ultimately embarrasses me, and who wants to watch others flaunt their promiscuity like it's a gift to you or something.be that as it may, i have a funny tendency to like porno sex musicals. dunno. i guess i love the musical genre so much, i pretty much will watch anything that's a musical. i also happen to like musicals that break formula. Rodgers and Hammerstein would probably self destruct in their graves if they saw some of the musicals i like.'Cinderella 2000' is one of the very first in this iconoclastic form and in my opinion, one of the best. not hard to do since there aren't a whole lot in the first place. my favorite is 'Alice in Wonderland' with Kristine DeBell. i also thought that the X rated 'Cinderella' with Cheryl Rainbeaux Smith was better than this. but i like Al Adamson and i like anything this freak'in weird. and it was a lot better than the boring and stupid 'Nudie Musical' with that 'Laverne and Shirley' chick.considering the non existent budget for this, it is really very elaborate. i mean, hey, it was filmed in Todd A-O, an expensive process, and the syncing of the music was as good as any major production. even though the costume design was El cheapo, Cinderella's ball gown was very pretty.i'm not saying that i wasn't scared or afraid of some of this. the Fairy godfather was pretty creepy in that ugly Englishman sort of way, and the whole musical number "we all need love" was so weird it's given me nightmares for life. and the stepmother was rather ugly and bizarre. i'm glad she didn't strip. the whole thing with Roscoe the Robot singing "where do ah plug it in", made me want to start screaming and blow a brain fuse. definitely all pretty disturbing, but hilarious.i also don't know why all the filthy schmucks who reviewed this kept screaming about that stupid Sherrie broad. the dumb bimbo only had a minor role and it wasn't impressive. the film's star, Catherine Erhardt was so much better and had a very nice singing voice. and yes, i read the booklet and Erhardt did her own singing as did Kristine DeBell in 'Alice'. so lets dispense with that doubtful nonsense altogether.i'm sure this version would have freaked the Brother's Grim out. it freaks me out. for those who like to mix love with lust, and throw in a helping heaping of sexual shenanigans, this is the Cinderella story for you.

Late, great Grade Z drive-in exploitation filmmaker par excellence Al Adamson really outdoes himself with this gloriously ghastly sci-fi soft-core musical comedy atrocity which plumbs deliciously dismal and dopey depths in sheer celluloid silliness and jaw-dropping stupidity. In the grim totalitarian future of 2047 sex has been deemed an illegal act by the Big Brother-like impotent bumbling idiot the Controller (an amusingly goofy Erwin Fuller). However, sweet'n'sexy Cinderella (radiant blonde cutie pie Catherine Erhardt) remains determined to change things for the better. With the help of her effeminate Fairy Godfather (a flamboyantly campy Jay B. Larson), Cinderella attends a grand gala ball with the specific plan of seducing handsome stud Tom Prince (the dorky Vaughn Armstrong) and teaching everyone that making love is a positive, pleasurable and wholly acceptable activity.Adamson directs this ridiculous yarn with his customary all-thumbs incompetence, staging the incredibly awful'n'inept song and dance sequences with a totally sidesplitting lack of skill and flair. The uproariously abysmal "We All Need Love" number with people in absurd animal costumes awkwardly prancing about the forest is a hilariously horrendous marvel; ditto the equally abominable "Mechnical Man" routine featuring a bunch of clumsily cavorting robots. Louis Horvarth's crude, static cinematography, the tacky plastic miniatures, Sparky Sugerman's groovy throbbing disco score, the copious gratuitous nudity (ravishing brunette hottie Sherri Coyle warrants special praise in this particular department), the brain-numbingly puerile attempts at leering lowbrow humor (Roscoe the Robot law enforcer is especially irritating), and the uniformly terrible performances (Renee Harmon's outrageously hammy portrayal of Cinderella's wicked overbearing stepmother cops the big booby prize here) further enhance the strikingly abundant cheesiness to be savored in this delectably dreadful doozy.

This film is roughly what it sounds like: a futuristic version of the Cinderella legend but with songs and (fairly tame) sex scenes! The film is not sure what it wants to be and pretty much ends up a mess. It's more expensive looking than most of director Al Adamson's films but it's not at the same budget level that viewers have come to expect from sci-fi films. The actors are pretty bad and unlike most Adamson films, there are no former big namers or B actors. Some of the music is OK but it's easy to see why Cinderella 2000 has been forgotten for so many years.