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Rock Slyde

Rock Slyde (2010)

May. 01,2010
|
5.5
|
PG-13
| Comedy

A film noir comedy about Rock Slyde, a down-and-out private detective that engages in a turf war with an upstart quasi-religious cult, The House of Bartology.

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Reviews

SnoReptilePlenty
2010/05/01

Memorable, crazy movie

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Platicsco
2010/05/02

Good story, Not enough for a whole film

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Hayden Kane
2010/05/03

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Zandra
2010/05/04

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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adrossan
2010/05/05

Yet another example of a great idea gone to waste.Patrick Warburton in the monotoned delivery of the hard-bitten private eye noire - what could be better ? Well, apparently even a rock slide would be better than this crapola, which is a total spoiler from the first minute to the last.I watched it from start to finish, like you watch a stage act which goes from bad to worse - you want to look away but something compels you to keep looking.The script must, repeat MUST, have been written by an 8 year old. And his uncle must be a film producer, and his dad a director - how else could this have actually made it to public release ? As I said, I watched every minute of this film, and there was not a single laugh, giggle, snicker, or guffaw in the entire thing. I did let loose an involuntary titter at the final fake gag reel, with the "rogue wave", but that was it.Pure, unmitigated, 100%, grade A, totally and completely garbage, every single line, whisper, look and stance from all the actors.Probably the shame being seen in this drivel was causing the actors to make small movements, so they weren't noticed, and run quickly off-set once their piece was finished.Unfunny, un-clever, very boring, very dull, very dumb, and another huge waste of an idea that really could have gone somewhere and produced a great movie.Flush it away and try & forget it was ever really there at all.

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Paul Celano (chelano)
2010/05/06

First off I will say that the story didn't really have much going for it. So at that point I thought it would be hard to keep myself interested. But there was one thing that no matter what happened in the movie, always had me smiling. It was Patrick Warburton. He is an actor that has a very distinct voice that you will always remember. Every time he talked in the movie, I was laughing. Some of the dialog he used was cheesy, but worked since he had such a funny voice. There were some other interesting characters, but they were not as good. Andy Dick was the so called bad guy. It is hard to like Andy Dick as certain characters. He seemed to fit as this one though. The girl that was working for Warburton was Elaine Hendrix. I didn't like her as the character she was. She was a bit annoying. So overall if it wasn't for Warburton and some of his interesting and funny lines, I am not sure if I would of liked the movie at all.

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Diesel Trucker
2010/05/07

"A laugh-out-loud send-up of Hollywood...and the film noir detective genre, "Rock Slyde" starts with what many big Hollywood films lack — a really good and very funny script.Patrick Warburton as Rock Slyde, a cognitively clueless detective whose nose for crime is better than his noggin, was sad eyed, pitch perfect and endearing. Resisting the advances of femme fatale Rena Sofer's delicious Sara Lee because of a childhood spent watching "Soul Train" (but that's another story), Slyde faces down adversary cult leader Andy Dick (Bart of Bartology) to save his holdout office space in the ever-expanding Bartology building and rescue his brainwashed secretary. And if you think that sentence is pointedly pithy, "Slyde" is even more crammed full with over-the-top winks, asides and jokes including a cameo by Jason Alexander as a Jewish U.S. postal carrier enamored of Slyde's turn as an actor in a gay porn musical (but that too is another story)."Rock Slyde" performances, cinematography, original score and songs (if you don't leave the theater singing, "swashbuckle me, swashbuckle, down on your knees," you're probably dead), and script are brilliant and of a piece — a carefully crafted piece that is a testament to creativity on the cheap — brilliance without big budgets. "Idyllwild Town Crier

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cwair13
2010/05/08

"Andy Dick and Patrick Warburton appear on screen in top comedic form in the Independent feature, Rock Slyde, which premiered at the AFI Dallas Film Festival this past week.The idea for the off-beat film was inspired by the handsome director's mother, Chris Dowling noted on the red carpet, with a sly smile on his face."Can't you make a movie that doesn't have any violence or gratuitous sex in it," she pointedly asked the talented screenwriter one day.The Clark Kent look-a-like rose to the occasion by penning a script that hits the funny bone more often than not.Patrick Warburton (private dick Rock Slyde) adeptly plays the role to the hilt - with a droll unaffected approach, mind you - that ultimately takes a poke at the film noir genre it sprang from.Andy Dick - who sports a beard in this part - is hilarious in a zany role that is decidedly off- beat.Part of the reason the cult figure the TV personality plays on screen succeeds so admirably is due to inpeccable timing on the part of Dick and his innate ability to create a character that resonates with its own truth within a specific context.Unfortunately, Rock Slyde - the movie - lags at times.Although Dowling is a competent writer with original ideas, the script should have been tightened a smidgen, to ensure lazy minds didn't wander a tad.In fact, when I exchanged notes with a couple of other industry-types, they admitted they - too - started to snooze a little about three-quarters of the way through Slyde beneath the floodlights.In its current incarnation, the full-length feature tends to lurch and burp a bit; then, roll over and die a second or two, before unexpecedly picking up again as it races to a hilarious finale.In many respects the entertaining piece of fluff is uneven - but fixable - in my estimation.For a low-budget feature (shot on an old soundstage at Sunset Blvd & Gower Street in the heart of Hollywood) that wrapped in a six short creatively-stuffed weeks, I found the production values to be surprisingly rich.Warburton and Dick also manage to rise above the material and make it an inviting popcorn movie film buffs on the edge of the mainstream may be able to warm up to.Teens may guffaw a lot, too, quite possibly transforming the little-movie-that-could into an unexpected hit come the lazy days of summer.Of course, such a scenario is only within reach, if distribution is forthcoming, and a visionary studio backs Rock Slyde with eye-catching promos geared toward the market, of course!1 thumb & 1 half-knuckle up!"-Julian Ayrs, The Tattler

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