Eastwood After Hours (1997)
On October 17, 1996, veteran and contemporary jazz greats gathered for a select soiree on the stage of New York's Carnegie Hall, saluting a guy more noted for making popular films than for making sweet music. But as any fan of Clint Eastwood, especially after he started directing 30 years ago, will attest, the award-winning star is also an inveterate jazz lover who has uniquely integrated that musical form into the scores of his films. Join Joshua Redman, Christian McBride, Flip Phillips, Charles McPherson, James Rivers, Slide Hampton, Hank Jones, Thelonious Monk Jr., the Kyle Eastwood Quartet, the Carnegie Hall Jazz Band and more for this scintillating celebration of film and music.
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Bad Acting and worse Bad Screenplay
In truth, there is barely enough story here to make a film.
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.