The Silver Chalice (1954)

If you don't like this, we can't be friends.

Crappy film

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Similar to many other Biblically-themed movies of the 1950's and 1960's, this film is more fiction than actual Biblical fact. It takes a few Biblical characters, including Jesus, the Apostles, Joseph of Arimathaea and Simon the Sorcerer -- who is mentioned in Acts 8:9-24 -- and then creates a ridiculous story around them, including collusion with the Sicarii -- who were Jewish zealots -- and Simon's endeavors to prove that he is the new messiah, who can even outdo Jesus, insofar as miracles are concerned.Regarding the actors, I was most impressed by the heartfelt performance that was given by Italian Actress Pier Angeli as Deborra. She conveyed well the innocence and dreams of a young woman in love. It is truly sad that Ms. Angeli became so disillusioned by her failure to reach Hollywood stardom, and died of a barbiturate overdose at the young age of only thirty-nine.In contrast, I found the transition of the young Helena -- played by Natalie Wood -- to her older self -- played by Virginia Mayo -- quite unsatisfactory. Mayo appeared and acted more like a worldly madam at a bordello than anything else. As such, I honestly couldn't see Basil's -- Paul Newman in his first film role -- initial attraction to her.Jack Palance's role as Simon the Magician was too over the top for my taste, and in a way unconvincing. Maybe it was because he was so full of himself. I think he did much better later in his career playing dark characters.I was pleasantly surprised by the appearance of Alexander Scourby as the Apostle Luke. As many Christians will know, Mr. Scourby is well-known for his wonderful recording of the entire King James Version of the Bible, first on cassette tapes, and later on CD's as well.Lorne Greene -- Bonanza, original Battlestar Galactica -- also makes his first film appearance as the Apostle Peter. While Greene was obviously trying to sound authoritative, personally, I felt that the tone of his voice was a little too harsh when he told the young girl to stand up and walk. But maybe that is just me.As I said in the title, the production sets for this movie were unbelievably poor; particularly when one compares this film to "The Ten Commandments", "Ben-Hur" and related Bible-based films which were made during that same time period. It does not appear that much effort was put into the sets for "The Silver Chalice". They don't look much better than cardboard cutouts. Seriously, they were that bad.If you are willing to overlook these various weak points, you may possibly enjoy this old film, even if it does have very little resemblance to the actual story that is contained in the Scriptures.

I actually enjoyed a few parts of this bizarre movie, the first for Paul Newman. I think Jack Palance had the juicier role and he made the most of it as the magician, Simon, who challenges the Lord himself. This was the only "real" part of this movie, with a storyline taken from the Bible.Then we get the problem areas. A real bible story with modernistic, surreal sets. Beautiful Virginia Mayo looks like a Vulcan from Star Trek with her uplifted eyebrows. Her gowns are very 1950's.During Caesar's feast the dancers pop out of the floor and gyrate like they just came from a modern dance recital. The music is deafening.The dialog is simplistic and often unintentionally funny. So are some of the scenes, like the looting scene where two women fight over a gown like they're in Macy's.But what takes so much from the actors is the sets. I just couldn't get past gawking at the most bizarre sets I've ever seen in a movie, much less a Biblical one. These two things simply do not mesh.

"The Bible" anthology orator Alexander Scourby (as Luke) chooses Greek sculptor Paul Newman (as Basil) to fashion "The Silver Chalice" that served at Jesus Christ's "Last Supper" with faces of the Lord Christ and some of his disciples. Looking tanned and handsome in Warner colors, Mr. Newman not only has trouble recreating the face of Jesus, but also choosing between bosomy Pagan-tilting Virginia Mayo (as Helena) and pretty Christian-leaning Pier Angeli (as Deborra). His cup runneth over...Unlike Newman, you'll have no trouble figuring out where his character and this story are going...Going up are Ms. Mayo's plucked and penciled eyebrows; going down is Jack Palance (as Simon) as the new Messiah. Don't be too quick with the fast-forward button, lest you miss Mr. Palance's fall from grace. Newman, who herein moved from TV dramatic guest to big screen star, was not proud of this film; and, it's easy to see why. It's a woefully misguided Biblical epic, with Newman not the least of its problems. The musical score by Franz Waxman is nicely done, especially during softer sequences.**** The Silver Chalice (12/17/54) Victor Saville ~ Paul Newman, Virginia Mayo, Pier Angeli, Jack Palance

