American Nightmare (1984)

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Plenty to Like, Plenty to Dislike

Perfect cast and a good story

Pretty good movie overall. First half was nothing special but it got better as it went along.

American Nightmare is a very unusual movie. It's not like your usual slasher where it's some guy in a mask killing a bunch of high school kids. But the movie plays out kind of like a slasher. This is sort of a cross over between a slasher and a mystery. A young girl goes missing and her older brother starts looking for her but the only people who can help him are a group of strippers (who are shallowly thought of as degenerates) who shared an apartment with her. The strippers start to get picked off one by one until the older brother, a girl named Louise, and a whole lot of red herrings are left standing.For such a low budget movie, American Nightmare is actually really good. I would even say it tops the more popular B-movies from this time such as Hell Night and maybe even Terror Train. The acting in this movie isn't too bad, I think the only person who is really that bad would be the killer when their identity is revealed. Another thing is that American Nightmare is pretty scary. The murders are pretty violent and suspenseful, and the creepiest part is some people you think are going to survive end up being murdered. There are two really good chase scenes in the middle and the end of the film between Louise and the killer between an apartment complex and a huge office building. For anybody who enjoys a slasher movie, a horror, or simply just a mystery this is obviously a huge recommendation.

Most of the other reviews of this are pretty much spot on. This movie does have elements of the Italian giallo, but it is much more gritty and realistic than the garish and stylized gialli. It also resembles America slasher movies (many of which, like this movie, were actually Canadian tax shelter productions). It's not a TEEN slasher movie, however, with rutting adolescents being almost metaphorically bumped off by an unreal murderous "boogey man"; this is a more realistic movie, as much crime thriller as horror flick. It resembles gritty, urban films like "Maniac", "Nightmares in a Damaged Brain", or "The New York Ripper" but, for better or worse, doesn't quite attain that level of sordidness. It's more of a downbeat and sleazy but less harrowing film, like "Too Scared to Scream" or "Windows".In a nod to "Hardcore" (as another reviewer noted) this movie is about a brother looking for his younger sister in the red light district of strippers and prostitutes. In a noirish touch the audience knows from the opening sequence that the sister is already dead, but the brother's search will bring him face-to-face with her killer, a vicious modern-day "Jack the Ripper" who is carving up wayward women with a straight razor.A young Michael Ironside has a supporting role as police detective, and the murdered sister is played by a young Alexandra Paul. The latter has a long topless scene--and this might be the main reason this film is still sought out by anyone today. As for me though, I have a soft spot in my heart (or perhaps my brain-pan) for this kind of early 80's sleaze. If you feel the same way, you might want to check this one out.

"American Nightmare" is one of the better eighties slashers out there, featuring a funny, enjoyable cast, good suspense, and a fun, if not predictable take on the generic stalk-and-slash scenario. After the disappearance of a young girl (played by a young Alexandra Paul), the girl's brother (Day) comes to town looking for her, only to find out she was a dancer and hooker at a strip club. With the aid of his sister's roommate and co-worker (Staley), they begin the search for his sister. Meanwhile, the beret-wearing, razor-toting man who did in the sister begins stalking the other girls she worked with, one by one. A real sense of sympathy is felt for the unfortunate victims, who are good-hearted characters, regardless of their poverty or unfortunate lifestyle. The rich people in the movie are the loathsome characters. Slasher movie veteran Lenore Zann is quite likeable as the lovely 'Tina', and has a great chase sequence with the killer, while Aubrey supports comic relief as the hilarious wise-cracking transvestite 'Dolly'....great movie...check it out!

Despite what the title states, the movie actually takes place in Toronto. Though like most Canadian movies, it is hesitant to say where it's actually taking place - you have to look for clues, such as seeing part of the CN Tower in the background during the final sequence.As for the movie itself, it's pretty poor overall. It's relentlessly padded, with only a few turns in the story itself. Much of the movie consists of people talking, or to showcase the abundant nudity. Though that latter element may sound like it makes the movie worth watching, it's actually drearily presented, without it being the least erotic.In fact, every location in the movie comes across as degenerate and filthy - never have I seen Toronto bathed in such an unflattering light. Actually, it's a change of pace for a Canadian movie, and with the movie taking place in a sleazy part of society, it seems somewhat appropriate. Though I'm sure this wasn't intentional, because this was a really low budget movie (only a $200,000 budget - Canadian dollars!), and the production values certainly show it, most notably the lack of adequate lighting.To be fair, the slasher sequences aren't that bad - the squalid locations and the dark lighting actually give them some atmosphere, and the direction of these sequences show a little imagination (unlike the hopeless direction elsewhere.) And the movie does give B movie fans a chance to see Michael Ironside in not just an early role, but one that gives him the rare opportunity to play a good guy. Aside from those things, the movie is probably only of interest to people interested in Canadian tax shelter movies of this era.