Head Cold (2011)
Die selbst betroffene Autorin und Regisseurin Gamma Bak hat es zum ersten Mal überhaupt gewagt, über die diversen Stadien ihrer Krankheit einen autobiografischen Film zu drehen. Entstanden ist ein extrem intimes und faszinierendes Selbstporträt, das nicht nur einen Einstieg in das komplexe Thema bietet, sondern auch einen direkten Einblick in das Ringen mit der Diagnose Psychose und der damit verbundenen Stigmatisierung erlaubt.
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i must have seen a different film!!
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
A plain-spoken and honest answer to the question, What is it like to be psychotic? To start, there is the great loneliness of serious illness. The title refers to a comment by Gamma Bak's partner at the time, during her first crisis: "This is all like a head cold, it will pass."Gamma Bak had her first psychosis in 1995, when she was thirty years old, working as a film director and producer in Berlin. Bak was supposed to be part of the free generation – a Jew from Hungary, who never knew totalitarianism, living a free and easy life in an open society. What she got instead was an adult life punctuated by seven episodes of schizoid-affective psychosis, in and out of psychiatric institutions, treated by a total of fourteen doctors and six psychologists, and prescribed twenty-four different anti-psychotic drugs over fourteen years.Bak tells her story through a series of interviews – with friends, ex-partners, colleagues, relatives, a fellow patient, and with herself – and clips from previous films, including East West Home's Best (1992) and Eine Frau und ihr Kontrabass (A Woman and Her Contrabass, 1994).There's no trace of exhibitionism in Bak's relentless gaze, and no voyeurism in this documentary. Instead, the film grapples openly with questions of responsibility for one's own life, and the necessity of walking through what cannot be overcome.