1 Day (2009)

It's an amazing and heartbreaking story.

Story: It's very simple but honestly that is fine.

Blistering performances.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

OK, so I decided to watch a movie called 1Day which has caused controversy among cinemas in Birmingham thus not showing the movie in Birmingham but everywhere else. I agree with the cinemas when they said they wouldn't show the movie. The story is based around the gangs in Birmingham and is about a guy called Flash and his best friend/drug dealer tells him that if he doesn't get one hundred bags of 'scrilla' in two hours then he would 'lick him up, you get me blud?'…that's basically the story. One man trying to get his best mate's 'scrilla' otherwise he'd 'lick him up'.I thought this would be a lot like the brilliant Kidulthood and Adulthood but instead it's something negative and nasty in my eyes. Instead of trying to send a strong message about how young teenagers shouldn't join a gang, the movie did the exact opposite from my view. It looked like it was positive to join a gang as the thugs in the movie felt no guilt or remorse about their actions (bar one scene with Flash and his mother but he went right back to not feeling anything…again). The movie apparently sends a strong message about gangs but the only message I could see is that it's okay to be in one. I know they were trying to send a message that gang life isn't all it's cracked up to be but would the audience really see that in this movie? I would like to hear a comment from the filmmakers about what kind of message is being sent and where is it being shown? I mean, Flash was teaching a ten-year-old to rob, to shoot a gun, to sell drugs and make money, etc and Flash looked like he weren't bothered. There were some very small messages that started out good and then went back to being negative (like in the graveyard when they were visiting El Presidente's grave and then a gunfight started) but I doubt most people who will see this movie will actually see the messages as they didn't appear strong enough.Also, as mentioned before in a review, there was one particular scene that stuck out like a sore thumb in my head which was the part when they were in a fast food restaurant and one of the thugs raps about how, because he was black, a woman thinks he'd rob her because she clutches her handbag. Could the reason quite possibly be because you were loudly talking about drugs and murder and the fact that you had a gun on show with your hood up? Nah, it couldn't be, could it.The only thing good about the movie is the soundtrack. The songs in the movie kept the mood and the behaviour portrayed in the movie which is a positive thing. The acting is surprisingly good sometimes but other times it was just rubbish. The characters were instantly dislikeable and remained like that through the entire movie, there was no likable person in the movie whatsoever and none of the characters looked like they wanted out of their thuggish lives. The movie is badly written even though I can believe that this happens in real life. To watch this movie, you would need to understand street slang to fully understand what is being said in the movie.Honestly, my opinion of this movie is very negative. I don't believe it's showing a strong message about gangs and how it's not good to be in one. The messages are there but they're very weak. I can't see anyone liking this movie but two audiences and those are either chavs or the audience that are like the characters displayed in the movie and considering the certificate for this movie is only a 15, I expect the cinemas will have trouble on their hands.Terrible!To read more reviews, please visit: www.dudedazzmoviereviews.wordpress.com

