Blackout (1996)

It's no definitive masterpiece but it's damn close.

I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

"Huh?" Brian Bosworth stars as John Gray, a successful banker. When walking to his car one day, while jammin' out to his Walkman, he gets run over in a funny way (which is worth a rewind). He wakes up in the hospital and remembers virtually nothing but has black and white flashbacks to his former life. (Which are shot in the manner of 30's style gangster films).Once out of the hospital, he goes back to his wealthy life which he doesn't remember. His wife looks like Kathie Lee Gifford and he seems strangely unsatisfied. As his flashbacks become more prevalent, he goes on a quest for truth and you can always tell because he wears a trench coat throughout the movie.Meanwhile, local dandy villain Thomas Payne (Dourif) is the leader of a gang of multiracial baddies and after a prison break at the beginning of the movie, they start working out of a sleazy dive in L.A. (is any other kind of dive?) There is a grudge between the gang and "Da Boz" revolving around a past life in jail and a secret tattoo. With the help of a spunky cocktail waitress, Gray fights to take back his life! Bosworth is perfectly cast as Gray, because it allows him to, throughout the whole movie, seem like a confused dunderhead, constantly making statements such as: "Huh?", "Oh Man!", "aaaaahhh!" and the classic "Nooooooo!" One of its many alternate titles could be "Huh?": The Movie". One of the best lines in the movie is when Gray sees a crucifix on the wall and starts to remember something and says "Christian? That means something..." Depending on the angle, he alternately looks like Dolph Lundgren, Aaron Eckhart and Neil Patrick Harris. As a banker, he looks like a meathead stuffed in a suit with funny suspenders.Brad Dourif seemed to relish his role as the hat lovin' baddie. ("You should wear the hat, the hat shouldn't wear you.") Let's not forget about one of Payne's minions who looks just like Sonic The Hedgehog's nemesis "Dr. Robotnik". Also when Payne threatens a Mexican bad guy at gunpoint he pleads for his "Bambinos" which is clearly Italian.Seeing as the movie takes liberally from "Robocop" and "Total Recall", it is safe to assume the writers were influenced by Paul Verhoeven. On a bizarre note, there are a lot of allusions to the songs "Y.M.C.A.", "In The Navy", and "Macho Man". It is also safe to assume they were clearly influenced by The Village People.At the end of the day, "Blackout" is better than average Direct-To-Video fare. Bosworth and the rest put in enjoyable performances.Don't forget: He hates menthol.Comeuppance Review by: Ty & Brett For more insanity, please visit: comeuppancereviews.com

At the start of the movie, a prison bus is wrecked intentionally, and a group led by Thomas Payne takes some prisoners (including Scar) off the bus, though many of those on the bus are shot.At day's end, John Gray leaves his job at the Arizona State Bank only to get into an accident that leaves him with amnesia. His wife takes him back to their fabulous home hoping he will remember something.John keeps seeing visions and having nightmares. He sees Payne and Scar, as well as a tattoo worn by some of the prisoners who were on the bus.John returns to work when he is well enough, but his memory is returning very slowly. Each revelation comes with excitement and even some humor.In the process of investigating his past life, John calls The Rebel Bar in Los Angeles, where the bartender thinks he sounds like Wayne Garret. Later, Payne and Scar hear that Wayne may have turned up.A tattoo artist refuses to help at first when John shows him the design, but after some persuasion John is told this is a tattoo worn by people he would probably not want to associate with.John goes to Los Angeles, where he teams up with cocktail waitress Jenny to find out the truth about his past. Why does Jenny help him? Because during one of his episodes, he thinks Jenny is his wife and helps her out of a jam.I'm glad I didn't judge the movie by its very violent opening scene. There are a few scenes that would appeal to the macho types who enjoy gunfire, explosions and car chases. As you might expect, many of these are near the end. But it was the mystery that appealed to me, watching the details of John's past life unfold slowly.Plus the interaction between John and Jenny proved to be my favorite part of the movie. Jenny is pretty, tough, and intelligent. Not to mention funny. At one point, she reminded me of Erica Durance, the feisty young Lois Lane in "Smallville".Scar is ... colorful. Sort of like a WWE wrestler. Payne is eerie.It was good. Just more violent than I would have liked.

Don't judge this one by its cover- "Black Out" is a smartly-plotted film noir piece that has surprisingly sharp writing. It is tainted by a noticeably tight budget, but this is a movie that deserves the respect it will probably never get. This is "A History of Violence" with a lesser budget and director, resulting in unfortunately generic production values.Keep an open mind and you'll enjoy it. "Black Out" is the story of an accountant named John Gray who's perfect life falls to pieces when a tragedy sparks memories of a suppressed past double life. He finds himself on the run, trying to piece his old life back together while simultaneously fighting off mobsters who want him dead. These flashbacks are told in washed out black and white- nodding to the classic film noirs and providing wonderful homage to them.This is a knockout story considering "Memento" and "The Bourne Identity" (the movie, anyway) wouldn't come out until years later. A better actor than former NFL star Brian Bosworth could have taken the role of John Gray-and the movie for that matter-to a higher level, but he makes do. The real problem proves to be the direction. Allan A. Goldstein achieves greatness in some areas of the film, (like the stylish flashbacks and the flawless realization of the story) but he messes up with some of the action scenes. They are awkwardly cut, which probably indicate sloppy direction of the scenes. He didn't do an adequate enough job capturing everything going on during the action, so most of the action becomes incoherent and forgettable. Also, he didn't seem to invest much in the art department, being that the production design is hopelessly bland. The constant generic feel eats away at any hope of the gritty atmosphere the story so desperately needs.Do give this one a try, though. It is fascinatingly written and the talent involved is more than you'd expect from a movie staring Brian Bosworth, who really isn't all that bad- really! (3 out of 4)

I just want to tell you that I found the music of that "B serie" very interesting especially while the long credits at the end of the movie : you can listen to a piano playing smoothly with a sweet echo, it 'svery pure and easy to listen, you feel even relaxed after it. I think I could buy the DVD only for listening to the music ! Great Composer "Terry Plumeri" would surely deserve greater movies to enhance his talent !...