Hollow Reed (1996)

Save your money for something good and enjoyable

An old-fashioned movie made with new-fashioned finesse.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

The film may be flawed, but its message is not.

Everyone did a great job and I'm sure that when it came out, it was very timely. It might even still be timely in the Bible belt or in Muslim countries. But in today's America, it seems dated as the main focus of the film was about whether or not gays should have custody of their children.I suppose if plot is not what you're interested in, you could get lost in the performances as they were all perfect, particularly that little boy. He was really great. I went to see what else he was in on IMDb and was surprised to see that he has not had much of a career. Too bad. He was fabulous.So, see it for historical reasons or for the performances but I don't think it's anything one should rush out to see, if you have not already seen it.

The script for "Hollow Red" is finely written, with fully dimensional characters, believable situations, and sharp plot twists.The acting is faultless, with the entire cast bringing poignant character realizations to their work.The direction, editing, and scoring all contribute to a moving drama. One is absorbed from beginning to end, and experiences a cathartic feeling at the finale.The only aspect which may date this film a bit is the British courtroom attitude toward the homosexual lifestyle. In that respect, it roots itself in the late '90s. However, even that element is historically honest and truthful.A fine film from English contemporary cinema.

Profoundly sensitive topic handled in a superb manner. I could feel the father's anguish and the child's and feel that while the movie may make some uncomfortable, it is a topic that is not going to go away and perhaps though sensitive coverage such as this, there will be more understanding and tolerance. I was held spellbound from the very beginning and as a mother myself, wonder why the child's mother was not aware something was wrong with him. It was painfully obvious to me as an observer, in just observing Oliver, that something was not right. Did she honestly not know, and then I would have to consider how close she truly was to her son, or did she know and ignore, which is so much worse. Can a quest for happiness, or fulfillment, even make us blind to our obligations to our children? I sincerely hope not. I am glad it ended as it did, but would like to have seen a little further into the future.

This movie was perfect in just about every way. The cinematography, acting, you name it. I give it a 10/10 and highly recommend it. However, I did see some slight problems - Tom's (the father's live-in boyfriend) character was never really developed much, and, other than one, eh, 'uninhibited' scene of gay love, there was really not much feeling of love between the two. However, I suppose that the relationship was done as well as could be expected, though. All in all, it was a great movie, and it's 'pros' far outweigh it's 'cons'. It has achieved the status of 'near perfection' in my mind, which only one other movie had done before this.