J.D.'s Revenge (1976)

Am i the only one who thinks........Average?

In truth, there is barely enough story here to make a film.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

J.D.'s Revenge (1976) ** 1/2 (out of 4)This blaxploitation film starts off in the 1940s as a man is shot dead by some mobsters. Fast-forward to the current times and law student Isaac (Glynn Turman) is out with his girlfriend and friends when he is hypnotized. It doesn't take long for something to snap in Isaac and before he knows it he's got the spirit of the dead man in him and he goes seeking revenge.J.D.'s REVENGE is a pretty good blaxploitation movie that not only pay homage to the various gangster classics but it also has a touch of the Jekyll and Hyde storyline. I'm a little surprised that this film isn't better known among fans of the genre because the picture is quite sleazy at times and features all the terrific dialogue and situations that you'd expect.I think some of the best moments happen towards the end and especially when the Isaac character begins to change and become more and more like a gangster rather than his "good" self. Turman does a very good job in the role as he's basically playing two different parts and he's quite believable in both. I especially liked him in the role of the bad guy and I thought the actor did a marvelous job at switching back and forth between the characters as well as the multiple personalities of the bad guy. You also get some nice supporting performances including Louis Gossett, Jr. as a Reverend with a few secrets of his own.The horror elements of the picture are good for what they are but I think a lot of people will be shocked to see how sleazy the movie is. There's all sorts of nudity as well as a couple graphic sex scenes that help make the picture stand out. You've also got that "jive" or hip style of talking throughout and this too adds to the entertainment. J.D.'S REVENGE might not be the most original movie out there but there are a lot of good elements that make it worth watching.

J.D's RevengeThe best way to tell if you've been possessed by an African American is if the police start arresting you for no reason.Unfortunately for the victim in this horror movie, he's already black himself.Sweet-talked into being the dupe for a hypnotist by his wife (Joan Pringle), law student Ike (Glynn Turman) instead becomes the unwitting vessel for the vengeful spirit of J.D. Walker (David McKnight), a New Orleans street hustler murdered in the 1950s.Adapting J.D's mannerisms and flamboyant attire, Ike unknowingly begins exacting revenge on Theotis Bliss (Fred Pinkard), the man who killed J.D's sister. The only person standing in Ike/J.D's way is Theotis' brother, Reverend Elijah (Louis Gossett Jr.).An intriguing fusion of Blaxploitation stereotypes and horror movie sensibilities, this cult classic can be as gruesome and violent as it can be campy and thrilling.Incidentally, in the 1950s black ghosts weren't allowed to haunt white families.Yellow Lightvidiotreviews.blogspot.ca

Warning- Extensive spoilers--JD's Revenge was a horror thriller released in 1976. Hitting theaters near the wane of African-American themed genre films, it was released by American International Pictures, which had become perhaps the most prolific American studio to produce 'blaxploitation' movies.Glynn Turman stars as Ike Hendrix, taxi driver and law student in New Orleans, who has a live-in girlfriend, Chrisette (Joan Pringle). A night on the town with another couple brings the group to a stage hypnotism show. During the show, Ike somehow is possessed by the spirit of J.D. Walker (john smith), a local hoodlum active during the 1940s who met a violent end at a meatpacking plant. Shortly, Ike begins to exhibit odd behavior—he buys a vintage used hat, has frequent headaches, but soon his behavior becomes sinister as J.D.'s influence comes to the fore.Terrorizing cab riders and womanizing are among the sins J.D. commits with Ike's face. Of particular interest to J.D. is the reverend Elija Bliss, who pastors a popular church in town. As played by Gossett, Reverend Bliss likes to use boxing metaphors in his sermons; his brother Cleotis apparently handles the business affairs for the church, but based on his dialogue he is not remotely the believer that Elija seemingly is. Indeed, Cleotis 'reminds' Elija that the church is just a barely-veiled hustle, and sends some ushers to rough up Ike when he takes Elija's lustful daughter home.Pros New Orleans is an interesting change of pace from the most frequent genre settings of New York (Harlem) or Los Angeles. Bourbon Street and other locales are showcased. The film handles Ike's internal struggle fairly well—mild mannered and genial normally, smug and swaggering as J.D. By the film's climax the possessed Ike has permed his hair and bought a garish suit to complete his 'old-school' look. The principal and supporting actors all play it straight, which helps avoid a campy feel to what is already a high-concept story. Some unintentional humor is wrought from a doctor who suggests to stressed-out Ike that he smoke some marijuana to calm down. The same can be said for when the movie's main couples celebrate an anniversary at a topless nightclub. Slightly less humorous is Ike's pal coming up with a rather reaching justification for Ike's slapping around Chrisette while possessed.Cons The climax of the film sets up a revelation that clever viewers may likely have figured out beforehand. The epilogue is fairly cut and dry despite the fantastic series of events that just took place. Despite some mirror-image appearances, there is no verbal confrontation between Ike and J.D., which could have been interesting—instead, Ike just totally blacks out whenever J.D. takes over. There are also several subplots that the movie seems to ignore: Shortly after the possession takes place, Ike visits a pimp to place a numbers bet (hinting at a possible criminal past for Ike) but this is soon forgotten; Reverend Bliss' past suggests that he was not only a former boxer but that he was involved in some sort of racketeerism, and his current career as a pastor may not be completely on the up-and-up. Ike assaults a man after sleeping with his wife; despite Ike being identified as a suspect, this is forgotten by film's end. A possessed Ike sexually assaults Chrisette in an overlong sequence; juxtaposed with the rather pat resolution at the end, it makes her look gleefully forgiving when she should not be—on that note, most of the women in the film are murder victims, harshly abused or sexually loose.

I have seen many movies and played many video games. It is the most bad movie my life has seen. I live in Brasil and we get many bad movies. This is the most bad. I go to the grand theater to pay to see this movie. I stay up into the night to see this movie. The man has a spirit transcend his body and he then is a bad man. He walks around to play murder on women. I prayed. This movie is not a new movie and new movies are not all good. I typed in the words so I could tell everyone they should not see this movie. I have bad feelings about this movie. I have two children now and if they are very bad I will take them to see this movie and stay up into the night and see how bad it can be. If you think this movie is bad like I think you can email me. Sincerely, Lewis Naeem