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Amador

Amador (2010)

March. 09,2011
|
6.7
| Drama

A drama centered on a young woman who takes a summer job caring for a bed-ridden older man, and the intimate secrets they begin to share with one another.

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Reviews

BootDigest
2011/03/09

Such a frustrating disappointment

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SnoReptilePlenty
2011/03/10

Memorable, crazy movie

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Dynamixor
2011/03/11

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

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Aubrey Hackett
2011/03/12

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

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Kirpianuscus
2011/03/13

the flowers around the presence of people. the people. in ordinary gesture and words and habits. like far silhouettes. a film of states. about errors, dreams, illusions, answers. a young woman. and her boyfriend. an old man. and the life as a large plain who becomes more and more strange. not the story, so simple, not the performances, inspired sketches, maybe not the look of the young woman but the emotion after the end of it defines "Amador". and this is all. a story about flowers and about people as silhouettes.

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movie reviews
2011/03/14

Everyone needs money. Marcela a South American immigrant living in Spain is pregnant--her hustling husband wants to set up a flower store and needs to make payments on a refrigerator--the children of Almador need his pension to complete their new house. A 50s something prostitute visits Almador once a week for 30 Euros.The source of the money is the pension of Almador,a bed ridden sick elderly man, who Marcela is hired to take care of.He dies. How do you keep the money coming in at least in the short run?The actress who does Marcela is great...just perfect but so is the prostitute. There are attempts at comedy but somehow they don't work very well since you have in your mind the whole time of how the cadaver must look and smell--not something that puts you in a mood to laugh.Is it possible for a film noir to attempt humor that is what this movie does.Beautifully filmed and acted and different. There are lots of things you can read into it too....wilted flowers...the refrigerator making a noise when the door is open....the rotting cadaver all of it ties together.RECOMMEND

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Armand
2011/03/15

about solitude, flowers, life sense, hope as heart of interior fight. a young woman, an old man, a church,a Thursday special secret cure,friend a house. and slices , like the clouds, of silence. nothing else. all - as a puzzle. or just a delicate - profound parable, drawing of gestures and thinks, dream of a next existence. in fact, it is only picture of a state of mind. seed. ladder. all - as skin and respiration for magnificent , touching, powerful beauty.it is a kind of confession. collection of letters, speech, photo crumbs. testimony. about small elementary things. and, maybe, cloth for fairy tale. about a Cinderella for who the future is the perfect Charming Prince.

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Ricardo Fernandes
2011/03/16

A South American immigrant, an unfaithful boyfriend, a prostitute at the end of her carrier, an old man left to rest, by his family, till the death comes an takes her prize. All this characters coexist in a very bizarre, yet simple and believable way. These are the characters that we see across our daily routine, transposed, from reality to fiction, without losing any of their authenticity.Flowers celebrate life, love and death, and connect both the ends of the limited and closed interval where we stand. The flowers are the most visible and important adornment in this film. Even though they are natural flowers, they need some help to intensify their perfume. Reference, perhaps, to the constant element of artificiality in our lives. Reference to the art of pretending.The film has a constant and intense summer light. It flows from brief moments of joy and humor to introspection. Dialogues of simple minds, that reach well under the surface of the common places.This is a simple story, told magnificently.

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