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Jive Turkey

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Jive Turkey (1974)

November. 01,1974
|
4.6
|
R
| Drama Action Comedy Thriller
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In 1950s Harlem a vicious Italian gangster (Frank deKova) tries to muscle in on a black racketeer's (Paul Harris) numbers game.

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FeistyUpper
1974/11/01

If you don't like this, we can't be friends.

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Pluskylang
1974/11/02

Great Film overall

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Derrick Gibbons
1974/11/03

An old-fashioned movie made with new-fashioned finesse.

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Zandra
1974/11/04

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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MartinHafer
1974/11/05

In the early 1970s, one of the most profitable genres in films were the Blacksploitation movies. Some were made by major studios and featured excellent actors and scripts. Most were made by tiny studios and with second-rate acting, scripts and effects. Regardless, they all were quite entertaining and watching new black heroes and anti-heroes fighting 'the man' was quite enjoyable...especially for audiences not used to seeing their race winning against the traditional white establishment. Considering the cultural and political climate at the time, it's easy to see why these films were wildly successful. "Baby Needs a New Pair of Shoes" ("Jive Turkey") is one of those movies in the second group--very low budget and not particularly polished. Most of the cast are obviously not experienced actors and the production values are not great--especially since the film is supposed to be set in 1956 but looks mostly like 1974! It was obviously made on the cheap and has a homemade quality about it. But despite its shortcomings, is it any good? Paul Harris stars as Pasha...the black mob boss who controls Harlem. However, the white mobsters are looking to push into his territory and eventually you know it's going to erupt into an all-out war with Big Tony (Frank DeKova). Up until then, there is a lot of nudity, prepping for war and jive talk from the brothers...as well as the cops, who are ALWAYS working for the man, rousting the folks of Harlem and putting a cramp on Pasha's style...and man, does he have style!The acting ranges from decent to terrible in this film. Blame the budget for this. But it is entertaining and never is dull-- especially when the trans assassin beats her johns to death with her high heels! And, like most of the blacksploitation pics, this one is very adult...with ample boobage, cursing, extreme violence (at a much higher level than usual for these films) and incredibly politically incorrect language!

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Rainey Dawn
1974/11/06

Baby Needs a New Pair of Shoes AKA Jive Turkey This is one of the films in the Drive-In 50-pack Collection. As we all know the 50-packs will contain films you like and films you dislike. This is one of the films I dislike - I found it rather boring.I love crime thrillers. But this one is not my cup of tea. I found myself extremely bored with the film. Maybe I would like it better with a cast that I like -- I was not very happy with the casting they couldn't hold my attention.About the only half way interesting character in this film is the man-girl that everyone wants to have sex with and kills people. Otherwise the rest of the characters bored me to tears.1/10

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dbborroughs
1974/11/07

This is a low budget, made on the cheap film that does possess some charm. The problem is that it meanders all over the place and never picks up any real steam. The plot begins with a sit down between Pasha and his Italian gangster counter part Big Tony (played by the top billed Frank DeKova aka Chief Wild Eagle from F-Troop in the first of his two scenes). Tony tells Pasha he has to hand everything over to him and his boys or they will kill him. Pasha's girl kills Tony's man, which you would think woulds spark a gang war, it doesn't, instead it spurs the Mayor to try and close Pasha down. This leads to the numbers operation being moved, police raids and some talk about fighting back. The Italian mob does try to kill Pasha but it never amounts to much. This is a black-ploitation crime drama that is short on action.The problem seems to be that they had almost no money to make this movie. its suppose to be set in 1956 but people wear clothes from the 1970's and the streets are filled with cars made well after 56. I'm guessing that they couldn't afford any money for blanks, or if they did they didn't have very many. What violence there is tends to be fist fights or beatings, which can be very bloody. Its disappointing especially after the opening scene. I had the sense while watching it that this was suppose to be a larger, more detailed story (there are details hanging off the screen that seem to connect to a longer story) and it wasn't filmed because of money or the film was unfinished.Its a messy movie but I liked it. The writing is at times sharp and witty, even if the cast isn't up to it. There are numerous lines of dialog that deserve to be quoted. You have a bunch of interesting characters that seem very real. I also liked that the plot never went where you expected it to go, even though it became clear early this was headed for left field by a completely new route. Its best described as a low budget attempt at something other than your typical crime drama (black or white). No it won't win any awards but if you're an adventurous film goer it deserves to be seen, if for no other reason than to imagine it remade by Mario Van Peebles, Quentin Tarantino or the Hughes Brothers. You probably won't rave, but it will stick in your head.

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Scott_Mercer
1974/11/08

*** YO MAN! LOOK OUT FOR THE SPOILERS!!! *** I saw this under the reissue title of "Jive Turkey." This MUST have gotten some play at the inner-city grindhouses back in the 1970's. And those poor souls that sat in a theater and watched it must have wanted their $2.00 admission back.Where to begin? This is a crime action flick with a mostly black cast, released in 1974. So far, so good. But it is also a PERIOD PIECE that takes place in 1956. Whoa. And they don't pull it off successfully. The costumes are not right, everyone's hair is just too big, and you can see 1973 cars driving by in the background of most of the exterior shots. Okay, I know, it's low budget. But the producers clearly bit off more than they could chew here.As far as the plot, here it is: Italian mobsters try to muscle in on the racket of the iron-fisted "Pasha", big daddy of the numbers rackets in The Hood. (I think it's filmed in Cleveland, but it's never specified. I saw an Ohio license plate at one point.) He'll let the Eye-Ties sell heroin, but Pasha doesn't sully himself with such things, 'cause only some people shoot smack, but EVERYBODY runs the numbers.But once the Mafioso (played by F-Troop's Frank DeKova!) starts messing' with the Pasha, some heavy duty s*** is gonna go down. There's a few hits, stabbings, shootings, some time at the local cathouse, and a drag queen hit man (not revealed as a man until the end of the film -- although I've seen much uglier transvestites, it was no big shock that she was a man). Some highly bloody murders here, with the psycho hit queen laughing maniacally as the camera lens is covered in fake blood.In the end, "Pasha" kills the Mafioso (just strangles him to death, that's kind of lame), wipes out the "rat" in his own organization, and blows town with a butt load of cash before the cops can get at him (it's an election year and they can't be bribed right now). Our "hero" survives yet again.The writing is okay, with a few good zingers here and there. The acting is not bad (if you want some really bad acting in a movie like this, check out THE GUY FROM HARLEM), but no great shakes either. The direction is acceptable, but the poor execution of the 1956 setting is highly distracting. Didn't allow me to suspend disbelief for a second. One more thing I should mention is the music by ERNIE BANKS! Is that Mr. Cub, or a different Ernie Banks? There is some entertainment value here, and the whole effect is quite shlocky, so I give it a 4. You could do worse. Of course, if you're a fan of this genre, you need to check this out. Definitely a rare item, and probably one of the few period pieces from the classic Blaxploitation period. Available on a 50 Movie DVD box set called "Drive-In Classics," but I doubt this played at too many drive-ins. This same box set also contains THE GUY FROM HARLEM among other treats of bargain basement celluloid.

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