Ride, Ranger, Ride (1936)

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

The film may be flawed, but its message is not.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Best not to pay close attention while watching this one, the longer it goes the less sense it makes. Consider Autry's character for starters - today he would be on the politically incorrect side of things by insisting that the Comanches are getting ready to attack a supply train heading for Fort Adobe. For his part in an altercation with an advance party, Autry is cited for general court martial for disobeying orders, jeopardizing a peace treaty and indirectly causing the death of a trooper. Colonel Summeral (Robert Homans) states that upon his court martial, he'll also be reduced in rank - how does that work? But after a bar brawl in which Gene participates, he's asked to resign the Cavalry!?!? But later, when the Indians actually do attack, the Colonel reminds Autry that even though he was right, he's still scheduled to be shot!?!? Did anyone proofread this script?Apparently I'm not alone, because a handful of other reviewers on this board have similar issues with the picture. There's not a whole lot to recommend here for Western fans in general, or Gene Autry fans in particular. Perhaps you can give the story some credit for supplying Gene with two nominal sidekicks, Smiley as usual doing an early Frog Millhouse, and Max Terhune as Indian scout Rufe Jones. I'd have to say that the comedic nod goes to Max, even without Elmer around. The fact that Smiley had to outrun Chief Thundercloud trying to take his scalp was more surreal than funny to my mind, though I'm sure young matinée fans back in the day got a kick out of it well enough.Another oddity compared to most of Gene's flicks has to do with the musical offerings. Some of his pictures manage up to ten songs in an hour long format, but here there's only two, but they're performed multiple times! Like 'On the Sunset Trail' that gets delivered twice, and the title song that pops up three times in the course of the story. I don't know, I guess even Gene is entitled to a clunker every now and then considering his historic career in film and as a businessman afterward. But "Ride Ranger Ride" is not one of his better ones, and if I had to bet, even Champion knew it because he kept his name out of the credits list.

This Gene Autry film has two distinctions. First, it's one of the few westerns I've seen with TWO sidekicks--Max Terhune and Smiley Burnett. I've never seen this before and doubt I ever will again, as it's completely against the usual formula. Second, the film has the distinction for begin the most anti-American Indian film I've ever seen--and I've seen a lot.The film begins with Gene and Max leaving the Texas Rangers and joining up to help the Cavalry. However, it soon becomes clear that the Colonel is a complete potato-head--with the brains to match. He loves the Indians and refuses to accept the idea that any of them could be in any way bad. Gene and Max (particularly Max) think the only good Indian is a dead one--and they are sure to say this again and again. In their estimation, Indians are an evil that needs purging--and they sound like they are about to go on some ethnic cleansing. So guess who is proved right in the end?! Aside from having a hate-filled and historically inaccurate script in regard to Indians, the film repeats the myth of the attack on the wagon train and circling the wagons--things that, despite being in films, didn't happen in the old west. An accurate view of the tribes would have been that SOME are pretty hostile and some are not--much like what you would say about any group of people. I don't say all this because I am Mr. Political Correctness but as a retired history teacher, I just like to see the facts straight. Overall, a stupid and terribly written film that is sure to ruffle a few feathers!

Fairly tame Gene Autry vehicle (as if there were any hard-hitting, serious-minded ones) that deals with Autry and his pals getting jobs with the Texas Rangers, In this we realize a number of things.. we see that the rangers are trigger-happy when it comes to arresting Autry (and rehiring people on the spot), it shows how to to do the old flattened metal dish to block doorways from being locked, how people are around handily to turn tables over when there's a fight, and how the Indians, while using their "Man go that way" type of talk, also use sign language to get their point across. This is a rather curious movie, that teaches us that the Texas Rangers are not to be trusted, has an EXTREMELY lame love interest, and how they are able to get a song in our head by repeating it 3 times. Yikes!

Although made in 1936, this film has the stodgy, choppy, primitive look of a B western of 1930 or 1931. I'm not particularly an Autry fan, but I've seen far better examples of his work than this. The script is forced, the "humor" involving an Indian repeatedly trying to scalp Frog (Smiley Burnette) to collect on a bet is not only unfunny but insulting and degrading, even for the 1930s. The songs are uninspired and leaden, Autry's delivery of both dialogue and lyrics are even more wooden than usual, and the tinny, uneven sound quality is reminiscent of the worst of PRC. Republic's westerns are usually much more technically proficient and accomplished, and director Joseph Kane has done far, far better work both before and after this film came out, so I'm not quite sure what the problem was with this picture, but it had more than its share of them. On the other hand, there's a somewhat exciting horse race, and Kay Hughes, as the girl fought over by rivals Autry and George J. Lewis, is ravishingly beautiful, much more so than many of Autry's other Republic leading ladies, and that goes a long way toward making up for the film's deficiencies, both technically and otherwise. But it's not quite enough to cover the fact that this picture is definitely one of Autry's weakest efforts. Skip it; you won't be missing much.