Follow a Star (1959)

Sadly Over-hyped

good back-story, and good acting

A Disappointing Continuation

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

After a brilliant start satirising innumerable Britsh war films,"Follow a star" settles down to a more orthodox path with the highly - talented Mr Wisdom using bits of his Palladium act which first brought him fame and fortune in an era which coincided with the birth - pangs of post - war British television. He is teamed with the sublime Mr Jerry Desmonde the capo di capo of stooges,a man who,like Mr Wisdom was seldom off our flickering black and white tellies. Mr Desmonde plays a fading singer who is thrown a much - needed lifeline when he records Norman's voice(on a "Grundig",no less,about 75 guineas at the time) and mimes to his self - penned ballads. With a wheelchair - bound girlfriend needing an operation(the lovely Miss June Laverick)Norman agrees to work with his erstwhile idol Mr Desmonde as a major - domo,all unknowing that his voice is being "sampled" as they would call it nowadays. He suffers from stage - fright and has to be hypnotised before he can perform in public,a ploy that offers excellent opportunities for Mr Wisdom to perform his idiot - savant act. Amidst the fairly anodyne songs there is a very fine and well - choreographed full blown musical number "You deserve a medal for that" which is good enough to be Lerner and Loewe.To top it all,the great Mr John le Mesurier get his face pushed into a cake.Sheer bliss. Miss Hattie Jacques is oustanding as Norman's elocution teacher. Co - writer of this and many other fine British comedies,Mr Henry Blythe lived near me in Sussex and was captain of the village cricket team. About the time "Follow a star" came out he arranged a game with Freddie Brown(ex England captain)and a select X1 of Test Players on a beautiful ground set in a dip in the downs. As Squire Henry went out to bat shielding his eyes from the sun a deep sigh of anticipation ran round the crowd.England's current fast - bowling hero thundered up to the crease and Henry glanced the first ball for four runs to leg."Life doesn't get any better than this", I thought,sipping my cold ginger beer...and it hasn't.

No, rather "rest in peace, my sorrow" extravaganza! I am not a fan of Mr Norman Wisdom. But I enjoy good and easy comedies which, however insane, never get vulgar. This is a perfect example of such thing. I can watch the majority of Charlie Chaplin's, Buster Keaton's, and Norman Wisdom's movies anytime. They are timeless. Very often, when I watch a modern comedy ("Meet the Parents", for instance), I get real angry and ask myself: "WTF? Is this supposed to be good and funny?" Whenever I watch the good old Norman Wisdom movies, I don't have to ask myself such questions - I just rejoice. When I start watching such a movie, I know beforehand that there won't be anything rude, annoying, dirty, and vulgar - this alone supplies me with pleasant feelings.Again I'm impressed by the talent of Mr Norman Wisdom. The songs he performs are beautiful. There is something "jazzy" about them and I like it.By the way, in our country the film goes under the title "Mister Pitkin na Estrade" ("Mr Pitkin on the Stage") though the main character is not Pitkin but Norman Truscott. It happens because for Russian audience Mr Norman Wisdom will always be Pitkin on the screen. But that is a sign of quality. Like "Apple" among computers."RoboCop", "Batoru Rowaiaru", "Long xiao ye", "Jeeves and Wooster", "Lyudi i manekeny", "Mad Max", and ... "Follow a Star" are all great. Does it look strange? It shouldn't. In my humble opinion, there is a high-quality movie behind each title.Such comedies like this one are fading away in today's hectic cybernetic world but to me they are the best of the best, because they remain childish and amusing in a very pleasant way.Again I give a very subjective mark - a 10 out of 10 - but I'm 100% sure that such comedies are of the highest artistic quality. Thank you for attention.

Being one of the infrequent Norman Wisdom vehicles covered in "Leonard Maltin's Movie & Video Guide" - which he rates a lowly *1/2 - I was wary of this title but, actually, it was quite pleasant if, in no way, a classic! The very first scene is an inspired one: we see Norman's sweaty face in an atmosphere of overbearing heat (the film was shot by Jack Asher, a talented cameraman best known for his work for Hammer but who also happens to be the brother of the director!) meticulously going about his business thinking he works in a steamship or something, but eventually discovering that what he's doing is simply pressing a pair of pants (a sophisticated style of gag which has been utilized as early as Harold Lloyd's SAFETY LAST [1923]). The plot - a fading crooner 'borrowing' the voice of a naïve newcomer - is simple enough and has been partly lifted from SINGIN' IN THE RAIN (1952).While the love interest is more sentimental than usual, since Norman's sweetheart is wheelchair-bound and he wants to make it as a singer mainly so as to have the money for her operation, the film provides plenty of amusing situations highlighting the ageing performer (Jerry Desmonde at his most despicable), ebullient elocutionist Hattie Jacques and long-suffering maitre d' John Le Mesurier; a party sequence halfway through the film also features a surprise early appearance by a dark-haired Charles Gray!

Norman is working in a laundrettes when he meets the well known, but aging singing star Vernon Carew who invites him to see his show. When Norman goes to the show he finds a patchy audience that throws abuse at the performer, standing up for him, Norman captures the audience and Carew sees his chance to use his voice to help recapture his fame. Tricking Norman into singing into a tape recorder, he rebuilds his career while Norman still struggles with his inability to sing without accompaniment from his sweetheart Judy.This film starts badly with an unfunny singing lesson full of mugging and the establishment of a sickly sentimental subplot involving Norman's hopes to help his crippled sweetheart to walk again! However it gets better as it goes despite having to occasionally sink into sentimentality that only serves to take away from the comedy. The routines are quite funny when they come, although Wisdom has done better. One element of the comedy that I felt was ill fitting was the rather crude innuendo and sex-related gags; compared to nowadays it is still very gentle but it just doesn't sit well with the usual gentle humour of Wisdom.That said it still has some funny scenes where Wisdom shows his ability - if only he didn't feel the need to always add an overly sentimental heart to his films. He does well here but some of that stuff doesn't sit well as it feels even heavier than usual here. The support cast has more famous faces than usual and most of the mare good. The Wisdom regular Desmonde is very good in his role and cameos from John Le Mesurier and Richard Wattis are good if fleeting, however Hattie Jacques is pretty much wasted and her biggest scene isn't very funny at all.Overall I still enjoyed this film as I am a Wisdom fan, and it did actually get better as it went on. The illogical nature of a plot that sees Wisdom's good but nasal voice saving the career of Carew's much better crooner can be overlooked and in the end there are enough good moments to justify watching the film - just hang in there past a poor start.