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Never Wave at a WAC

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Never Wave at a WAC (1953)

January. 28,1953
|
5.9
|
NR
| Adventure Comedy Romance
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A divorced socialite decides to join the Army because she hopes it will enable her to see more of her boyfriend, a Colonel. She soon encounters many difficulties with the Army lifestyle. Moreover, her ex-husband is working as a consultant with the Army, and he uses his position to disrupt her romantic plans by making her join a group of WACs who are testing new equipment.

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Grimerlana
1953/01/28

Plenty to Like, Plenty to Dislike

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CrawlerChunky
1953/01/29

In truth, there is barely enough story here to make a film.

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BeSummers
1953/01/30

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

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Deanna
1953/01/31

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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mark.waltz
1953/02/01

Seemingly influenced by Ethel Merman's success on Broadway spoofing D.C. hostess Pearl Mesta in "Call Me Madam", Rosalind Russell takes on a part that obviously spoofed Goldie Hawn in "Private Benjamin". She's another pushy broad acting like a brigadier general when she's only a recruit. No wonder her obviously flustered husband Paul Douglas divorced her! As a senator's daughter, Russell is totally imperious from the start, desperately in need of a take-down, nor as a woman, but as a human being who is over-wrought with extreme self importance and pretension, especially when she adds President Truman to her list of character witnesses. While it is amusing to watch her make an absolute fool out of herself, I find the military response to her quite unrealistic.On the opposite end of the spectrum is Marie Wilson ("My Friend Irma"), a dizzy striptease artist who needs more than a little help fitting in. These two outcasts manage to change in different ways while going through basic training and eventually finding their footing. Russell's done much better comedy then this, and the story was much better done more than 25 years later.

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Jay Raskin
1953/02/02

Rosalind Russell became a star at 33 with "His Girl Friday" in 1940. Before that, she did mostly small parts. There's a big gap of nearly 20 years in her career before we see her is some of her best later career movies, like "Auntie Mame," "Gypsy," and the "Trouble with Angels" It is nice to see her in a mid-career piece like this from 1953. I watched it on 100 comedy classics from Mill Creek video.This is a reasonably funny piece about an aristocratic woman who joins the army expecting to be made an officer immediately because of her high social standing in society. She learns that the army is a democratic institution and goes through normal training as a WAC.Russell is reasonably delightful. She's given good support by Marie Wilson as a dizzy blond who wants to have a career in intelligence. Paul Douglas plays her husband, perhaps a little too somber and solemn for a piece like this. He's usually better in dramas and film noir.For those who have seen Abbott and Costello's "Buck Privates" or "Private Benjamin" or "Stripes," or other army comedies, there won't be too many surprises. Still, its a solidly amusing piece of work most of the time. It proves again that joining the army is just like going to summer camp, only with guns.

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bkoganbing
1953/02/03

Never Wave At A WAC is the apparently weird combination of Buck Privates and Woman of the Year. The odd thing about it is that it actually works and still will get a few laughs from today's audience. This might have been a script offered to Katharine Hepburn, but Hepburn never really got as physical in her comedy films as Rosalind Russell does here. Still the part of socialite daughter of a United States Senator would normally have been something Hepburn might have done. Yet Russell makes the part all her own.Russell's a bit of a snob and her father Charles Dingle well knows it. During a party where her ex-husband, Paul Douglas, crashes she meets another socialite friend who has just got a commission in the Woman's Army Corps. Russell's current boyfriend is another commissioned officer from public relations, William Ching, borrowed from an Ad agency. He's been assigned to NATO headquarters in Paris. Of course dear old dad will pull some strings and make her an officer and a lady. Except Charles Dingle doesn't want to do it. He says let her in as a buck private and it takes a bit of getting used to before Russell realizes she's not a VIP on the base. And when Douglas who is a scientist doing work for the army arrives on her base the fun really starts.Roz has some good physical scenes, check out the one where she and other WACS are part of a Douglas experiment in arctic conditions. They're not as physical as the ones in Private Benjamin, still Russell gets ample opportunity to display her comic timing.There's also a nice subplot involving Marie Wilson, a stripper who joins the WACs and falls for Sergeant Leif Erickson. Charles Dingle is always one of my favorite character actors and it was really nice to see him as a good guy for a change. He's either a nasty villain like in Edge of Darkness or he's a pompous horse's rear like in Welcome Stranger. He's neither in this film, just a nice down to earth man who happens to be a United States Senator and not pleased with the snobbish ways of his daughter.Obviously because he believed in getting more women in the Armed Services, the then Chairman of the Joint Chiefs of Staff Omar N. Bradley made a guest appearance as himself. He has a moment when calls about Russell's status reach his ears and he refers them to his good friend Senator Dingle who's on a fishing trip.Never Wave At A WAC though eclipsed somewhat for the current past two generations by Private Benjamin still has a lot of laughs. And it's a great introduction to one of the best and most versatile stars from the age of studio Hollywood, Rosalind Russell.

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pamevans46
1953/02/04

This comparatively little known film, with the extremely unlikely storyline is, nevertheless a joy to watch. It is pure escapism with more than a hint of nostalgia for those of us of a certain age. The script is good with some nice one-liners, but because the plot itself is obviously rather weak things become a little laboured. I doubt it would come over as successfully as it does, where it not for the one and only Rosalind Russell - ever able to combine excellent dramatic and comedic acting with the epitome of Hollywood glamour. And where oh where would it have been without that stalwart, always believable, and I think much underrated actor, Paul Douglas as Russell's long suffering ex husband.If you feel like some light hearted 1950s entertainment you could do a lot worse.

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