Prom Queen: The Marc Hall Story (2004)

Expected more

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

This movie was made for Canadian television, loosely based on a real-life event. It's sappy and sentimental and manipulative... and thoroughly wonderful. Two things make it better than one might expect from a television movie: a script that's better crafted and more sophisticated than the usual TV-issue-of-the-week product, and a bunch of wonderful performances. In its character development, the script subverts a number of expectations associated with stories centered on gay rights issues. The taciturn blue-collar father unquestionably loves and supports his queer son, the gay lawyer turns out to be less generous and more self-serving than his nominally "pro-bono" work initially suggests, the main character's boyfriend has doubts and depths that keep him from being the perfect prince we want for our prom-queen hero, and the hero's high school companions aren't the homophobic doofuses commonly encountered in gay-teen stories. The movie slyly suggests that a true gay-straight alliance can work to the advantage of the straight folks as well as the gay folks. Aaron Ashmore is handsome, sexy and charismatic as the central character. Jean Pierre Bergeron as the father and Mak Fyfe as the boyfriend bring complexity and sympathy to two roles with few lines, and really stand out in a cast with all the minor roles beautifully played. (Trevor Blumas and Tamara Hope are charming as Marc's straight supporters, as are the guys who play the high school media geeks). I can't imagine any gay guy not being moved by this story, and I hope straight folks would be as well. The DVD extras contain some brief documentary footage of the real-life Marc Hall that's worth looking at. The real Mr. Hall is nearly as articulate and charismatic as his cinematic counterpart, and there are a couple of moments of press footage in which he attempts to defend his dignity and equality as a gay man that are pretty near heart-breaking.

For those of you who wish to condemn gay and lesbian relations, shame on you. This movie, although not the greatest quality had a lot of meaning behind it which I admire and is greatly needed in today's society to teach the bigots of the world that society is changing. How long ago did we separate church from state anyway? As the story shows, the rights of every human being is the first priority ahead of the priority of the church and this is as it should be. I would like to thank all of those that participated in this film as they helped to send a message that all people regardless of their sexual preference, are equal.

"Prom Queen" is indeed a modern-day "fairy" tale, complete with the happily-ever-after ending. And the film regrettably has all of the depth of a fairy tale.The film tells the story of Marc Hall, the Canadian gay teen who fought the Catholic school system for the right to take his boyfriend to his high-school prom. Hall is presented as a knight-in-shining-armor hero slaying the fire-breathing dragon of archaic church doctrine. Needless to say, in this "fairy" tale, there are no damsels in distress.The film is deliberately calculated to offend Catholic sensibilities. Title cards at the beginning of each segment make direct reference to articles of Catholic faith. For instance, Marc's coming-out is called "Annunciation". There are crucifixes, plaster statues and holy pictures everywhere, and Marc himself is shown (not once, but twice) framed by a crucifix of light, thus casting him in a saviour role.A telling detail is that a rosary hangs from the mirror in Marc's room, with little evidence that it serves any more than a purely decorative purpose. Even more telling is that the rosary is juxtaposed with photos of Marc and his boyfriend, not to mention the mirror itself, as if to suggest where Marc's real interests lie.There is never any indication that Marc has never struggled with his own sexuality, or that his spirituality has ever been anything but skin-deep. Indeed, the "good guys" in the film are all stoutly secular and anti-clerical, and all the "bad guys" (read: pro-Church) are pained, cramped and anal-retentive.Curiously absent is any reference to Dignity, the gay Catholic organization with chapters in Canada and the United States.To be fair, "Prom Queen" does show a few bumps along the road to Marc's newfound gay freedom. His boyfriend is closeted and not terribly supportive. His lawyer (played by Scott Thompson of "Kids in the Hall" fame) is probably using Marc as a stepping-stone in his career. To Toronto's gay newspaper, Xtra!, Marc may be nothing more than a front-page poster boy.The film is also reductionist in its vision of what it means to be gay. Marc's mother (played by Quebec actress Marie Tifo) sums this vision up in a nutshell when she responds to Marc's coming-out by saying, "Your hair is blue. You have a poster of Celine Dion in your bedroom. We know." Ah, if only coming out were so easy for us all!The Marc Hall story made me uncomfortable at the time, and the film version leaves me with the same feeling. It seemed like such a trivial matter in the broad scheme of things, and it was trivialized even further by the media circus/feeding frenzy/cult (gay and straight) that developed around Marc Hall. And where is he today? Did he -- or anyone else involved, for that matter -- really live happily ever after? Somehow, I doubt it.

I remember cheering & tearing up when Marc Hall won his case in court. I also recall seeing his parents as being a bit media shy on TV news, but still way more articulate than the actors in this poor excuse for a film. It had nothing going for it, which is a shame and a waste of money and effort on an issue that is so vital.The actor playing Marc was way too old for the part, and his hair looked grey, not blue, through most of the film, unlike the real-life character. I gasped when I saw a thinning circle at the top of his head. Yikes, this was supposed to be a high school student? The target audience was obviously around 13-17, which was silly since this story also involved parents and teachers, and still does. The music mostly sounded like something from a child's play program at a circus, adding to the horrible comedy made out of some of the more serious elements of Marc's story, i.e., when coming out to his parents. I could barely hear much of the dialogue with it blaring in the foreground. While Marc gave his key court speech, the music turned horribly clichéd, full of sobbing violins. Of course, the music hardly mattered when Mr. & Mrs. Hall were on, since they were portrayed as unable to speak 99% of the time. Marc's boyfriend is given an attitude that makes us wonder why they even have a relationship. We know they did split up some time after the court case and the prom, but jeesh, they showed absolutely no affection or support for each at all. It's one thing to show viewers how stereotyping does exist, but the goofy gay males at the Hall home meeting were inexcusable. Marc's lawyer preening in the car mirror and manipulating Marc, rather than firmly supporting his case, was another item that helped push my vote way down. What really helped to plunge it down to 1/10 for "Awful" were the 3 female students who did their best to live up to the Bimbo label. Ugh, and Why?Oh, and there was no acting done at all during this film. What a waste. Canada - we can do better than this!