For Love of Ivy (1968)
A white family has had the same Black maid for many years. When she tells them she wants to go back to school and will be leaving soon, the 20ish year old son decides what she needs is a change and begins searching for a man to wine and dine her, but who won't marry her, thinking that this will distract her from her plans. The man he finds doesn't entirely cooperate.
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Very very predictable, including the post credit scene !!!
Purely Joyful Movie!
Memorable, crazy movie
Best movie of this year hands down!
A family tires to match a maid to a trucking company president.The first 15 minutes of the film is painful to watch. But maybe that's the point. I was about to through this disc out of the truck Then I found out Sidney Portier is a trucking company president. So I watched the rest of the movie,painful parts and all. It ended up being a pretty cool movie.Mr Portier ends up with the girl at the end. The racket he came up with was pretty ingenious. The wrighting and acting in this film are pretty good.Hugh Hurd drives the White big rig.Hugh Hurd was a permanent A list actor.Abbey Lincoln and Nan Martin was hot!!Lauri Peters is hot!!---One Truck Drivers Opinion---erldwgstruckermovies.com
Sidney Poitier developed the original story for this fantasy-romance between a black maid working for a neurotic, rich white family out on Long Island and a handsome, confirmed bachelor--a partner in a trucking firm which deals (rather craftily) in illegal gambling on the side. In the most prominent role, Abbey Lincoln (real-life jazz vocalist who resembles a young Dionne Warwick) has a firm jaw and a shyly self-conscious manner, but she grows on you--and in her lighter moments displays a tentative yet winning smile and personality. After a static, stilted beginning, the movie picks up some steam and quickly overcomes its contrived set-up, and Poitier is full of jubilant charisma. Nice end-credits theme song, written by Quincy Jones and performed by Shirley Horn, received an Oscar nomination. Good fun! *** from ****
I wish they were still making movies like this. The dialog is dated and so is the reaction to the son's marriage proposal to Ivy, but I thoroughly enjoyed this movie. Sidney and Abbey made "acting" look like art. Abbey Lincoln exuded elegance, poise, common sense and a good sense of humor. Sidney is always classy in whatever role he portrays.I liked the Austin family too. They seemed to genuinely care about their housekeeper and seemed ahead of their time in terms of their views on race and class. They really meant well even when they said the wrong thing to Ivy, and didn't seem to realize that she wanted a better life for herself, a home of her own and a family of her own just as they did. Why should she be their "maid" until she died and be satisfied with that? Ivy wanted to pursue American Dream just like all of us do. Even the son who really seemed to care about her was selfish and wanted to trick her into staying under the guise of having her best interests at heart.
America' love affair with Sidney Poitier, which reached its peak in the 60s, resulted in the need for star vehicles for the actor. One such piece was based on a story conceived by Poitier. Called, "For Love of Ivy," it cast the charismatic actor in a role in which he could wear the latest fashions--slickly tailored suits, sweaters, tuxes, and the like. His female costar, Abbey Lincoln likewise dresses in a varied and stylish wardrobe, looking quite pert and attractive.The two seem to enjoy their little romantic romp in a lightweight domestic comedy, supported by Beau Bridges and Carroll O'Connor. Too bad the script tends to become a bit limp about midpoint, and never quite regains its zip. The movie plays better in home video format, where one can lounge back and relax in home surroundings, rather than in the more formal setting of the theater. Then the proceedings become a bit sluggish, it helps to be comfortable. Still, it's fun watching these attractive performers engage in their comedic entanglements, in a brightly designed production, and to a Quincy Jones score.