The Census Taker (1984)

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

This is a gorgeous movie made by a gorgeous spirit.

This movie feels like it was made purely to piss off people who want good shows

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

The small but affluent suburb of Appleton is burdened with the nuisance of a special census survey. Harvey McGraw (Garrett Morris), a profoundly irritating statistician who likes to abuse his power is sent there to ask a long, tedious series of invasive questions.McGraw makes the faux pas of visiting the Dade household interrupting dinner and inviting himself in. The Dades are locally known for being disagreeable and obsessive about their privacy. Head of the household George Dade (Greg Mullavey) - an argumentative crank & right-wing libertarian is instantly perturbed by McGraw.When McGraw doesn't let George's wife Martha Dade (Meredith McRae) get away with giving her age as 29 things deteriorate further. The Dades alligator shirt-wearing Hitler Youth/android sons Edward and Robert then question the constitutional validity of the survey and are blatantly recalcitrant.As the questions become more personal McGraw realizes first, that he wore out his welcome on the doorstep and second, that he might not leave the Dade residence alive. The subject of how many firearms are in the house prompts the method of extermination - a shooting which is neither completely on purpose nor entirely accidental.The constant bickering in the family impedes their attempts at covering up what they are sure will look like murder. They have company visiting i.e. Martha's lover/George's best friend Pete Taggert (Sam Bottoms) who happens to be a cop and his wife Eva (Austen Taylor) who happens to be Mrs.Dade's sister and George's lover.An awkward evening ensues as the Dades attempt to hide their affairs from each other and a corpse from those whom they are having affairs with.They entire rhythm of the performances are like that of a stage play, That approach doesn't work on film. The timing of what absurdist humor there is to be found gets thrown off by that undermining all of it. The result is that comes off like bad dinner theater performed on the sales room floor of a rattan furniture store.Jennifer Precious Finch - beloved former bassist of grunge era band L7 appears briefly as a punk rocker girlfriend of one of the Dade brothers.

Yes, this is a low-budget comedy with cheap sets, but it is a direct spoof of "Who's Afraid Of Virginia Wolfe?" Even the characters see the parallel, as their names are George and Martha. Martha's first words are, "What a dump!", a direct quote. You have a dysfunctional couple who have to host a younger couple. Secrets are revealed. If only they had eliminated that annoying census taker this would have been even better. The couples' interaction could carry the movie. The best aspect is you get to see the FUNNY side of Meredith MacRae. She was usually typecast as the ingenue, occasionally getting to sing, but always serious, even in comedies. You had to see her on a game show to find out how smart and funny she was. This was the only time she showed off her sarcastic, comic delivery. I was a big fan of hers in the 70s, but never heard of this until about 8 years ago. Thank goodness for cable.

By far the worst movie I have ever seen. (And I've seen "Flesh Eating Mothers.") When I'm laying on my death bed, one single tear will roll down my cheek as I remember the 1 1/2 hours I wasted subjecting myself to this movie.

I remember the original appearance of this film - it had all the corporate venality of the SNL product we've come to accept as so much saturation in movies over the last two decades, and was DOA in theatres when released.Today however, the movie has a bizarre level of subliminal black humor that manages to play pretty entertainingly; it also has incidental music by the Residents throughout (mostly stuff from the Commercial Album), which works surprisingly well.Overall, the movie is similar in feel to Eating Raoul, or the late 70s tv show Mary Hartman, in terms of questionable funniness but sustained 'edginess'. Speaking of MH, MH, the husband reprises his role here, more or less; his Martin Mull-ish cop buddy, IMO, was the comic highlight of the film.