Ghost Chase (1988)

Best movie of this year hands down!

Please don't spend money on this.

The acting is good, and the firecracker script has some excellent ideas.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

This movie had a weird feel to it - I loved it - the 80's feel and music, the lovable Lewis - several of the reviewers got the plot wrong - it was fast paced - didn't leave you bored in places, waiting for the movie to pick up again. I felt the acting was quite good - the lead actors were just plain old kids, they had ambition, wanted to make their dream of movie-making come true, and had to figure out how to finance it. The ghost was an additional problem suddenly thrown into the mix - I loved the sets - the gadgets -

Hollywood-Monster, or the more widely used & much better alternate title Ghost Chase, starts with a groovy credit sequence involving big pink animated eyes & a catchy 80's pop tune after which we are introduced to Fred (Tim McDaniel) who is a huge horror film buff & aspires to make his own & uses his friend's Warren McCloud (Jason Lively) & Laurie (Jill Whitlow) to star in it. One night, on his 21st birthday, Warren receives a phone-call from his lawyer (Julian Curry) who informs him that he is invited to the reading of his Father's will. Sensing some money Warren & Fred are visibly disappointed when all he is left is an old suitcase containing a clock, it's quite a nice looking clock but still only a clock. Meanwhile corporate villain Stan Gordon (Paul Gleason) has a mysterious interest in the suitcase himself & sends some seemingly random half German half American guy named Karl (Leonard Lansink) to steal it. Back at Warren's house & as the clock strikes one the ghost of his Grandfather's butler Lewis appears who reveals that there is an absolute fortune hidden in his Grandfather's house & he was murdered to protect it's whereabouts. Warren, Fred, Laurie & Lewis set out to find the missing fortune...This German production was co-written & directed by Roland Emmerich who would later go on to make mega budget Hollywood films like Universal Soldier (1992), Stargate (1994), Independence Day (1996), Godzilla (1998), The Patriot (2000) & The Day After Tomorrow (2004) & I personally didn't think it was too bad but at the same time wasn't exactly brilliant either. The script by Emmerich, Oliver Eberle & Thomas Kubisch is definitely aimed at children for the most part although there is some minor violence & bad language. Hollywood-Monster moves along at a fair pace although it is a bit dull at times, the comedy isn't really that funny while the horror elements are played down & it doesn't particularly satisfy in either department. Lewis the ghost is almost a secondary character, doesn't get much screen time & when he does get some he barely does anything other than stand there & talk anyway. The plot is silly, childish & somewhat predictable with all the clichéd feel good family elements present & correct like in the end the good guys win, the bad guys are defeated while love & friendship conquers all, but then did you really expect anything else? On the positive side Hollywood-Monster goes about it's business with a certain likability, as a whole the film sort of entertains & has a nice climax when our heroes have to fight a possessed suit of armour in a basement dungeon.Director Emmerich pays homage to the horror film throughout as he uses the typical slasher scenario at the start to try & fool his audience, he tries to get as many posters into the background as he can from the likes of The Shining (1980) to Friday the 13th (1980), he shows lots of clips from Night of the Living Dead (1968), has the lead character who drives around in a hearse & is obsessed by horror films & he sets various scenes in a special effects workshop. I must confess I'm confused as to why he has done this considering Hollywood-Monster is pretty family friendly, these homages & references are going to pass most children by especially one instance when he name drops Boris Karloff, how many pre-teens are going to know who Boris Karloff is?Technically Hollywood-Monster is well made with good cinematography, music & solid production values but nothing particularly stands out. The special effects are decent enough considering the time it was made. The cute, large eyed, bushy eyebrowed design of Lewis obviously is meant to appeal to children, I would have preferred him a little scarier. The acting was OK but nothing spectacular.Hollywood-Monster is an OK film but in no way a brilliant one, it passes an hour and a half without too much pain & provides a few decent scenes here & there although I'm sure children will get more out of it than adults. Worth a watch if you catch it on TV for free or it's going cheap somewhere.

Re. Ghost Chase (or, Hollywood Monster).I had the pleasure of seeing the film on video today. And survived it.A principal problem -- perhaps part and parcel of severe budget problems -- is that the principal ghost figure, Louis, looks like a big rubber doll and the trick with his British accent is no fun at all.All the characters play in three speeds: frantic, more frantic, most frantic, and we never see them functioning as real people (as one of your responders mentions). The ending is hysterical and hyperactive and without much head or tail to it. Why didn't they die in the next to last shot? A principal loss suggested above is that the sympathy which makes one forget many flaws in a story is missing, as the characters, good or bad or indifferent, are not three dimensional in any way. The girl's workplace is a sole exception.Best, demedici

It's weird how the writer/director of such exciting blockbusters such as ID4 and The Patriot could create such a strange film. I'll try my hardest to recount the plot. Two ultra-cheap filmmakers (art reflects life) have a great idea for a movie and rope in an unwilling but attractive starlet and make up a Muppet-like monster based on the photographs of a long-dead grandfather's butler. A rival studio producer wants to blow up the grandfather's house as the climax to his big budget movie so the butler's ghost comes back to possess the Muppet doll to lead them to hidden billions in the cellar.It's not a bad film, by no means, it's quite cringe-worthy in places but inconsistently entertaining. There are no big name stars or SFX but that is made up for with bizarre plotting and storyline. This film is more in the style of Roland Emmerich in his Making Contact/Moon 44 days. But if he had the budget he gets these days who knows what this film might have ended up as. I give it 6/10 for weirdness, plot and defying convention.