Cold Comfort (1990)

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

COLD COMFORT is an odd-little three-handed character drama. The story begins with a trio of characters holing up in a deserted diner during a snow storm. There's a slick travelling salesman, an obese oddball, and the oddball's flirty teenage daughter. What follows attempts to be a psychological thriller but it really doesn't thrill for the most part and feels quite pedestrian in execution. The chilly Canadian climes are well suited for the story's backdrop but, Maury Chaykin aside, the actors feel a bit lacklustre and restrained, and the incest elements of the plot are more embarrassing than anything else. The twist ending tries hard to be shocking but had me laughing instead.

As the snow gets deeper and the night draws in, local outcast Floyd finds a stranded motorist on the edge of town. Taking the man home to his dilapidated house-cum-farm, Floyd offers the unconscious traveller to his teenage daughter Dolores.The relief which the waking motorist Stephen feels at being rescued, is quickly replaced by one of growing discomfort and then fear as he realises he is at the mercy of an unbalanced and indeed psychotic man. Starting as it means to go on, the film turns the screw ever tighter on Stephen.The most fascinating aspect of the film however is not the plight of Stephen, but the peculiar and even bizarre relationship between Floyd and his daughter.After watching the film I did begin to wonder Is Dolores really Floyd's daughter at all? By taking stranded stranger Stephen back to his house, the suggestion is Floyd is a decent soul. But by then remarking casually to his daughter that, if she doesn't like him, they can 'feed him to the dogs' it is clear Floyd has lost almost any empathy with the outside world.Dolores, by contrast, is an engaging and attractive girl. Touchingly played by Margaret Langrick, the girl is both excited by the arrival of Stephen, and intrigued by the glimpse of the outer world he offers, a life of hotels, restaurants, women and work.As the two form a tentative bond, provoking the first stirrings of dangerous jealousy in Floyd, it grows increasingly clear Dolores will try any trick she can to engineer herself away from the rundown house and the isolated existence she lives with her father.This brings me back to my original question: Is the girl really Floyd's daughter or the victim of an abduction? I did wonder whether Dolores may have arrived at the house in similar circumstances to Stephen; perhaps clutched as a baby from a tourist's car, or snatched from an unsuspecting mother.The stark backdrop of the icy wilderness and a haunting score, add to the growing unease which director Vac Sarin creates from the opening moments. Few films have ever managed to convey in such compelling fashion the need for human contact.As threatening and deranged as Floyd is, he is also deeply lonely and lacking in both physical good looks and social graces. He holes himself up in a house miles from anywhere presumably because it is (i) cheap, and (ii) the one place where no-one judges him.Yet above that loneliness and insecurity simmers a psychotic temper, and a raging jealousy which is determined to keep Dolores by his side and stop Stephen at any cost from reaching outside help.You want Stephen to escape what quickly becomes a nightmare, and even more for Dolores to somehow find a happy place in life, yet over them both towers the increasingly unstable Floyd.Adapted by Richard Beattie from the play by James Garrard, the film maintains its tension right to the final moments. A claustrophobic and unsettling psycho-thriller, with winning performances, and an ending of haunting and poetic poignancy.

i really loved this film it kept my attention all the way through which believe me is hard unless a film is good.Paul Gross is a fine actor. All the parts were played by the perfect people. Enjoy if you buy it i did. Must admit it was the hardest DVD to track down but i eventually found it. Like a lot of Paul gross stuff in order for me to be able to see them i have to buy them on DVD. The only thing i've seen on TV is due south. I don't mind it just means i get to watch them more often. which make me happy. He is a very kind man and looked after me well and was fabulous to my sister so i have a lot of respect for him. i've dealt with a lot of people and no one has been more kind he not only my favorite actor and singer he has shown me why.

Set in Manitoba, a traveling salesman is rescued from a blizzard by the local crazy man, and taken to his house as a present for his daughter for her 18th birthday. Margaret Langrick gives a stunning performance as an 18 year old girl who wants to get away but her father is too domineering and keeps her too far away from other people. Maury Chaykin is totally convincing as the crazy father, by far one of the better "crazy-man" performances I've seen in any movie. Paul Gross is not-quite-innocent as Stephen. The plot becomes very disturbing once you see how nuts the father is. Slight overtones of Stephen King's "Misery" with the foot injury caused by a trap that Floyd sets so Stephen can't run away, and the scenes with Stephen chained to the wall are very effective. All in all, an amazing movie that gives you the shivers, and a sliver of hope