Patti Smith: Dream of Life (2008)

Excellent but underrated film

Absolutely Fantastic

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

By the time the dramatic fireworks start popping off, each one feels earned.

I had no expectations of this movie. About two minutes into it I got that feeling, you know the one, the feeling that wow, this is going to be a good one. So I settled back and let the film take me with it. It took me into Patti's world through a poetic portal in her self. She is the artist as a real person who touches, loves, nourishes and creates. Patti takes the viewer through her childhood, young adulthood, the Chelsea days, her days of mothering her children and tells of her losses and her rebirth into the world of touring once again. The cinematography combines with Patti's poetry to create scenes of dreams that you don't want to end. Because the film took 11 years to make, her children grow and mature into young talented adults so much like Patti was at their age. It is wonderful to see Sam Shepard playing guitar duets with Patti just off the cuff in her room sitting on a box on the floor after all the years that have come between them. There was still so much feeling between them like they were just kids again. I loved this movie. I loved the fact that it showed such a strong and tender woman who laughs so easily and is still so vital and relevant. The movie is about Patti Smith, so I don't see how people can criticize her for being the center of this universe. Her poetry may last forever.

Patti Smith has always been an astonishingly iconoclastic, performing and visual artist. She's always been the most influential woman, in the Punk rock world. She really helped kick-start this exciting new genre of music, when it was still just a fringe element of the rock scene, in the mid-70s. Patti also single-handedly crafted a bold new image, of the female rock performer during the 70s. She startled the rock world with her unapologetic, devil-may-care androgynous style. Patti was the first woman in rock, to completely eschew glamor. Her clothes and shoes that she wears, have always been scruffy and disheveled. Her hair is scraggly, and she has a long, homely face. She is the complete personification, of what Punk rock is all about-brash, gritty, daring, and wickedly avant-guard.This documentary highlights Patti's exceptional achievements as a visual artist, poet, and Punk rock icon. Her personal life is completely laid open for the viewer. Patti is shown at her childhood home in a humble working class neighborhood, visiting her parents. Patti's two children also appear in this film, and she shows how proud she is of her family. The viewer plainly realizes that instead of being a decadent rock star, Patti Smith is a warm, caring, and sharply intelligent human being.This film has an arty visual style, which dovetails perfectly, with Patti Smith's status as a dedicated artist and performer. At times, the film drags on a bit. And there's a morose quality, underlying the film too. This factor is brought on mainly by Patti's intense focus, on the deaths of her spouse Fred, brother Todd, and friend Robert Mapplethorpe. It was obviously cathartic for Patti to discuss the sense of anguish that she feels, about the deaths of those she cared deeply about. That in itself is positive, but it dominated the film a bit too much.For those who are not yet familiar with Patti Smith, seeing this film is a good way to acquaint yourself with her, and her legendary accomplishments as an artist/musician. Now in her early 60s, Patti Smith still reigns supreme, as the Godmother of Punk rock.

PATTI SMITH: DREAM OF LIFE is a free-floating ramble through the life of one of America's premiere poets. The time sequences are hazy, her children appear and reappear at dramatically different ages, and this only adds to the visionary quality of the film. This is the farthest one could imagine from the standard Rock Bio that one might see on VH1. The Patti Smith of today seems just as interesting and dynamic as the artist who created HORSES many years ago. She is among the few contemporary artists who manage to connect the Beatnik sensibility of the late 50's and the rock and roll music of today's social and political activists. Hopefully, this film will spread her musical and poetic influence to people who may not be aware of her compelling aesthetic vision.

It is OK to make a sentimental family movie - but it is not polite to bother other people by distributing it! "Vanity" is the word that describes this movie. However, it asks couple of questions: are the artists really incapable of talking about their own work (no, not all of them, I believe)? Second, does Patti Smith really believe that her art will survive her - i.e. human being is mortal, poetry is immortal? Well, her books and Cd's are now on sale for couple of bucks, I am not sure in ten years it will be any better ... And finally, why does she treats herself as the most important thing in the universe ... thanks god for those punk bands that can make fun out of them. Well, if you have not seen this movie, you did not missed much. Play some of Patti Smith CDs instead - any of them is much better to this.