The Magic Flute (1975)

To me, this movie is perfection.

A Masterpiece!

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Mozart's Great melodic & poignant + highly-entertaining Work 'the Magic Flute' perfectly encapsulates the eternal struggle to resist the powers of darkness and ignorance and eventually persevere towards revealing a path in the direction of authentic 'light' (comprising knowledge, compassion + harmony).Mozart's Opera 'the Magic Flute' premiered just 2-months and a few days before his terribly-premature death in 1791.  The authentically-powerful 'Light' at foundation of his immortal Opera is to be found within Mozart's ingenious, sublimely-beautiful melodies, harmonies & rhythms deeply impacting the Listener (no matter what age), gifting all of us with a priceless glimpse into a much 'better' (more perfected) World.Ingmar Bergman staged and filmed this Cinematic version of Mozart's "The Magic Flute" circa1975. Bergman meticulously recreates staging of the Opera at The Drottningholm Palace Theatre with an all Swedish cast, sung in Swedish instead of original German Language with artistic cinematography by stalwart Sven Nykvist.Bergman also includes within this film an unusual mix of 'Live' staging and numerous 'reaction' shots of audience members plus backstage activity and interaction of actors at intermission.  The actor/singers bring genuine 'Life' to their respective roles, particular the Lovers: Tamino (Josef Köstlinger) & Pamina (Irma Urrila) with expertly wielded comic-relief by Papageno (Håkan Hagegård), and unforgettable-presence of Ulrik Gold as 'Sarastro'  Bergman's meticulously-selected cast of memorable & highly-charismatic actors really grows on you as this opera progresses..... making you genuinely care about the ultimate outcomes of these characters' trials & tribulations along with their poignant hopes for redemption, and aspirations for finding true Love!  Ingmar Bergman's slightly eccentric but emotionally-resonant and entertaining Cinematic version of Mozart's brilliantly melodic & poignant Opera is highly-recommended.

Of all of Mozart's operas, I cannot decide which is my favourite out of Don Giovanni, Marriage of Figaro(Le Nozze Di Figaro) and Magic Flute(Die Zauberflote), though I have a fondness for Cosi Fan Tutte too. I love the stories and characters of these operas, and the music in all of Mozart's operas(even those with stories not as strong such Die Entfuhrung Aus Dem Serail) is magnificent.I have seen several opera productions, and a number of opera films. My favourite opera films prior to seeing this Magic Flute were the 1976 Tosca, Losey's Don Giovanni, Zeffirelli's La Traviata, Rossi's Carmen, Ponelle's Le Nozze Di Figaro and Ponelle's Rigoletto. I saw this Magic Flute for two primary reasons, one that Magic Flute is one of my favourite operas, and the other being the great Ingmar Bergman.The Magic Flute didn't disappoint. Bergman's direction was accomplished as always, the cinematography was gorgeous and the largely symbolic images looked amazing and enhanced the compelling story. The only ones that didn't quite work for me were the shots of the audience in the overture, which were a little distracting and unnecessary for me. The sets are suitably lavish and the costumes while different than one would expect are good.As for the orchestral playing and conducting, they were superb, with the orchestra playing with power and clarity, and the conducting rock-solid with well-judged tempos. The acting and singing are very good generally, the best being Hakan Hagegard's hilarious Papagaeno and Birgit Nordin's imperiously chilling Queen of the Night. Josef Kostlinger is excellent as Tamino too, which is surprising in a sense since I have often come across some dashing, beautifully-sung but very bland tenors in the role.Irma Urrila is very poignant as Pamina, and the three ladies and three boys are very well blended. Ulrik Cold's Sarastro is firm in the acting, but part of me would have liked a darker and perhaps more powerful voice, but he does do very well. Ragnar Ulfung's Monosatos is rather over-played for my liking.As for staging, I liked it, especially the two trials and the delightful Papagaeno-Papagaena duet. The decision to especially move Papagaeno's second aria to the second trial was actually a very good one. Only the first scene with the dragon struck a false note with me, the dragon looked decent but Kothlinger's acting could've been much more panicked.Overall, despite the few flaws I had with it, it is a great film and one of my favourites to do with opera. 9/10 Bethany Cox

It is not surprising at all that having been a long-time an admirer of Wolfgang Amadeus Mozart's music and especially his opera "Die Zauberflöte" ("The Magic Flute"), Ingmar Bergman has adapted it in one of the best and enjoyable operatic film ever made. Watching Bergman's presentation of "The Magic Flute" does not require from a viewer an extensive opera-going experience or familiarization with all his often morose psychological studies. "The Magic Flute" (the opera or/and the film) can be enjoyed on different levels. It has many hidden philosophical and political references which were relevant back in 18th century but it is also a beautiful and poetic fairy tale which has many funny scenes (thanks to Papageno, the bird-catcher) as well as lyrical and tender scenes between two young lovers, and the dark ones with the sinister sorcerers. I've seen "The Magic Flute" in the different countries, in different versions and adaptations but I enjoyed the most Ingmar Bergman's vision of it. In 1975 National Society of USA Film Critics awarded Ingmar Bergman with a Special Award - for demonstrating how pleasurable opera can be on film. There is nothing I can add only that Mozart + Bergman+ Flute = Magic.

The Queen of the Night (Birgit Nordin) offers his daughter Pamina (Irma Urrila) to Tamino (Josef Köstlinger), but he has to bring her back from her father and priest Sarastro (Ulrik Cold). She gives a magic flute to Tamino and magic bells to the bird hunter Papageno (Håkan Hagegård), who follows Tamino and wants to find a wife. The duo travels in a journey of love and knowledge.Ingmar Bergman's adaptation of the last opera of Mozart to the cinema is a homage of the master to the opera and theater. Sang in Swedish and divided in three parts, Bergman shows faces of the audience in the overture (I particularly did not like this part); the first act; the intermission, showing the backstage; and the second and last act. The cast in general is very beautiful, highlighting the singer Irma Urrila. My vote is seven.Title (Brazil): "A Flauta Mágica" ("The Magic Flute")