Mama's Dirty Girls (1974)

The Age of Commercialism

Simply Perfect

Don't Believe the Hype

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Mama's Dirty Girls (1974) ** (out of 4) Mildly entertaining exploitation film has Gloria Grahame playing Mama, a single mother who with the help of her sexy daughters marries rich men and then kills them. The gang sets up shop in a small town where mama finds a hotel owner with some cash but one of the daughter's falls for a local cop.MAMA'S DIRTY GIRLS features a great title and a great poster and, to be honest, that's all you needed back in the day to get some people to view your low-budget movie. Director John Hayes put his footprint all over 70s exploitation and while this film isn't a classic it's at least entertaining enough to make it worth watching if you enjoy such trash.The biggest problem with this film is that it has a very weak screenplay that's pretty much one-note from the start to the finish. The film opens up with an extremely good sequence as we see mama and her girls take care of a man who finally breaks down and goes after one of the daughters. I thought this sequence was well-directed and crossed the line into horror territory but sadly nothing that follows is near as good. There are way too many stretches where not much is happening and after a while the film just begins to drag.With that said, it is fun seeing someone like Grahame eating up this exploitation role. By this time there were countless movies out there where former stars, now up in age, turned to playing bad people and the actress does a good job with it. The supporting performances are decent for the most part but the main thing is that the ladies get naked. After all, this is an exploitation movie.

Ahaa, the perfect example of exploitation. This flick is still unreleased on VHS or DVD, you will have to catch yourself a rental VHS only available in the US. That's weird because some famous people are involved in it. The first shot you see is nudity from Candice Rialson, famous from 'Pets' another exploitation from 1974. She surely is know for her exploitation appearances and for her beauty. She sadly died in 2006 of a liver disease. Gloria Grahame, is another famous name and past away in 1981 from cancer. Her last flick being a horror, The Nesting (1984). the story line is very simple and sometimes it keeps you wondering how stupid some things are. But it's exploitation in its purest way, nudity and a lot of it, car chasing, teasing, seduction. It's low on blood, but is still watchable. If you're into 42nd sleaze, buy it.

This is more early 70's "hicksploitation"; a very low-budget film that borrows heavily from already low-budget, Roger Corman-produced fare like "Bloody Mama" and "Big Bad Mama", except that it seems to be set in the present day. Like "Big Bad Mama" especially it focuses on an older female criminal and her sexy daughters as they seduce and murder wealthy men. The mother marries the men, the two older daughters seduce them, and then they all kill them. The plot of this movie is actually pretty stupid. It is not really necessary to kill these men, nor if they're going to murder them is it really necessary to seduce them. And they're also pretty dumb criminals--their first target isn't even wealthy while their second is a dangerous widower who may have murdered his own wife. The ending is a lot less than action-packed--you get the idea they ran out of both money and coherent ideas.What really redeems this movie though is the stellar cast. The mother is played by Gloria Graham, an actress whose B-movie career stretches all the way from 50's film noir like "The Big Heat" to 70's drive-in fair like this or the underrated horror flick "Blood and Lace". Despite a weak script and no-budget she holds her own here against the likes of Shelly Winters or Angie Dickinson who played similar roles in the Corman pictures. Then there are TWO 70's drive-in queens. Candice Rialson was not a great actress and only appeared in a handful of movies (most famously as a very tempting college co-ed who tries to seduce Clint Eastwood in "The Eiger Sanction"), but she was always VERY sexy, and her character here is such a malicious minx she not only tempts her stepfather by lolling around in a skimpy bikini, but she also cruelly teases a semi-retarded handyman just for the fun of it. (She also has some memorable nude scenes). Then there's Sondra Currie, older sister to Cherie and Marie Currie of the music group The Runaways. Currie was kind of second-rate Claudia Jennings (who really should have been in this), but she's still great as the oldest sister who is not only sexy but vicious--she not only seduces her cop boyfriend into the murder plot, but commits a "criss-cross" murder to hook him in as well. (Unfortunately, Currie apparently had a no-nudity clause in her contract, which is regrettable in itself, but also results in dumb scenes where she's covering her bare breasts with her hands for no apparent reason while lying in bed with her boyfriend).The youngest sister is the good one who's not involved with the seductions or the murders, and the actress who plays her is not very memorable. But the cast is rounded out nicely by Annika DiLorenzo as the cop's wife. While Currie and Rialson were somewhat talented, DiLorenzo was never more than a really nice piece, but she made quite an impression both on screen (where she played one of the slave girls in the extra near-hardcore footage Bob Guccione inserted into "Caligula") and off (where she was a Penthouse Pet of the Year and reputedly a mafia moll for several members of the Gambino family). This movie, as a movie, is a waste of time, but this cast might just be worth it.

Mama's Dirty Girls is a grimy, murder melodrama about a despicable woman (Gloria Grahame!) and her three sexy daughters whom she uses to seduce and manipulate men for money. It doesn't offer much in the way of performances. The actors often look like they wish they were elsewhere. The story though has some interesting twists and the fact that there isn't really anyone to root for makes the film fun in a sleazy, low class kind of way. It has an early 70s, soap-opera-ish pace to it but it's OK to watch if you have nothing better to do.