Tanya's Island (1980)

Fantastic!

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

One of the worst ways to make a cult movie is to set out to make a cult movie.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

This flick would never been hunted down by the exploitation buffs if Vanity wasn't involved. The story of Vanity is really sad.Born Denise Matthews she was discovered by Prince who wanted to form a slutty band called The Hookers. They would dress like hookers. In 1982 when attending the American Music Awards Prince noticed Denise. They immediately went to the dressing room and Prince dated her and renamed the band Vanity 6 were she had the leading vocals. Nasty Girls being their signature it also became the signature of Denise now called Vanity. Her bed-hopping became notorious being shagged by Adam Ant, Billy Idol but among all Nikki Sixx from Motley Crue. Being a bit of a slut she also discovered heroin. She was seen in a few flicks, but towards the end of the eighties she was past and gone. She became depressed and a crack addict. Now and then she was seen in crap flicks or series. From 1994 she really was a drug-fiend only thinking about suicide, she even became deaf and blind. Rehab was on the way. After leaving the hospital she found out she was resurrected as a new born Christian. Nowadays she's a preacher woman and is back as Denise Matthews and doesn't want to be involved anymore with Vanity.Here in Tanya's Island we see Denise just before she was discovered by Prince. But acting wasn't her thing, she only did what she was the best, walking around naked. She walks a lot naked here and even allowed close-ups of her pubic hair. The flick itself is something strange. Tanya (Vanity) goes to a deserted island with her lover but she falls in love with a...monkey. Naturally her lover wants her back but hings aren't that easy. There is really not that much story here. On the other hand, not only Vanity attracts exploitation buffs but the director was notorious too. Alfred Sole directed 4 flicks one among them called Communion or Alice Sweet Alice (1976), a classic in the horror genre. Before that he directed the rare seen Deep Sleep (1972), a porn made in the golden age of porn. Don't think that you will see another gem like Communion, this is pure exploitation on the sleazy side with gratuitous nudity. Just one thing for the geeks, Rob Bottin and Rick Baker were involved in make-up effects. Next two flicks were The Howling (1981) and The Thing (1982) for Bottin, Baker also went to The Howling as consultant, next two flicks were The Funhouse (1981) and An American Werewolf In London (1981)Gore 0/5 Nudity 2,5/5 Effects 2/5 Story 2/5 Comedy 0/5

D.D. Winters (a.k.a. 'Vanity') was highly nude from time to time in this odd little film. There were two other actors, one playing her abusive boyfriend and the other is a kind, sensitive emotionally available guy in a gorilla suit. The carachter was supposed to be an actual gorilla, but the cheap production values kill any suspension of disbelief. Tanya is stranded on the island with her thuggish boyfriend, but the gorilla has special qualities that win her heart and drag the body into near-bestiality.The last performance of Mae West was as a guest on the Mr. Ed show. She used her patented come-ons to the talking horse, plying him with seductive patter. That too, was odd. That episode and this film would make a fun double feature for a very select audience.

Depending on your point of view this movie is either an interesting Freudian exploration of the "beauty and the beast" myth, or it is a particularly pretentious example of what Robin Bougie of "Cinema Sewer" magazine hilariously dubbed the "bigfoot-rape" film. Evidence of the former would be that this was directed by Alfred Sole who directed the cult horror classic "Alice, Sweet Alice". This isn't a patch on that one,of course, but it's better than a lot of Soles other equally bizarre, post-"Alice" projects (like the off-the-wall slasher spoof "Pandemonium"). Evidence of the latter, however, would be that this movie stars D.D. Winters, a singer/actress who couldn't really sing and DEFINITELY couldn't act. She would later become Prince's protegee under the name of "Vanity" and then eventually a born-again Christian (and I'm not sure which is worse).This movie is about sexy and oft-naked woman and her husband who go off to live on an island for reasons that eluded me. The only other being on the island is a ape man/bigfoot type creature who the girl nicknames "Blue". The girl feels a strange affection, even perhaps an attraction, to the creature, which makes her husband increasingly jealous. He becomes determined to capture this monster and put it in a cage. The Freudian metaphor here is pretty obvious--the monster represents the wild, uncivilized side of the man, and he fears the woman's attraction to it and wants to repress both it and her. This intriguing idea is pretty seriously fumbled though by some truly horrid acting and a clichéd, cop-out ending usually used by filmmakers when they have totally run out of ideas.This movie greatly resembles the notorious Walerian Borozyx film "The Beast". It is also a arty, metaphoric exploration of bestiality (albeit a little less graphic than the Borozyx film). But while "The Beast" also starred a sexy but talentless actress (Sirpa Lane) as the object of the bestial affections, Borzyx had the good sense not to give her any lines. Winters has many lines in this movie and is unbelievably annoying when she's not having sex or getting naked. More importantly, however, "The Beast" had a strong ending that tied everything together, while this one . . .well, I won't spoil it--I'll just let it spoil itself. This is a potentially interesting but flawed film.

A strange film in content and delivery. Tanya who is dangerously attached to her abusive artist boyfriend, Lobo, has an extended dream, in which she and her belligerent beau live on a deserted island paradise (cue gratuitous nudity over the opening credits). Tanya befriends an ape, Lobo gets jealous, and the trio fight in a manner which comes close to slapstick. The comic violence combines with sexual symbolism to create an unnerving mix. Perhaps the weakness of the film is Tanya herself, who provides a feast for the eyes, but leaves the mind a bit empty. She seems to spend the whole film both confused and amused by the whole situation. If the film is about Tanya's sexual naievity, then this theme is not developed sufficiently. For its weaknesses, this film is certainly a unique and interesting creation, worth seeing