Strange Alibi (1941)

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

The acting in this movie is really good.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Catch that hair-raising car chase as Geary (Kennedy) escapes prison. It's a dilly, but the crash is not one you walk away from. The movie's a 60-minute gangster programmer from the specialists, Warner Bros. Nothing memorable here, but there are highlights—the great Howard de Silva as a cruel prison guard (I'd rather serve my time in heck); battle-axe Florence Bates in an actual sympathetic role; and the race between fleeing car and speeding train. Okay, I kept a notepad so I could keep up with the maze-like plot. Seems cop Geary goes undercover to get goods on city corruption. But things don't go as planned. Meanwhile characters come and go, which is where the notepad comes in. Then too, there're more than the usual plot contrivances, but they go down easily, since director Lederman keeps things moving in typical Warners fashion.Can't help noticing the work party scenes were filmed at all-purpose Bronson Canyon. Despite appearances, it's plumb in the middle of LA, next door to the studios. That's why it turns up in so many cheapo films, especially from the sci-fi 1950's. And get a load of leading lady Perry (Alice). No wonder Columbia's ogre Harry Cohn grabbed her off as his wife. Looks like she had a knack for marrying rich guys, so no surprise she left the business. Anyhow, it's a decent little slice of thick-ear, with a good chance to catch one of Hollywood's best actors honing his skills, the great Arthur Kennedy. Besides, who can resist a name like 'Fido Durkin'.

***SPOILERS*** Going undercover as a disgraced policemen Sgt.Joe Geary, Arthur Kennedy, by him punching out his boss Chief Sprague, Jonathan Hale, in the police station in front of a dozen witnesses gets his chance to crack the biggest crime ring in the city. Actually working with not against Chief Sprague Geary becomes a member of the notorious Lockland Gang as an enforcer. It's then that Geary finds out that there's a strong police connection with the gang in that police Captain Reddick, Cliff Clark, and his top man Det. Let. Pagle, Stanley Andrews, run it!As things turn out the only person who knows that Geary is clean not dirty, Chief Sprague, is gunned down in a shootout with the Lockwood Mob leaving him without an alibi as well as getting framed for the Chief's murder. With only on the lamb and near death, from alcoholism, hood who was at the scene of the shoot-out Benny McKaye, Joe Downing, nowhere to be found Garey is left high & dry with a 20 year sentence, for murder,behind bars! That's until he crashes out of prison with his fellow inmate Tex, John Ridgely, and starts making thing hot for both Capt. Riddick & Let. Det. Pagle the persons who framed him!***SPOILERS**** It takes a dead man the late Benny McKaye who died drinking to prove Geary's innocent. It also took the State Governor Phelps, Charles Trowbridge, whom if you can believe it Geary kidnapped out of his hotel suite to prove that he was framed by the Lockwood Mob. That by him tricking Reddick's hoods into killing the already dead Benny McKaye a second time around. This with Governor being an eye witness at the "Murder" scene! When confronted with the evidence a deranged Let. Det. Pagle, knowing that the JiJ was up, attempted but failed to shoot Geary as well as Governor Phelps only making the case against him that much stronger! As for Sgt. Geary he got a full pardon from the "Gov" in not only proving that he was framed but by putting the Lockwood Mob out of business and being put in charge, with a promotion and hefty pay raise, of the police Internal Affairs Department!

Strange Alibi harks back to the quick, crude Warners crime-and-corruption movies of the 1930s, showing none of the more nuanced, ambiguous style that started to coalesce in the early 40s. It's a rough and ready programmer, just watchable because of a few of its cast members.Arthur Kennedy, in one of his earliest roles, plays a cop who stages a dishonorable discharge from the force in order to work the shady side of the street. But, framed for the murder of the one man who can vouch for his honesty, he ends up in the Big House, a target both of other cons (since he was a cop) and the guards (since they think he was a dishonest one; Howard Da Silva plays a particularly sadistic screw). He's in for life, which promises to be nasty, brutish and short, but a few fast friends on the outside are trying to get him exonerated. Chief among them is gold-hearted vice queen Florence Bates, one of the movies' most formidable old battleaxes (before taking to acting, she was the first woman to practice law in Texas).The plot races and bumps along but manages to work itself out with passable cleverness: Kennedy contrives a scheme in which his innocence is proved by the "testimony" of a corpse.

Often ridiculous but breathlessly paced and mostly entertaining. It's got all of the Warner Brothers staples: quick pace, lots of gun play, average looking leading man with above average acting ability (in this case a very young Arthur Kennedy) and a convincing rough and tumble feel. (You sometimes fear for the actors' safety.) It also has the great Howard Da Silva stealing every scene he's in as a sadistic prison guard.Sacrifices logic for speed. Hey, plausibility slows things down. A standard undercover-cop-stuck-in-prison flick, though a bit more interesting because of its cast.