So Sweet, So Dead (1972)

Best movie of this year hands down!

Very disappointing...

An Exercise In Nonsense

The film never slows down or bores, plunging from one harrowing sequence to the next.

Recently appointed Homicide detective, Inspector Capuana(Farley Granger)must uncover the identity of a serial killer who preys upon the adulterous bourgeoisie wives of High Society prominent city figures. The "sex maniac"(..he doesn't sexually molest his victims, but murders them because of their whoring ways)leaves photographs at the scene of the crime containing the victim with her lover in the act of passion. The very intelligent killer wears a stocking over his face, fedora hat, coat, black leather gloves, and uses a knife to stab his victims multiple times in a vicious, cold-blooded manner as they seek help, finding no one. Capuana is put in a corner by his superiors because he is not allowed to question the husbands of those killed, yet comes under scrutiny from the press in his difficulty catching the fiend. Paolo Santangeli(Silvano Tranquilli)is a very successful attorney with many affluent clients whose daughter sees the killer murder his lover(..and next door neighbor whose husband, after attempting suicide, is an impotent cripple).Solid casting of Granger adds quality to this ultra-sleazy giallo(..if you're looking for a giallo that doesn't skimp on the nudity, SO SWEET..SO DEAD is just right for you)with a really powerful conclusion(..it concerns Capuana himself and a sad, startling discovery really packs an emotional wallop;equally shocking is Capuana's decision not to help a victim in need). What I found truly amusing was how practically all married women were screwing around with a man behind their husband's back(..although, in Paolo's case, he and his wife, Franca, played by Annabelle Incontrera, both have open affairs with other people). Basically this film features bored, beautiful, glamorous women playing hanky panky while their hubbies are away on business. A minor problem that rather nagged me a bit was the inclusion of a sub-plot that is left unattended..Paolo's daughter, Bettina(Angela Covello)and her boyfriend Piero(Fabrizio Moresco)are featured, with her witnessing the murderer at work, seemingly a major development which will have the girl in mortal terror, only for it to be abandoned later altogether. Some of the most curvy, attractive, gorgeous European women you'll see in a giallo, parade(..without shame)around nude, stripping from their elegant wardrobes, without any inhibitions. Particularly tasty is Nieves Navarro as Lilly(Paolo's lover), Sylva Koscina(..as Capuana's wife), and Krista Nell as Renata(..a victim who attempts to escape up a spiral staircase, soon trapped and stabbed).Chris Avram is Professor Casali, a coroner(..and Capuana's confident)working with the police. Luciano Rossi is Casali's assistant, Gastone, a real weirdo who takes nude photographs of his dead ladies once his work is completed.

This little seen but nonetheless notorious Italian giallo opens with the SECOND-best footage imaginable. A bunch of policemen are standing in the room where the horribly mutilated body of an attractive woman has just been discovered, and this disturbing discovery heralds the search for a sadistic killer. The absolute best horror opening would of course be that we actually witness the killer take the life of his victim but, no worries, as we're treated to that not more than ten minutes later already and several times after that! The maniac at large is exclusively interested in adulterous women with a high-society standing. He stalks them as they secretly meet up with their lovers, patiently waits until they're alone again, then kills them barbarically and leaves behind photographical evidence of their liaisons. Inspector Capuano faces huge difficulties in his investigation, as the prominent husbands of the killed women don't want to see their names mentioned in this scandal. This oddly titled Italian film (actually, NONE of the many titles is completely relevant) can be described best as a straightforward and unscrupulous giallo. The killer fully answers to all the standard characteristics (black gloves, black coat, face covered by a black veil), the gore is graphic & plentiful and every female cast member extendedly shows off her ravishing body before getting slashed. All this should already satisfy pretty much every giallo-fan, but there's more. Good stuff mostly, but bad stuff as well unfortunately.The greatest thing about "So Sweet, So Dead" is unquestionable the whole climax which, regretfully, I can't write about much. Peculiar but surely innovating about this movie is how the revelation of the murderer's identity is totally downgraded by the setting and circumstances of his last killing. The face behind the veil isn't surprising but the whole ending is definitely shocking and highly memorable! The film's negative elements are fairly obvious: the plot and message are very women-unfriendly (although many gialli are…). Only the women are punished for their salacious lifestyles even though their rich husbands & lovers aren't without sin, neither. If I have no defense for this, but to immediately label the entire film as misogynistic is a bit exaggerated in my opinion. The other and more annoying flaws include a lack of plausible red herrings, bad use of soundtrack and wooden acting performances by pretty much the entire cast. You can clearly tell that Roberto Bianchi (father of Mario Bianchi) isn't Italy's finest horror director but he does an overall adequate job. In all honesty, "So Sweet, So Dead" doesn't deserve a rating higher than 6 or maybe 7, but I'm giving it one point extra if only for that end-sequence! Definitely worth looking for if you're a giallo fanatic!

