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Cornbread, Earl and Me

Cornbread, Earl and Me (1975)

May. 21,1975
|
6.9
|
PG
| Drama

The unintentional shooting by police of a star basketball player has profound personal, political and community repercussions in this acclaimed adaptation of the novel Hog Butcher by Ronald Fair. This was one of the more thoughtful urban dramas produced at the height of the "blaxploitation" craze. Also released under the title Hit the Open Man, it features the screen debut of Laurence Fishburne, who was barely a teenager at the time.

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ShangLuda
1975/05/21

Admirable film.

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Deanna
1975/05/22

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Guillelmina
1975/05/23

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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Staci Frederick
1975/05/24

Blistering performances.

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tostinati
1975/05/25

Cornbread, Earl and Me is a long way from a perfect film. Some of the characters are overdrawn, and some are cornily acted. But it is, as others say, truthful -- painfully so. And that's to it's eternal credit. At the center of the films' inevitable and staggering sequence is a very young Laurence Fishburn as the nominal "Me". I had heard the odd-sounding title of this film for decades without seeing it. When it came on THIS network, I settled in to give it a watch, expecting something poignant and earnest. It delivered. To snipe at the film unfairly, perhaps, I wish that the police hadn't been so corrupt by design. I wish that the investigators from central precinct hadn't been so fast to act like jerks. I guess I wanted the epically weepy, tragic vibe of the central scene to carry on for at least the middle third of the film. But in rapid succession after the death, we are presented things which turn our sadness to anger and then to militancy. At that point, even the most naive viewer will be aware of how heavily we are being manipulated by the film's makers. The danger of subconscious and then conscious satirical reaction and resulting camp "failed seriousness" is never far away in the last half of this film.I don't disagree with the politics. I don't disagree with the film's matter-of-fact assertion that police are often abusive of the privilege and power that their gun and authorization to use it gives them. I know this is true. But knowing it, that's the thing: I don't have to sit still to be told it and retold it for an hour and a half. Evoking a touching, bitterly poignant moment ... now that's something many and many a freshman film maker attempts, and achieves only clumsily or not at all. I have to give this director and writer kudos for lining up the awful moment where the two halves of the film, the pastoral and the horrific, collide and fracture the characters' world. It's heart-rending. But I think they made a mistake in not allowing the rare and beautiful chord they achieve -- The Truth, wound up in sorrow-- to sustain for a bit longer.The courtroom scenes and a lot else in the last half are rather amateurishly staged and acted. But, thank God, we will always have the first half of this film, with Laurence Fishburn's incredible breakdown, Rosiland Cash's terrible epiphany and the harrowing minutes after that. These moments would seem to guarantee the film immortality.A generous 7 of 10 stars. When this film is good, it wails. When it is bad, it is truly some of the worst "blaxploitation" footage I have ever sat through. If ever any film did, this one proves that a film's heart being in the right place will keep you on it's side, even as it wheels off it's axis and into the void.

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two_talk
1975/05/26

How many young Black men have been shot by police in the past few years? Ignoring the number of men who have actually committed a crime, some police officers seem eager to shoot up our young men. Consider the young man out for the evening with friends celebrating his bachelor party. Disgusting and they never get what they deserve. Yes it is political--what meaningful movies aren't? It is meaningful in that the 1974 movie just foretold what was to continue for years to come. It was rather goofy and poorly written but despite the script, the people in the movie are fine actors. I liked it because it showcased some of the best actors in Hollywood from that period. Watch it and judge for yourself.

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Carrj145
1975/05/27

I was very disturbed by the negative review given by a man who actually lived during the times dramatize in "Cornbread, Earl and Me." I am a 26-year-old Black female watching this movie for the first time. I found that every issue addressed in this movie is transcendent, relevant even today.It amazes me that we overlook the importance of a message simply because of the delivery. In all fairness to this movie, there is no blaxploitation present; the language, attire, scenery, etc., everything necessary for a realistic plot, is perfect for the setting and time frame of this movie. Regarding the comment about "ghetto language" there is a balance between the use of the formal and informal in the movie.As an English teacher, and one who has a strong disdain for negative images of African-Americans, I can honestly say that this movie's depiction of African-American life was very well done. It was also poignant and ahead of its time. It is movie that, when the time comes, I will show to my children as a reference to how very little times have changed regarding the ease of wrongful deaths, slandering of names, harassment of witnesses because of racial advantages, or rather disadvantages.The movie is GREAT;-)

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anonymous12
1975/05/28

This movie seemed to show what really goes on in inner-city America between black people and the police in general, even if the police like in this movie are black too. This movie is set in 1974 Watts, fast back cars, number running pimps, soul music, Afro haircuts, everything 70's. What happens in this film is two cops, one of whom is black mistake a black basketball player for a rapist and shoot him to death accidentally. This basketball player Nathaniel "Cornbread" Hamilton is a well liked, talented, nice kid who is headed off to play D-1 ball. He has never committed a crime in his life and has done well resisting ghetto temptations that lead to bad things but unfortunately for him, he is mistaken by the police and is shot to death on the spot before he can do anything else. When his parents hire a black lawyer to charge the police for wrongful death, we see some really Uncle Tom type police officers who will stop at nothing to keep the truth from being revealed. The black officer who pulled the trigger calls all the blacks in the neighborhood "savages" and the black precinct captain threatens to take away a woman's welfare check for having her son testify against the police. Of course there are racist white cops too but that is expected in any Blaxploitation. I feel this movie was pretty real based on things I've heard about the 70s and I think anyone who wants to see how bad it is between the black community and police departments anywhere and why it will remain bad in years to come.

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