The Hitchhikers (1972)

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Worth seeing just to witness how winsome it is.

"The Hitchhikers" is the story of a young girl who leaves her parents pregnant and searches for a life on her own in the wild world outside her hometown. Soon she struggles with her decision and joins a gang of outlaws, who live on a ranch in the desert, making a living from robbing car-owners. A story of love and jealousy evolves.The film is probably supposed to mix a bit of cheap eroticism with the feeling of freedom a whole generation was hunting. The camp situation kind of reminded me of the Manson family, even though the crimes depicted in the movie remain rather harmless. Still, I found it quite hard to identify with the "heroes" of the movie, because their actions are in large parts quite mean and lacking empathy. I wouldn't mind that in "Die Hard" or something like that, but with a character that is mainly based on feeling sorry for her, it doesn't go along too well. Otherwise the plot is nothing spectacular but well enough to keep the different pieces together. I've surely seen worse movies but all in all I could have lived without this one.This said, if you're looking for a rather light-hearted film that rides on the wave of the Hippie movement, mixed with a bit of danger and crime, this could be a thing for you. Otherwise, maybe search on.

One of the many very bad hippie , biker, deadbeat generation movies of the late 60's early 70's . You get some crappy acting and a bunch of nude white trash hygienically challenged free love whores but it still cannot save this bad trip . It really has nothing going for it. If you have ever actually been around this type of people in that era all you will remember is that nasty smell of unwashed armpits and genitals along with bad breath. If you want to see a bad movie tune in .

THE HITCHHIKERS is a steady slice of exploitation from the early 1970s about a group of criminal hitchhiking girls, presided over by a creepy hippy guy, who make a living out of entrapping unwary motorists. Their usual method is to get in the guy's car, cry rape and then blackmail him for some ready cash. Occasionally robbery-at-gunpoint is brought into play too. There's little more to the story than that, and watching it it soon becomes apparent that the story is being endlessly padded out in order to reach feature-length proportions.The main character is a young blonde woman who falls pregnant and decides to escape from her boyfriend and family. She soon falls in with the above-mentioned crowd, at which point the film's most shocking and distasteful scene occurs: a graphic abortion which is really sickening stuff. Otherwise, the story is quite tame, with little in the way of violence or nudity that the tagline and poster promises. It's an amateurish effort with an amateur cast who don't make much effort, shot on the back roads in California somewhere. What's most annoying is that this film has a definite beginning and middle, but no ending at all.

This enjoyably goofy'n'duffy piece of 70's drive-in fluff centers on a six woman outlaw gang who prey on hapless backwoods motorists. The gals are owned and trained by the amiable, scruffy, pleasantly mellow Manson-like Benson (shaggy hairball Norman Klar), a charismatically breezy anti-establishment type who wants to raise enough money to purchase a bus so he and his female family can go to California. Naive, pregnant teen runaway Maggie (the lovely, busty, lusty blonde fox Misty Rowe, who was a regular on "Hee Haw" and played Marilyn Monroe in Larry Buchanan's tawdry biopic "Goodbye Norma Jean") joins the loose, fun-loving, law-breaking bunch and winds up fighting with possessive, rabidly envious and clinging iceberg bitch Diana (statuesque brunette Linda Avery) over who's got exclusive dibs on Benson.That's about it for the admittedly flimsy story and frankly who cares about some fancy-schmancy plot? In its place there's sunny cinematography, lots of roadside robberies, a generous sprinkling of gratuitous nudity, sexy chicks in skimpy apparel (Rowe in particular looks mighty enticing in a skimpy mini-dress), the inevitable skinny-dipping scene, a rowdy pot party, catchy folk-country songs grooving away on the soundtrack, some trashy melodrama (Maggie gets raped by a sleazy jerk and has a miscarriage), charmingly dated hippie slang ("Far out!"), a couple of catfights, a playfully amoral tone, and absolutely no pretense to get in the way of the giddy tongue-in-cheek silliness. Sure, it's dumb, pointless and meandering, which basically means that it's a sweetly stupid grindhouse relic from the halcyon heyday of exploitation cinema and hence a most entertaining source of undemanding no-brainer fun.