A Fool (2015)
With his directorial debut actor Chen Jianbin walks in the footsteps of A Touch of Sin, No Man’s Land, and Black Coal, Thin Ice and offers a hard-edged mainland noir where kindness and cruelty, madness and reason, greed and humanity all struggle for dominance and the fool might not be who you think . The hook here is Chen’s amazing performance as the simple, slightly crude Latioazi, a goat farmer who has a son in jail. When a young mentally handicapped man follows him home one day and enters his life, it sets off a blaze and a chain of events follows, which bares China’s class divide raw. His random act of reluctant kindness invites a parade of strangers and grifters all intent on draining Latioazi of what little he has.
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Fantastic!
It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Good films always raise compelling questions, whether the format is fiction or documentary fact.
I viewed this film on a trans-Pacific flight recently. It did not disappoint. It is another in a growing body of films from the 5th generation of mainland Chinese directors onward that captures the pathos of living in a society where trust of anyone outside the family risks loss of face or worse.In "A Fool," anyone with "ren qing," or a heart for the plight of common people, is susceptible to playing the fool. But this film is not merely a cautionary tale as it richly reveals the irony first captured in The Beatles song, "The Fool on the Hill," albeit not deliberately. The film forms a question for the viewer: Who is the real fool in a country where civil society is so lacking and where the government does little to encourage it much more inspire it?I was genuinely touched by misadventures of the sheep farmer who tries to do the right thing to such a consistent degree that he has gained notoriety in town for it. But his reputation is tainted by a gnawing sense that he is ridiculed more than admired for his simple humanity. Even his dignity is called into question by his abiding wife and his would-be benefactors, adding an element of pathos, to what are otherwise quite funny retorts bordering on gallows humor.It helps if the viewer already has an appreciation for this brand of humor as well as some socio-cultural understanding of rural life in contemporary China, although it is not necessary.
The film is made in a traditional way with a clear structure and story line. Quite a simple story in a quasi-documentary style. The story happens in a few locations - the main character Latiaozi's bungalow, Datouge or 'big head brother's' car, a high slope in Latiaozi's village and the police station. The story unravels mainly in the above locations back and forth. It's a little like a documentary in that it records people's everyday life. The songs played in big head brother's car are from almost ten years ago, which is probably the time background of the story. The TV drama that Latiaozi and his wife Jinzhizi watch seem to be an old Hong Kong series. The actor/director Chen Jianbin's northwestern accent, which sounds like a Mandarin speaker attempting to speak a dialect with no avail, isn't convincing at all, although Chen himself is originally from northwestern China.