Mabel's Married Life (1914)

Good concept, poorly executed.

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

"Mabel's Married Life" is a 14-minute black-and-white movie from 1914, so this one is already considerably older than a whole century. Wow. It was directed by the legendary Mack Sennett and the script is by the two protagonists themselves: Chaplin and Normand. The fact that Normand is mentioned in the title and not Chaplin in this movie already tells you what a big star she was back then, still in her 20s just like Chaplin. The story is relatively simple, even for such a brief movie. A bully hits on Mabel and Charlie is of course too weak and tiny to stand up to him. So Mabel gets him a dummy which Charlie is supposed to use for his training. But the dummy will not be subdued this easily. This little movie is certainly among Normand's most known works, also because of her famous co-lead of course. One of Chaplin's movies biggest strength is that, even without intertitles, the action and plot are so physical that you can not only understand the action, but even enjoy it. And this is a massive deal-breaker when it comes to silent films. I give this one here a thumbs-up. Worth checking out and the only slightly boring/forgettable thing was probably the bar scene. Mabel and Chaplin have great chemistry and work together very well.

Once you've seen a few Keystone comedies made before Charlie Chaplin arrived on the scene you get a sense of the impact he had on contemporary viewers. Sure, the best of the 1912-13 Keystones have a gritty vitality, but they take a little getting used to. They're sometimes haphazardly constructed, and often quite violent. This is not to say that Chaplin's arrival brought about an instant change in approach, for his earliest directorial efforts such as A Busy Day or The Property Man are easily as rough as the studio's typical output, but in his best Keystones we can see Chaplin begin to find his style. As a director he smoothed out the stories and slowed down the pace, while as an actor he showed more finesse than most of his colleagues, and also influenced them to temper their mugging and gesticulating. Mabel's Married Life is one of the Keystones I enjoy. It tells a coherent if simple story, violence is kept to a minimum, and it builds not to a wild chase but to a genuinely amusing, leisurely paced routine: Charlie's drunken encounter with a boxer's dummy. Compared to Chaplin's own later work this short is still a bit ragged; the routine with the dummy isn't as fully developed as it might have been, and the character Charlie plays is far from admirable, but there are laughs along the way and the tone is agreeably lighthearted, despite the saloon sequences and Charlie's heavy drinking.Like so many Keystone comedies this one begins in a park. Charlie and wife Mabel Normand sit together on a bench, but Charlie is miserly and only grudgingly shares some of the banana he's eating. When he goes off to drink in a nearby saloon a burly gent played by Mack Swain attempts to make time with Mabel, who is decidedly uninterested. (Swain is clean-shaven here, and rather less cartoon-y than usual.) Charlie returns but finds it difficult to assert himself against the big guy, who treats him as an ineffectual pest. Eventually Swain's wife must intervene and call him off. When Charlie returns to the saloon Mabel, exasperated, purchases a boxing dummy so that her husband can learn self defense. That night when Charlie returns home tipsy he believes the dummy is Swain, and has a hard time ejecting him while Mabel watches in amusement.Charlie's encounter with the dummy is the comic highlight, but Mabel has some nice moments, too. Whenever I see this film I always enjoy her disgusted impersonation of her husband's waddling walk, and she has her own lively confrontation with the dummy before Charlie returns home. When we watch Chaplin's early films we tend to compare them to his mature work, so of course they tend to come up short, but Mabel's Married Life stands as one of the better comedies he made for Mack Sennett during his apprenticeship.P.S. I was lucky enough to acquire a Super-8 print of this comedy from Blackhawk Films in the '70s, and when I screened it again recently I appreciated the quality of the musical score they provided, a series of peppy themes played on a Wurlitzer organ. Sometimes I find organ music inappropriate for comedies, but this score really works, and definitely enhances the impact of the film. Many thanks, Blackhawk!

I've seen quite a few Chaplin shorts from early in his career and I've noticed that his early stuff (done for Keystone Studios) is pretty dreadful stuff. Unlike his wonderful full-length films from the 20s and 30s, the films from 1914-1915 are incredibly poorly made--having no script but only vague instructions from the director. In most cases, the films had almost no plot and degenerated to people punching and kicking each other.Well, this film isn't really any better than the rest. Charlie and Mabel Normand spend much of the film slapping or being slapped. Charlie is powerless to stop a tough jerk from making unwanted advances on his wife. So, Mabel buys a punching doll and a drunk Charlie thinks it's real. That's it. No real laughs and no real plot.FYI--this short was from THE ESSENTIAL CHARLIE CHAPLIN COLLECTION from Delta Entertainment. Like a few of these early shorts, the captions are all in French! Well, lucky for me I have a pretty good understanding of the language. Others might be frustrated at this, but there are only a few captions.

This short feature is a nice chance to see Charlie Chaplin and Mabel Normand together, and it's a decent comedy as well. Charlie and Mabel play a married couple, with the wife receiving a lot of unwanted attention from an annoying brute played by Mack Swain. As you would expect, Mabel is charming, and Charlie is a rather ineffective but generally sympathetic husband. Some of the comedy is a bit routine, especially towards the beginning, but there is a very good sequence later on that gets good mileage out of some amusing props. Take a look if you like these old Keystone comedies.