"The Slasher" has a pedestrian plot of multiple murders of beautiful married women who cheat on their husbands. Not only is the lovingly rendered pictorial dwelling on their naked bodies both before and after death disturbingly unnecessary, this distasteful film's message seems to be that women who are unmarried can be acceptably promiscuous. However, once they are married and continue to be promiscuous they deserve death. Not so the husbands, whether condoning it or ignorant of it. They can have as many affairs as they want without any disapproval. What decadent hogwash! The sole redeeming feature of this film is the chance to see expatriate Farley Granger in a lead role at 47, and he looks good, even with the mustache. Unfortunately he's way too expressive for the one-note role he's given here. A year later, he looks even better in the comedy thriller "Arnold" in which he ironically gets bumped off in a nude shower scene in an odd reversal of "Psycho" ."

Most movie buffs will have seen the captioned Hitchcock film from 1950 and perhaps the earlier "Rope" (1948) but here is a chance to see another Farley Granger performance 22 years down the line - I was impressed how little he had aged.He plays Inspector Capuana in this very average Italian horror film from 1972.In fact I found him unwittingly distracting because I kept thinking of the above films and how he now looked a bit like Rock Hudson in his mature years, wearing a moustache.Put simply, it is the story of a psychotic maniac who murders unfaithful wives by stabbing them after first taking the necessary photographic evidence which he then liberally sprinkles at the murder scene to "justify" his act.I was amazed how he knew who all these faithless wives were and where he found the time for his "hobby".The victims all seemed to know each other so the film seemed to be set in a hot bed of adultery.All the usual horror film cliches were present - the murderer who always seems to magically appear in the house by apparantly walking through solid doors and windows,(doesn't anyone ever lock their houses in horror films?).The chase scene where despite the girl running away, the slower moving maniac is always closer behind, the car door which is always locked preventing escape, the closed doors and windows etc.My! how all these women loved to smoke!!None of them seemed happy unless puffing away continually - its amazing they hadn't all died earlier from lung cancer!.I only bought the video to see Krista Nell but she only had one decent scene and then gets "bumped off" for her trouble before her boyfriend arrives at her house for "a bit of nooky".My video arrived with rather irritating Japanese subtitles.What was rather comical was that Farley Granger was obviously originally speaking his lines in English (the other actors in Italian) but his voice had then been overdubbed by another English speaking actor so we could understand.Instead, I kept hearing in my head his real voice from "Strangers oon a Train"..."Bruno you're crazy"!I won't provide spoilers in the extremely unlikely event anyone would want to buy this title after reading this review.The plot becomes rather repetitve after a while and the characters of the femaile adulterous victims become very one dimensional and there is a lot of bare bosom around from virtually all these lady victims.Another "comical" character was the blond mortuary attendant, he really seemed to be in his element as a rabid necrophilliac!Overall poor and I rated it 3/10.