Doctor Who: Planet of the Dead (2009)

To me, this movie is perfection.

the audience applauded

Best movie ever!

In truth, there is barely enough story here to make a film.

This Dr Who Easter special from 2009 tantalisingly dangles a potential new companion before the viewer in the shape of feisty cat burglar Michelle Ryan's titled bored rich girl character only for the Doc to turn up his nose and continue to fly solo. Beforehand, they share a moderately exciting adventure when after daringly stealing a closely-guarded golden artifact Mission Impossible-style, they find themselves sat together on a red London bus just about to take a trans-dimensional trip to anther world, naturally, where they encounter another world-threatening species, ditto naturally, before saving said world yet again in the nick of time - naturally to the power 3!Borrowing some ideas from Harry Potter (a flying bus, the Doctor's "parseltongue" type dialogue with the Dead Planet's initial batch of aliens) the story's okay if lacking somewhat in excitement or surprises. There's the odd smattering of humour and a nice frisson between Tennant and Ryanm but Lee Evans as a Doctor-adoring UNIT boffin gets too much screen-time.With no single antagonist to act as a focal point, the story struggles to really create tension and thrills and by the end relies far too much on CaGen SFX as the flying menace targets earth for occupation in their millions.Seasonal specials and Dr Who tend to go hand in hand, but this episode failed to really take for me.

I think people are being a little too harsh toward this one. No, it's certainly not a particularly heavy or intense episode - it was more of an entertaining bit of fluff than anything. But it was pretty good as that, and fun to watch.The characters were interesting and engaging, and I was pleasantly surprised they didn't resort to the usual let-you-start-to-like-them-then-pick-them-off-one-by-one thing. I think this may be the first time the Doctor has promised to save some bunch of innocent people and actually managed it without any of them dying (well, except one very early on, but I think that was before the promise). Usually as soon as he says "I promise!" you expect the body count to start.I did like Christina, and hope we see her again at some point. And the one thing I really found least convincing in the whole episode was his reason for not taking her with him - that he isn't going to have any more companions because he's lost them all. I haven't watched that much of the classic series, but at least since its revival in 2005, every companion he's had is still alive and well except for the occasional temporary one from a holiday specials. They may not be travelling with him any more, but it's not like he's brought some horrible fate on them that he needs to start sparing people from. It seemed like a contrived excuse based on the actress not being available or something. But hopefully she'll at least turn up as a guest at some point.The little bit of ominous foreshadowing at the end was nice - a little glimpse of darkness to come, in an otherwise fairly light episode.All in all, no, it wasn't a standout, but it was still fun and fairly well done for what it was. And really, if all the episodes were as intense as some of the best ones have been, it'd be a little overwhelming - like season three of Torchwood, which I think is going to leave a lot of viewers needing therapy. Having a few lightweight episodes to balance the heavier ones is not a bad thing.

As the first of four one hour specials being aired this year, Planet of the Dead marks the first Easter special Writer's Russell T. Davies and Gareth Robert's offer up an episode which has a rather interesting premise and a morally dubious character in Michelle Ryan's Lady Christina Da Souza. An attractive young thief who as the story opens is seen to steal a priceless gold artifact from a museum. Having to make a hasty getaway when she accidentally triggers an alarm and is pursued by the authorities. She jumps on to a double decker bus. It would seem she has made her escape and that her problems are over. Nothing could be further from the truth. Especially when the Doctor boards the bus as well and sits right next to her and as you well know. Wherever the Doctor goes, trouble is not far behind him. Before you know it, the buses passengers find them self being sucked through a wormhole and trapped on an alien dessert planet on the other side of the universe.What follow's is an inoffensive, passable time waster. Nothing spectacular. Which although not bad, you can't help but feel it could have been so much more. The episodes first half get's off to a cracking start with the museum robbery which instantly grabs out interest and contains an elaborate well choreographed scene. But once the action shifts to the bus then the pace begins to slow down and what we're left with is a leaden bit of exposition as we're introduced to a number of throw away characters who offer little to the plot.Tennant once again is as wonderful as ever as the heroic Time Lord. At least offering something of interest to proceedings and he's adequately enough supported by Michelle Ryan who although fine as the feisty, flirtation Lady Da Souza, Isn't totally convincing in the role. It doesn't help however that she is lumbered with a two dimensional character who's sole purpose is to flirt with Tennant. Not to mention some of the cheesy dialogue she has forced upon her. Da Souza is so irritating post feminist. An attempt by Davies and Robert's it seems to foist a 21st century proactive heroine on us. Independent, confident. When all she comes across as is a reject from 'The Avengers'.Once the action shifts and see's Tennant and Ryan venturing in to the planet's dessert plains then the pace really begins to get moving again and the story begins to unfold. Which although not entirely original and seems to borrow much from the Stepehn King mini-series, 'The Langoliers' as well as 'Pitch Black'. But never the less, there's still something to enjoy here. Lee Evan's manages to elevate things with his performance as the comically eccentric Prof. Malcolm Turner. Effecting a welsh accent and having some inspired moments with Tennant's Doctor who seems to have met someone more quirky than himself.The overall result is a passable runaround which sadly is a bit of an anti-climax. While Davies and Roberts inclusion of a middle aged black woman who has psychic powers as a way to hint at what's to come is a unsubtle contrivance which has already been done to death through the series.I wouldn't expect too much from 'Planet of the Dead'. It's an undemanding, fun and serves as nothing more than filler before the upcoming 'Waters of Mars' and Decembers Christmas specials which will see Tennant bow out of the show. But if this outing is anything to go by. Then Tennant's swan song may be something of an anti-climax. But who know's. I'll just have to keep my fingers crossed and hope for the best.

This episode of Doctor Who is watchable and no more. No drama or tension and most of the performances seem forced and pathetic. The aliens were boring and had very little effect, the humanoid aliens were a direct homage to the original version of The Fly, which was made in 1957 but nevertheless proved more interesting than this episode of Doctor Who. Don't fear however, not all is lost. The old woman at the back of the bus psychic ramblings may have been irritating at first, but pay off in the end when she warns the doctor of things to come.Considering how poor this episode was and the Christmas episode was, does not bode well for the specials coming later in the year. New doctor who fans are beginning to lose faith in the series, so Russell T. Davies better have something spectacular planned if he wants Doctor Who to be popular with the younger generation once more. If not, more and more families are switching to ITV for their Saturday night TV line-up....