You could call this a 'hip-hopera', a mix of filmmaking and social work, or a shot in the arm for British independent cinema. Just don't call it Bugsy Malone with real bullets.Sporting equal measures of guts and integrity, 1 Day is the latest project from writer-director Penny Woolcock, whose critically acclaimed CV encompasses everything from guerrilla-style films ('Macbeth On The Estate') to full-blown operatic adaptations (John Adams' controversial 'The Death Of Klinghoffer').Those recalling the halcyon days of Channel 4 might also recall Woolcock's remarkable 'Tina Goes Shopping' from 1999, along with its follow-up, 'Tina Takes A Break'. Featuring lines like "Why is there a cow's head in the sink?!" and scenes in which a drug addict steals from his lover's handbag during a rowdy sex session, these bleakly funny dramas, shot on the most deprived estates in Leeds, make playwrite Jim Cartwright's 'Road' look like a teatime sitcom in comparison.One of the factors that gives the pair of Tinas and their belated threequel Mischief Night a genuine edge over other 'urban' films is Woolcock's regular insistence on casting from the street ("no experience necessary!" as her fliers say) - sourcing her cast from local residents, and uncovering some real natural talent in the process. (Some of whom, like Tina's Kelli Hollis, have even gone on to star in things like 'Shameless.') It certainly proves there's more to community workshopping than just a bunch of hippies staging puppet shows about tolerance.For 1 Day, Woolcock immersed herself in the Jamaican community in Birmingham, where she'd made 'Macbeth On The Estate' during the 1990s. "People scoot from London to Manchester or Glasgow and there's this big vibrant city in between that's completely ignored," she says. Then again, "I could have researched and shot this film in any town or city in the country, including 300 yards from where I live in London." As is often the case, the story behind the making of 1 Day sounds as intriguing as the film itself. Local rappers and musicians were sought out, then recalled for acting auditions. Lyrics were constructed around beats supplied by local producers, and a story based on real events organically emerged: a vivid, uncompromising saga of gangland warfare and drug dealing with "a clear moral message" states Woolcock, in which street hustler Flash (Dylan Duffus) desperately attempts to secure the money he owes his gang boss within 24 hours. On his tail is a rival gang, the cops, three bickering baby mothers - and Flash's churchgoing granny, played by the marvellous Monica Ffrench. Rather depressingly, it all ends up with a mass shoot-out in a Happy Shopper car park.Superficially, comparisons might be drawn with another classic from the Channel 4 vaults, the documentary 'Feltham Sings' (2002), with whom 1 Day shares a producer in Amy Flanagan. Here, the poet Simon Armitage supplied young inmates with autobiographically-tailored lyrics to songs ranging from bearable to magnificent ("Your mum says she'll visit, and suddenly she'll can't/so you're sat for an hour in the corner like a caahnt"). In one instance, however, Armitage didn't have a say in things: Cass Galton's 'This Is Me' rap remains a high point of the show.The difference here, of course, is that 1 Day's lyrics are entirely the rappers' own work. Due to the everyday syntax and rhythms of hip-hop and grime, it makes for a uniquely naturalistic musical, one featuring strikingly authentic and heartfelt performances from those with friends residing in the local graveyard.Ironically, West Midlands police informed the crew that the area's crime rate had actually fallen during the filming, as everyone was so engrossed in the production; although this hasn't prevented Odeon and Vue cinemas in Birmingham from dropping it in the week of release, following, they say, discussions with the police. For their part, local police strongly deny any such conversations ever took place.A treatment for a prequel to 1 Day called 'The Death Of El Presidente' has been prepared, along with 'Nobody Sleeps', a romance between a rapper and a soprano. Woolcock says she is "cautiously hopeful about making them both".

This movie covers the areas that have been missed by other film producers. The idea of using ex-gang members only makes the story more genuine and original. It's really well produced and the storyline is believable and it contradicts stereotypes associated with ex-gang members, as it shows another side to those who want to break free from the Birmingham gang lifestyle. The soundtrack to the movie is also original and authentic. It sets the mood and elevates the scene, with cast members 'spitting rhymes' from the grime scene, a genre, which originated among such gangs.Strongly recommend that you go and watch this film, it's an explosion of urban culture.

As musicals go, this hip hop effort from Penny Woolcock pulls no punches, but doesn't quite emotionally connect. A cocky young guy owes money to someone higher up the chain, the story follows him through the mean streets as he desperately tries to get the money to pay this guy back. Along the way he connects with a child who wants to get onto the first rung of the ladder, the three mothers of his various children, his own mother and grandmother in a snapshot of the two sides of life at the bottom of the heap.One of the main problems is that unless you are really "in" the hip hop world, a great deal of the dialogue is incomprehensible. The action is easy to follow, but the subtleties are lost on most people over the age of thirty, which down-grades the moments of poignancy considerably. And Flash is such an unlikeable character! At one point he even steals back the jewellery he gave to his girlfriends. Another problem is that the intentions of the big set pieces in the film are so telegraphed that you can predict with pin-point accuracy what is going to happen before it does. The moment that the little side-kick drops the gun on the sofa, you know how the confrontation in the multi-storey is going to pan out.I really wanted to like this. It really is okay to have a main character who is unlikeable, but you need something sympathetic to draw on and there really wasn't anything to hook into. Even as a bold statement the film doesn't quite catch it, because there's too much predictability in the outcome. I came away feeling mostly dissatisfied. Disappointing.