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A Date with the Falcon

A Date with the Falcon (1942)

January. 16,1942
|
6.4
|
NR
| Crime Mystery

In the second film of the series (and not a second part of anything), Gay Lawrence, aka The Falcon, is about to depart the city to marry his fiancée, Helen Reed, when a mystery girl, Rita Mara, asks for his aid in disposing of a secret formula for making synthetic diamonds. He deliberately allows himself to be kidnapped by the gang for which Rita works. His aide, "Goldy" Locke, trails the kidnappers and brings the police. But the head of the gang escapes, and the Falcon continues the pursuit.

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Reviews

Moustroll
1942/01/16

Good movie but grossly overrated

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ShangLuda
1942/01/17

Admirable film.

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Allison Davies
1942/01/18

The film never slows down or bores, plunging from one harrowing sequence to the next.

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Zandra
1942/01/19

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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dougdoepke
1942/01/20

Good lively installment in the Falcon series. Gay Lawrence (Falcon) gets mixed up with gangsters trying to take over a synthetic diamond invention. This, of course, leads to a lot of mock run-ins with the law and the crooks. Despite the programmer status, the cast is really motivated, showing more than an ordinary amount of spirit. Sanders especially is looser than I've ever seen him, even making little-kid faces at the cops. He seems to be having a good time throughout. There's also a number of good touches from director Reis— the humorously coordinated crowd scenes, the snappy dialog delivery, Goldie (Jenkins) tap-dancing his way up the sobriety line. And catch cat woman Elizabeth Russell in the very last scene, several years before scaring the pants off us in the great Val Lewton horror series. And on a more somber note, gangster Max is played by Victor Killian, himself a 1979 victim of an unsolved murder. All in all, it's a rousing little hour with the Falcon and company, sure to keep you entertained.

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utgard14
1942/01/21

Second in RKO's fun series of B mystery films about a suave detective named Gay Lawrence (aka The Falcon). In the first few movies in the series, the Falcon is played by the great George Sanders. Here the Falcon investigates the disappearance of an inventor who has discovered how to create synthetic diamonds that are identical to the real thing. Sanders is terrific in this role -- charming, witty, and flirtatious. It's a shame he didn't do more than the few he did. But his brother Tom Conway was a fine replacement so I can't complain. Wendy Barrie returns as the Falcon's love interest. Allen Jenkins steals the show as the comic relief sidekick, Goldie. The rest of the solid supporting cast includes James Gleason, Mona Maris, and Edward Gargan. Hans Conreid has a funny bit as a hotel clerk. In the previous Falcon movie, he played a police sketch artist. The Falcon series was admittedly formulaic, and this whole business about a kidnapped inventor is definitely nothing new, but it was undeniably entertaining. The brisk pace, short runtime, and healthy amounts of comedy help a lot. It's lighthearted fun for anybody looking to kill an hour and change.

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robert-temple-1
1942/01/22

This is the second of the Falcon films starring George Sanders. The dialogue crackles with even more electricity than in the first. This film has more substance and plot than its predecessor, but is even funnier, with both sight gags and witty remarks throughout which are often hilarious. Who can ever forget George Sanders standing and smoking a cigarette nonchalantly on a window ledge of a New York hotel, while the crowd below gasps and take bets on whether he will jump. When a policeman forces him inside the window at gunpoint, the street crowd sighs in disappointment, and one man says: 'I figured him for a phoney.' When Sanders goes into a florist shop to buy roses for his (new) fiancée, the woman running it is an old girl friend. She is surprised and disappointed that he is getting married: 'You're much too undependable to be taken out of circulation. It's a crime.' He drolly replies: 'Yes, and I can't solve it. It's a perfect crime.' Hans Conreid, who stole scenes in the previous Falcon film as a police artist, really runs away with his scenes in this one as a hotel clerk. Wendy Barrie scintillates as much as ever, sometimes ferocious, at other times gentle, but always on fire. What a cracker! They don't make 'em like this any more. And all that on a low budget, with a couple of cars and a few cheap sets. Today's directors with their hundred million dollar budgets ought to take a look at some of these old cheapies and learn how to make real movies. Then we would not all be so bored by their silly special effects and exploding cars which they substitute for acting and witty dialogue, and we could enjoy a film again like people could in 1941.

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whpratt1
1942/01/23

Years ago I must have taped this film which was shown on TCM and it sure was an eye opener. George Sanders,( Gay Lawrence/Falcon),"Solomon and Sheba",'59, played a role quite similar to the "Thin Man" series with Dick Powell. The Falcon was about to get married to Helen Reed,(Wendy Barrie),"Peter Pan",'50 Broadway Theatre, NYC, and suddenly was caught up in a great mystery concerning diamond dealings and plenty of gangsters. James Gleason,(Inspector Mike O'Hara), tried to keep up with the Falcon and was even forced into arresting him quite often through out the picture. This was really a slap stick Comedy, Drama "B" picture and George Sanders did a great job playing the Major Comic. If you are a fan of George Sanders, you will never believe the way he acted in this picture, entirely different than "The Lodger" or "Hangover Square".

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