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Macbeth

Macbeth (1981)

January. 01,1981
|
6.6
| Drama

An adaptation of Shakespeare's play.

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VeteranLight
1981/01/01

I don't have all the words right now but this film is a work of art.

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Spoonatects
1981/01/02

Am i the only one who thinks........Average?

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Bumpy Chip
1981/01/03

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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Marva
1981/01/04

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

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ringa46
1981/01/05

People are mistaking the subtle nature film allows with Shakespeare on state. There are no closeups, or music to convey emotion, it all must come from the actors. Like silent movies, it looks like overacting to the untrained eye, but like Noh Theater, the action must be conveyed in body movements akin to dance. Jeremy Brett meets this challenge with brilliant subtly one second and booming voice sure to be heard in the bleachers. The other actors however, are awful. Lady MacBeth is the worst. The rest seem to barely remember their lines, reciting them in a monotone barely worthy of a grade school production. Watch it for Jeremy, the rest (as Hamlet would say) SHOULD be silence.

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robinson_wilson
1981/01/06

I didn't really know what to expect, but......wow! No wonder most kids in English class hate this play! This is easily the WORST production of this play I have ever seen, and I love the play very much, so was this ever hard to watch.SHAME on everybody involved!There are just so many things wrong with it:1) Terrible production values 2) Horribly overdone scene gnashing (acting) 3) What's with the hair? 4) Totally garbage sword fightsAll I can say is, rent Polanski's version, or Throne of Blood.STAY AWAY!

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PhiFitz
1981/01/07

With a high school student struggling through the text, we found two stageplay versions on film, this one with Jeremy Brett (RIP, Sherlock Holmes) and Piper Laurie, and the McKellen/Dench version. I have seen three ways to film a stageplay. (1) Put up a few cameras with an audience present (never works). (2) Take a cast used to performing before an audience and reblock for cameras and shoot with no audience (this version). (3) Forget audience, block and perform entirely for film (McKellen/Dench).So this Brett/Laurie version features actors who project as though they must entertain people 100 feet away, and they move through a paragraph of lines as one would truly read a paragraph. Well enough.But the McKellen/Dench is much more gripping, despite a minimalist set. Lines and characters were omitted for the sake of an overall vision. Characters stopped dead in mid-paragraph for effect. I'll never remember who Ross was in the Brett; I'll remember Ross/Porter in the McKellen. No spoiler here, but in the two versions one sees radically different Lady Macbeths -- not merely in execution but in conception. The Dench Macbeth being absolutely thrilling.This Brett/Laurie, however, tracks Shakespeare. So the high school student should begin here. Then move on to the McKellen/Dench.

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peacham
1981/01/08

Not only is this the worst interpretation ( OR LACK THEREOF ) of Shakespeare's classic , it also includes one of the worst performances by a great actor ever witnessed. The brilliant Jeremy Brett is so over the top its laughable. not since peter o'toole's henry higgin's has there been such a loud bellowing performance so devoid of human emotion. Piper Laurie is also awful as his Lady. it seems the production was put up in a matter of days for a "take the money and run.' pay check. UNINSPIRED WITH NO VISION IS THE BOTTOM LINE.

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