Winnie Mandela (2013)

Best movie of this year hands down!

Waste of time

Undescribable Perfection

Such a frustrating disappointment

Winnie Mandela (Jennifer Hudson) is the sixth daughter to a disappointed father hoping for a son. She tries to prove her worth chaffing at the paternalistic culture. Her father is the son of the chief and a ground breaking teacher. She studies to be a social worker and excels. She is fascinated by Nelson Mandela (Terrence Howard) and catches his eye. They are soon married but they are always hounded by the cruel De Vries (Elias Koteas). Mary Botha (Wendy Crewson) hires her despite the troubles and becomes her supporter.This is such a bland uninteresting biopic. With such an amazing complicated subject, this has no intensity. It has no life. The story has been simplified into a paint-by-number biopic. It's as if it's boiled down to highlights of a compelling life. It uses way too many montages. Terrence Howard is especially hamstrung by the script while Jennifer Hudson takes a backward step with her performance. Elias Koteas is a great actor but the movie appears to suggest that all of Mandela's problems stem from an over-zealous persecutor. Winnie is one of the most compelling characters in our modern history and this treats it all like a melodrama. I'm left a little uncertain about Hudson's skills after this. However I put most of it down to a bad script.

I am presently watching this movie at the moment. I must say I am extremely surprised at the flawed costuming of this project. This is a movie chronicling the life of Winnie Madikizela-Mandela, a woman who was born in 1936. Yet from the very start of the movie(which starts at her birth), you notice immediately that they lost it on the costumes they used as they do not depict the kind and quality of clothing worn in a 1936 South African village. For one the clothing used are really really bright and very 2011 fashionable. Regarding the styling, you can clearly tell that they probably could not produce them that way back then. They also look too bright and flashy much like modern apparel. In certain scenes you see that the ties worn by the guards or police officers looking really modern day and therefore really makes you struggle to believe the events were actually occurring when the acting tells you they were. Talk about the wedding dress used in Winnie's wedding, it just looks out of place time-wise. So even though the acting is good, I feel that the strength of the acting was much suppressed by this flaw. It really would have been better if they had down toned the colors a bit but unfortunately they did not.

. . . the Lady Macbeth of South Africa. The trajectory for heroes is that they start out sinners like Saul of Tarsus and transform themselves into people such as Saint Paul. The Benedict Arnolds of infamy, on the other hand, begin lives of privilege and when the going gets a tad rough, they mutate into evil, self-centered cancers on humanity. This film, WINNIE MANDELA, perfectly captures her transformation from the one-time girl stick fighter champ into a chunky boozing adulteress with a lust for cheap sex and a penchant to enjoy sadistic "neck tie" parties involving her having trusting young orphan boys burned alive. No one can prove there actually is a Hell, or say whether Winnie deserves to be there forever, or just for 10,000 years. But as crispy critter Stompi Seipei's surviving sisters might point out, at least Hitler had the decency to kill his victims BEFORE burning them.

I was surprised at the negative tone of other reviews. I thought this was an excellent piece of work --- acting --- production --- accuracy. I wondered whether it was going to glamourize Mandella with an unrealistically positive spin. But no, it does a good job of illustrating the unfortunate turn her life took in the later years of the South African struggle. She ended up as a vindictive,foul mouthed, autocratic drunk. But you understand how that came to be after her long ordeal, which was powerfully portrayed. I also was surprised to find that this was largely a Canadian production. It had none of the pretentious unoriginality that marks so many Canadian films, especially those done for Canadian cable television. It was believable, watchable and informative!