On the Edge (2001)

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

I wasn't able to see the movie completely on TV since I was playing billiards at the same time but from the little that I saw it reminded me a lot of one of my favourite movies: "David and Lisa". It has a lot more to do with that movie than the other ones mentioned here. Even the main actor resembles a lot the one in that movie Keir Dullea. The billiards was a bit like the chess game on the David and Lisa movie. I think both movies stress the importance of human relations more than institutional help and I found that the David and Lisa movie was a bit revolutionary by showing that mental institutions aren't evil places like the one shown in One Flew Over .... The psychiatrist on this movie does remind me a lot of the one in David and Lisa. Another related movie is the David and Lisa version done by Oprah Winfrey with Sidney Poitier. Of the three I still prefer by far the first one.Ariel

I finished watching this movie for the second time today. I find it was dark. I have never seen a movie that explores the feelings that a person might have after surviving a suicide. It makes me sad to see that "Johnathan" and "Rachel" went through but at the same time it gives me a feeling that the movie was not quite finished. What will happen to these two characters as they live on after their friend past away? Johnathan Jackson performed really well with an Irish accent. Maybe the ending leaves you open to feel like "yeah whatever." The movie did give some advice, and one of it is like " a person who survives a suicide might never tell you how they feel." But I think they will tell that feeling to someone they really trust.

I'll forgo an in-depth plot synopsis by saying this...The film revolves around three young Mental Institute in-patients (Jonathan, Rachel and Toby), with a predisposition to suicide. They are tended to by Dr. Figure, played by Stephen Rea, who's job it is to help them come to deal with their "inner demons" and (hopefully) learn not to top themselves...Ok? The story starts with the main protagonist, Jonathan Breech, attempting suicide (by driving a stolen car off a cliff)after attending his alcholic fathers funeral. Given the choice of jail and 3 months in the mental institute he takes what he considers to be the easy option. Jonathan's character is developed very well in the first 15 minutes. We find out that he is somewhat nihilistic has a healthy disrespect for societal norms without being to "Generation X". However, as mentioned in other reviews, I'm not sure that many of the audience would have any empathy, or indeed sympathy for him. Having said this...i did. This sets up one of the main drives of the movie, which pits Jonathan (albeit very midly) against Dr. Figure and the regime of the institute. Almost reminiscent of Good Will hunting, Stephen Rea's portrayal of his role is very "Robin Williams" (This is mentioned in a very post-modernist moment by Jonothan! NB There will be no more pretensious observations by me!). The interaction works for me, very enjoyable. It allows for some really sharp one-liners, delivered perfectly by Cillian Murphy. However it doesn't let us really know any more about Jonathans character a great deal. Dr. Figure's group therapy sessions introduce us to the rest of the triumvirate. An old ploy, but why try and re-invent the wheel? What follows next is an amalgamation of a love-story and a rights-of-passage movie. A mix of genre's that has worked pretty well in the past, in my opinion. This film is dialogue driven. Not a problem for me because the dialogue is well written and delivered. Various set pieces move the plot along slightly...escapes to the local pub, visits by relatives and weekly trips to the bowling alley. They also allow the minor characters room to develop, and it's nice to see not all of the one liners are saved for the main characters (like some offerings I've seen lately). Succinct, not a lot of chaff to seperate from the wheat here. Interspersed with these scenes the main protagonist gets time to interact with Rachel and Toby. This is where another main drive of the film is explored, the love-story. Both these characters really get to develop quite well. There is no painting with broad brush strokes. I mean, they could have easily fallen into sterotype and it's a credit to writer/director John Carney that they didn't. One small nigggle I have at this point is that Toby and Rachel didn't have enough time to develop their relationship on screen. Most of the platonic relationship is referred to as back story. This leaves one of the final plot points with a less than firm basis. (Very Minor Spoiler) The final act could be considered by some to be weakest link here. By some, I mean those who like Richard Curtis (of Four Weddings fame) endings. However, I say not so. Like most good yarns the finale has to be a beginning too. These characters where never going to drop all their problems and live in a little cottage by the sea with 2.4 children. They are given a chance of sorts...Any more than that i'm not going to say...watch the film Some other points I'd like to raise... The acting...Cillian Murphy was really at home in his role. His cocky, self-assured demeanour allowed him to raise many a smile with his witty one-liners, as only the Southern Irish can (in my opinion). I'd like to see his career burgeon.Jonathan Jackson held a passable (Northern)Irish accent for an American. However he really did come accross well on-screen as a tarnished young man. The least developed (though not under-developed) character of the trio, he did well with what he had.Tricia Vesey smoulders along. She portrays the curt Rachel with just enough chinks in her emotional armour to make her likable. You could (like any of the 3 main roles, I suppose) find her objectionable. Not the case. You don't want to get hold of her and shake her and tell her to get it together.Stephen Rea...Well what can you say. I have always enjoyed watching him and I probably always will. Enough! Magnificent soundtrack. One of the best I've heard in a long time, I think I'd have a similar record collection with the director (who I would assume made the music choices for this). Not too sure about David Gray over the final scene/titles though! All in all... a gem

There doesn't seem to be enough good movies about the mental asylum anymore. While this film will inevitably be compared to Girl, Interrupted, it really shouldn't be. Girl, Interrupted focuses on girls going crazy, while this movie is mainly focused on three young adult characters trying to figure out how to deal with traumatic amounts of pain after losing a significant other. The quick story is that a person named Jonathan cracks after his father passes away and attempts to kill himself by taking a stolen car and driving off cliff yet still manages to survive. He is sent to a place for the criminally insane to get rehabilitate. This movie tries to be both a love story & a coming of age story, but I don't know at times which its trying to be. The main plot is that Jonathan is attracted to a patient named Rachel who also has a thing with blood. Jonathan becomes a friend with Toby and they seem to become best friends. Whenever the two would be together, Toby would end up getting in trouble and Jonathan would have to bail him out. I found this subplot to be much stronger in the film and feel it should of been explored a lot further. Another turnoff was the relationship between Toby and Rachel that was barely scratched on yet was a major turning point (no spoiler here) during the film.The main point of the film was Jonathan learning about himself, how he affects over people, and the changes of good & bad things happening to people. With a great soundtrack of music put in this film, this is recommended film to people who are 16-28 dealing with issues about life, death, losing someone important, and suicide. Just be sure not to bring a significant other, as this is not a date movie.