The historical epics which were so popular in the fifties and early sixties frequently had a religious theme. Some were based, not always faithfully, on stories from the Bible ("The Ten Commandments", "Solomon and Sheba", "Esther and the King"), while others tried to convey a Christian message indirectly. Thus the central character of "Spartacus" is treated as a metaphorical Christ-figure, and "The Egyptian" draws parallels between Christianity and the monotheistic religion of Atenism which briefly flourished under the heretical Pharaoh Akhnaten. "The Silver Chalice" is one of a number of films which deal with the early days of the Christian church and its persecution by the Roman emperors. The stories told by such films were normally fictitious, but were set against a background of historical fact. The most famous film of this type is "Ben Hur", but others include "The Robe" and its sequel "Demetrius and the Gladiators", "Quo Vadis?" and "The Fall of the Roman Empire".The plot of "The Silver Chalice" is essentially similar to that of "The Robe", which was made the previous year. Both concerned a sacred relic of Christ which is being sought by the enemies of Christianity. In "The Robe" this relic is the robe which Christ wore at His crucifixion; in "The Silver Chalice" it is the cup which He used at the Last Supper. (This cup has become known as the Holy Grail, especially in the context of the Arthurian legends, but this name is not used in the film).The central character is Basil, a young Greek craftsman from Antioch who is wrongly sold into slavery, rescued by Saint Luke, and commissioned by him to make a silver chalice to house the sacred cup. The chalice is to have the faces of the disciples and Jesus himself sculpted around its rim, and Basil travels to Jerusalem and to Rome to complete this task. The cup, however, is being sought by Simon Magus, the villain of the story, who hopes to found his own religion and who uses conjuring tricks in an attempt to convince people that he is the new Messiah. The film also deals with Basil's relationships with two women, the pagan prostitute Helena, who is also Simon's mistress, and the Christian convert Deborah, the granddaughter of Joseph of Arimathea."The Silver Chalice" was Paul Newman's first film, but seldom can someone who went on to become a major star have made so unpromising a debut. Newman is totally wooden and unconvincing; there is no hint here of the great actor he was to become only a few years later. He himself apparently loathed the film; when it was later broadcast on television in 1966, he is said to have taken out an advertisement in a Hollywood trade paper apologising for his performance, and asking people not to watch it. Predictably, this achieved precisely the opposite of what he was hoping for; his advertisement aroused interest in the film and the broadcast received unusually high ratings. He even allegedly called the film "the worst motion picture produced during the 1950s", even though this was the decade that brought us the likes of Ed Wood's "Plan 9 from Outer Space".To be fair to him, his is by no means the only below par acting performance in the film. Probably the best comes from Jack Palance, a splendidly over-the-top villain as Simon, and the teenage Natalie Wood is charming as Helena in the days when she was still an innocent young slave-girl. Virginia Mayo, however, her good looks hidden behind some weird make-up, fails to make the older Helena sufficiently seductive or alluring. Pier Angeli looks lovely as Deborah, but her acting is hampered by her thick foreign accent.The acting is not the only problem with the film. It is overlong, the plot is often confusing, and the dialogue frequently has the artificial, stilted flavour common to many Biblical epics. (The scriptwriters seem to have imagined that a film on a religious theme needed to be written in something resembling the language of the King James Bible). The stylised, minimalist set designs would be more suited to a modernist theatrical production than they would to a major feature film; this sort of Brechtian minimalism seems particularly inappropriate in an epic, a genre which has always relied on visual splendour.One reviewer says that the film is "no worse than numerous other Biblical epics", but in my experience epics vary greatly in quality. "The Silver Chalice" is not only inferior to the classics of the genre ("The Ten Commandments", "Ben-Hur", "Spartacus") but also to second-division examples such as "The Egyptian" or "Demetrius and the Gladiators". I would even rank it lower than mediocre third-raters like "Samson and Delilah" or "Esther and the King". About the only one it can compare with is that dreadful John Wayne vehicle "The Conqueror". It is perhaps appropriate that the hero of this fourth-rate film is called Basil. "The Silver Chalice" is to epic movies what Fawlty Towers is to hotels. 4/10