Ben Hur (1907)

Very disappointing...

Simply Perfect

Easily the biggest piece of Right wing non sense propaganda I ever saw.

An old-fashioned movie made with new-fashioned finesse.

This 'unauthorized' (i.e., made without paying proper royalties) version of "Ben Hur" is exceptionally early. I say this because huge spectacle films were still in the near future--so I was not surprised that this one came off as VERY choppy and the big scenes came off as ridiculously simple (such as the chariot race--it is VERY underwhelming). And, because of this, it's an incredibly unappealing little film. In other words, instead of telling a coherent story, it's like a very brief highlights reel--filled with a few brief clips from the famed story by General Lew Wallace but not telling any sort of narrative. If you think about it, the famed 1959 version by William Wyler was about three hours long. This 1907 version is about 10 minutes!! Audiences at the time could have only enjoyed it if they knew the story already.

In Biblical times, Jerusalem rebels under Roman rule. After an (unfortunately staged) accident fells a Roman soldier, Herman Rottger (as Ben Hur) is taken into custody. William S. Hart (as Messala) orders Mr. Rottger become a slave. Soon, Rottger wins freedom, and seeks revenge against Mr. Hart, in a "Chariot Race". For the famed Chariot Race, the two stars simply ride by a stationary camera, while costumed people cheer.The good folks at Kalem (the film company responsible) were counting on viewers to have either seen "Ben-Hur" on stage, or read the Lew Wallace book. And, undoubtedly, most 1900s flicker watchers had the prior knowledge necessary to understand the action. This film highlights the inferiority of the medium, at that time. Director Olcott and Gene Gauntier, who was credited with having written the "Ben Hur" scenario, would have much greater artistic success with films like "From the Manger to the Cross" (1912). ** Ben Hur (12/7/07) Sidney Olcott, Frank Rose ~ Herman Rottger, William S. Hart

Silly short silent is NOT "Ben-Hur". It's highlights from the book with cards filling in the (many) gaps. The sets are cardboard cut-outs (pretty obviously), ALL the acting is bad and the "direction" is virtually nonexistent. I suppose it's got some historical value as the very first version of the story but is totally lacking in entertainment value. See it for laughs only.

BEN HUR might seem an ambitious undertaking for the early days of the cinema but consider that by 1899 there had already been 2 filmed versions of H. Rider Haggard's SHE and 1 of Oscar Wilde's THE PICTURE OF DORIAN GRAY. The early 1900's saw early attempts at A TALE OF TWO CITIES, THE COUNT OF MONTE CRISTO and or course BEN HUR. The costumes are nice but I doubt the painted canvas backdrops convinced anyone even way back in 1906. The story is intact, as much as a single reel (12 minutes) will allow. In this version Hur does not get sent to the galleys; it is the chariot race which will decide if he is condemned as a criminal or not. Oh yes, even this early version has a chariot race and it is set up to be the highpoint of the picture. Alas, don't expect much in the way of special effects. This race has only two participants, Ben Hur and Massala, and they simply run their chariots around and around a camera which never moves. We all know how the story ends. The panorama, or "pan" shot was in use as early as 1896 when it was invented by an Venitian gondolier named Promio who put a camera in his boat to take a long shot of Venice as seen from the canal. The closeup was around in 1907 as evidenced by a short called MR. HURRY-UP OF NEW YORK but neither accomplishment is seen in this film. It's almost a certainty that audiences were easier to please then, at least they were for a little while, and for its time this version of BEN HUR did indeed offer more than the average one reel short. We are lucky that this version, and so many other early films survive to show us that filmmakers even back then were willing to take chances. At the time nobody knew that a fellow named D.W. Griffith was waiting in the wings gathering experience and developing some ideas of his own.